This book, first published in 2004, develops a theoretical concept for understanding the Roman art of images.

An introduction to the study of ancient Roman art in its social context.

Analysis of the body language of statues of men and women as an indicator of gender relations in Roman society.

A complete introduction to the rich cultural legacy of Rome through the study of Roman art ... It includes a discussion of the relevance of Rome to the modern world, a short historical overview, and descriptions of forty-five works of art in the Roman collection organized in three thematic sections: Power and Authority in Roman Portraiture; Myth, Religion, and the Afterlife; and Daily Life in Ancient Rome. This resource also provides lesson plans and classroom activities."--Publisher website.

This second edition examines all aspects of Roman history, and contains a new introduction, three new chapters and updated bibliographies.

Traditional studies of Roman art have sought to identify an indigenous style distinct from Greek art and in the process have neglected the large body of Roman work that creatively recycled Greek artworks. Now available in paperback, this fresh reassessment offers instead a cultural history of the functions of the visual arts, the messages that these images carried, and the values that they affirmed in late Republican Rome and the Empire. The analysis begins at the point at which the characteristic features of Roman art started to emerge, when the Romans were exposed to Hellenistic culture through their conquest of Greek lands in the third century B.C. As a result, the values and social and political structure of Roman society changed, as did the functions and character of the images it generated. This volume, presented in very clear and accessible language, offers new and fascinating insights into the evolution of the forms and meanings of Roman art. "Zanker, one of the foremost ancient Roman art historians, has produced an excellent general study of Roman art and its reception. . . . This book would be ideal for students at all levels interested in Roman art, history, and culture."—Choice

This is a collection of specially commissioned essays exploring the interface between words and images in the Roman world.

This collection of scholarly, yet accessible articles focuses on themes encountered in the study of Roman art and architecture. It covers the forms and meanings of imperial propaganda, the role of art and architecture in conferring or enhancing status, the commemoration of ruler and citizen in portraiture and funerary art, the interpretation of mythological subjects, and the significance of sculptural displays in architectural settings. For Roman art historians and artists.

Examines the imperial mythology that was reflected by Roman art and architecture during the rule of Augustus Caesar