Combining the African sources and British colonial traditions, this poetry shares its roots with rap and reggae and has the same hold on the popular imagination. It discusses the work of more than thirty poets and performers and gives detailed analyses of the major ones.

Sensuous, spare language exploring color, race and love in the Third World from the author's Jamaican perspective.

The Land Behind is a story about love, trust and friendship. It revolves around Josie, the main protagonist, and her relationships with her immediate and beanpole (extended) family members as well as her friends. Intertwined with this are her adventures in the land behind her house, whose mysterious happenings challenge her understanding. Later in the story, she learns that much of the adventures in that land are prophetic. They bewilder her and like pieces of a jigsaw she must work out her experiences in order to make sense of it.

When Gideon discovers a mysterious drawing tucked in an old journal he returns to his mission area in Jamaica with dreams of finding a legendary treasure. Some would kill to keep the treasure secret. This thrilling adventure takes you deep into Jamaica's treacherous cockpit country and back in time for a spine-tingling mystery you won't be able to put down.

The father is incarcerated; the mother of his children is working two jobs to provide shelter, food, and clothing to the children. Partly as a result of his incarceration, she has grown as a person, due to the obstacles and choices she has had to make, while he has become less confident because of the lack of decisions he is allowed to make. Add to that situation children who have grown up without a father role model in their lives, who are angry and embarrassed over the situations they have been placed in. Throw in the standard judgment of free world people. He is there for a reason. Do we even realize that the whole family is doing time together? The only catch is, the kids and wife are doing time for crimes they did not commit. Where is the hope in such situations?

Long recognized as a master teacher at writing programs like VONA, the Loft, and the Stonecoast MFA, with A Stranger's Journey, David Mura has written a book on creative writing that addresses our increasingly diverse American literature. Mura argues for a more inclusive and expansive definition of craft, particularly in relationship to race, even as he elucidates timeless rules of narrative construction in fiction and memoir. His essays offer technique-focused readings of writers such as James Baldwin, ZZ Packer, Maxine Hong Kingston, Mary Karr, and Garrett Hongo, while making compelling connections to Mura's own life and work as a Japanese American writer. In A Stranger's Journey, Mura poses two central questions. The first involves identity: How is writing an exploration of who one is and one's place in the world? Mura examines how the myriad identities in our changing contemporary canon have led to new challenges regarding both craft and pedagogy. Here, like Toni Morrison's Playing in the Dark or Jeff Chang's Who We Be, A Stranger's Journey breaks new ground in our understanding of the relationship between the issues of race, literature, and culture. The book's second central question involves structure: How does one tell a story? Mura provides clear, insightful narrative tools that any writer may use, taking in techniques from fiction, screenplays, playwriting, and myth. Through this process, Mura candidly explores the newly evolved aesthetic principles of memoir and how questions of identity occupy a central place in contemporary memoir.

The Land We Leave Behind... a book embedded in some fiction, is the true story of a man's conviction that his civilization having been decimated by the effects of the slave trade is now being threatened again. This time it's not only from the moral authority of a radical Roman Catholic priest, but from the conflicting views of his own son's dithering with the very basic tenets of an upbringing he grew up embracing. Torn between his new found love in the woman he met in America, an

I’LL BE WATCHING YOU Walking home on a dark night, you hear footsteps coming up behind you. As they get closer, your heart pounds harder. Who is closing in with dangerous intent—a total stranger? Or someone you know and trust? The answer is as simple as turning around, but don’t look behind you . . . run. Ann Rule, who shared her own nerve-jangling account of unknowingly befriending sadistic sociopath Ted Bundy in The Stranger Beside Me, chronicles other fateful encounters with the hidden predators among us in this riveting collection, fifteenth in the bestselling series drawn from her personal files. First in line is a stunning case that spanned thirty years and took a determined detective to four states—ending, finally, in Alaska—where he unraveled not one but two murders. A second case appears to begin and end with the hunt for the Green River Killer, focusing on a Washington State man who was once cleared as a suspect in that deadly chain of homicides. But the millionaire property owner believed he had successfully buried his own murderous past and the awful truth behind his young wife’s disappearance. She vanished soon after she left for a day at the Seattle World’s Fair, and her three small children grew up believing their mother had abandoned them. But one amazing witness remained—the missing woman’s best friend, who heard her last words in a frantic phone call—“He’s coming!”—before the line went dead. Only since Robert Hansen’s suicide has the monster within been revealed. In another true story, a petite woman went to a tavern, looking only for conversation and fun. Instead, she met violent death in the form of a seven-foot man who had seemed shy and harmless. You’ll feel a chill as you uncover these and numerous other cases of unfortunate victims who made one tragic mistake: trusting the wrong person—even someone they’d known intimately, or thought they knew.

From New York Times bestselling author Helen Rappaport comes a superb and revealing biography of Mary Seacole that is testament to her remarkable achievements and corrective to the myths that have grown around her. Raised in Jamaica, Mary Seacole first came to England in the 1850s after working in Panama. She wanted to volunteer as a nurse and aide during the Crimean War. When her services were rejected, she financed her own expedition to Balaclava, where her reputation for her nursing—and for her compassion—became almost legendary. Popularly known as ‘Mother Seacole’, she was the most famous Black celebrity of her generation—an extraordinary achievement in Victorian Britain. She regularly mixed with illustrious royal and military patrons and they, along with grateful war veterans, helped her recover financially when she faced bankruptcy. However, after her death in 1881, she was largely forgotten. More recently, her profile has been revived and her reputation lionised, with a statue of her standing outside St Thomas's Hospital in London and her portrait—rediscovered by the author—now on display in the National Portrait Gallery. In Search of Mary Seacole is the fruit of almost twenty years of research and reveals the truth about Seacole's personal life, her "rivalry" with Florence Nightingale, and other misconceptions. Vivid and moving, In Search of Mary Seacole shows that reality is oftem more remarkable and more dramatic than the legend.

This volume pays tribute to the formidable legacy of Hena Maes–Jelinek (1929–2008), a pioneering postcolonial scholar who was a professor at the University of Liège, in Belgium. Along with a few moving and affectionate pieces retracing the life and career of this remarkable and deeply human intellectual figure, the collection contains poems, short fiction, and metafiction. The bulk of the book consists of contributions on various areas of postcolonial literature, including the work of Wilson Harris, the ground-breaking writer to whom Hena Maes–Jelinek devoted much of her career. Other writers treated include Ben Okri, Leone Ross, Kamau Brathwaite, Jamaica Kincaid, Peter Carey, Murray Bail, Patrick White, Janice Kulyk Keefer, Dan Jacobson, Joseph Conrad, and Eslanda Goode Robeson. Caryl Phillips revisits his earlier reflections on the ‘European tribe’. There are wide-ranging essays analysing consanguineous authors, on such topics as Caribbean treatments of the Jewish Diaspora, Swiss-Caribbean authors, the contemporary Australian short story and the Asian connection, and ‘habitation’ in Australian fiction, as well as a searching examination of the socio-political fallout from the scandal of Australia’s ‘Stolen Generations’. Contributors are: Gordon Collier, Tim Cribb, Fred D'Aguiar, Geoffrey V. Davis, Jeanne Delbaere, Marc Delrez, Jean–Pierre Durix, Wilson Harris, Dominique Hecq, Marie Herbillon, Louis James, Karen King–Aribisala, Bénédicte Ledent, Christine Levecq, Alecia McKenzie, Carine Mardorossian, Peter H. Marsden, Alistair Niven, Annalisa Oboe, Britta Olinder, Christine Pagnoulle, Caryl Phillips, Lawrence Scott, Stephanos Stephanides, Klaus Stuckert, Peter O. Stummer, Petra Tournay–Theodotou, Daria Tunca, Cynthia vanden Driesen, Janet Wilson.