These seventeen specialised and annotated papers form the proceedings of the eighteenth Harlaxton symposium held in 2001 which focused on the culture and identity of the Lancastrian court. The papers draw on a range of sources, including documentary evidence, seals, illuminated maps, badges, rood-screen paintings, textiles, statuary, heraldry and scientific texts, many of which are illustrated. Subjects include: Henry VI's court in France, images of Henry VI, a shield, Lydgate, surgeons, Henry VI and the proposed canonisation of Alfred the Great, textiles and maps, Duke Humfrey and Robert Broke, Master of the King's Stillatories'.

This was the first full-scale history of medieval English literature for nearly a century. Thirty-three distinguished contributors offer a collaborative account of literature composed or transmitted in England, Wales, Ireland and Scotland between the Norman conquest and the death of Henry VIII in 1547. The volume has five sections: 'After the Norman Conquest'; 'Writing in the British Isles'; 'Institutional Productions'; 'After the Black Death' and 'Before the Reformation'. It provides information on a vast range of literary texts and the conditions of their production and reception, which will serve both specialists and general readers, and also contains a chronology, full bibliography and a detailed index. This book offers an extensive and vibrant account of the medieval literatures so drastically reconfigured in Tudor England. It will thus prove essential reading for scholars of the Renaissance as well as medievalists, and for historians as well as literary specialists.

Written using critical theory, especially by Walter Benjamin, Blanchot and Derrida, Allegory and the Work of Melancholy: The Late Medieval and Shakespeare reads medieval and early modern texts, exploring allegory within texts, allegorical readings of texts, and melancholy in texts. Authors studied are Langland and Chaucer, Hoccleve, on his madness, Lydgate and Henryson. Shakespeare's first tetralogy, the three parts of Henry VI and Richard III conclude this investigation of death, mourning, madness and of complaint. Benjamin's writings on allegory inspire this linking, which also considers Dürer, Baldung and Holbein and the dance of the dead motifs. The study sees subjectivity created as obsessional, paranoid, and links melancholia, madness and allegorical creation, where parts of the subject are split off from each other, and speak as wholes. Allegory and melancholy are two modes – a state of writing and a state of being - where the subject fragments or disappears. These texts are aware of the power of death within writing, which makes them, fascinating. The book will appeal to readers of literature from the medieval to the Baroque, and to those interested in critical theory, and histories of visual culture.

Offers a fresh perspective on the role of the court in late medieval Scotland, framing it within the wider field of court studies, highlighting its centrality to the effective government for which James IV is renowned. James IV is regarded by many historians as the most charismatic and politically successful of Scotland's rulers, with his royal court, and the institution of the royal household which underpinned it, at the heart of his reign. This book, the first comprehensive examination of the subject, takes the structures and personnel of the household - from councillors to stable-hands - as the foundation for its study of the court and its role. Beginning by looking at the distinction between household and court and the structures imposed by the household on the court, Hepburn utilises this framework to explore the lives of the people moving within it, both in terms of their duties as royal servants and their broader social and political worlds. The book argues that these people were both audience and performer in the court, receiving and producing messages about the king, royal government and the status of groups and individuals. Association with the household also became a feature of life for people away from the court, through the household-related terms in which they were described and through the lands they held. Overall, it highlights the central role of the court in the effective conduct of royal government for which James IV is renowned.

A thrilling new account of the tragic story and troubled times of Henry VI, who inherited the crowns of both England and France and lost both. Firstborn son of a warrior father who defeated the French at Agincourt, Henry VI of the House of Lancaster inherited the crown not only of England but also of France, at a time when Plantagenet dominance over the Valois dynasty was at its glorious height. And yet, by the time he died in the Tower of London in 1471, France was lost, his throne had been seized by his rival, Edward IV of the House of York, and his kingdom had descended into the violent chaos of the Wars of the Roses. Henry VI is perhaps the most troubled of English monarchs, a pious, gentle, well-intentioned man who was plagued by bouts of mental illness. In The Shadow King, Lauren Johnson tells his remarkable and sometimes shocking story in a fast-paced and colorful narrative that captures both the poignancy of Henry’s life and the tumultuous and bloody nature of the times in which he lived.

This series [pushes] the boundaries of knowledge and [develops] new trends in approach and understanding. ENGLISH HISTORICAL REVIEW

The methods employed by the Lancastrian usurpers in their attempts to legitimise their dynasty's hold in the English throne included the reburying of the murdered Richard II, the invention of chronicles, prophecies and genealogies, new methods of trial and punishment, the use of spies, and the radical redefinition of treason. Strohm uses both literary and historical analysis to explore this quest for legitimacy, and the importance of symbolic activity to Henry IV and V.

European and English courtly culture and history reappraised through the prism of the court as theatre. In the past half-century, court history has lost the air of frivolity that once relegated it to the margins of serious historical study and has rightfully taken a central part in the study of European states and societies in the age of personal monarchy. Yet it has been approached from so many different angles and appropriated to so many different models that it can be hard to put all our new understandings together to achieve a proper perspective on the functions of the court as a whole. This collection of essays uses the idea of the court as a stage for social and political interaction to re-integrate different styles of court history, focusing on courts in England and the Low Countries from the age of Richard II and Albert of Bavaria to that of Elizabeth I and Philip II. Themes studied include the relationship between court politics and cultural change, the social and political functions of court office-holding, the military, judicial and propagandist roles of the court, the economic relationships between courts and cities and the wider social and political significance of court rituals and traditions.

The Black Death. The Peasants' Revolt. The Hundred Years War. The War of the Roses. A succession of dramatic social and political events reshaped England in the period 1360 to 1461. In his lucid and penetrating account of this formative period, Gerald Harriss draws on the research of the last thirty years to illuminate late medieval society at its peak, from the triumphalism of Edward III in 1360 to the collapse of Lancastrian rule. The political narrative centers on the deposition of Richard II in 1399 and the establishment of the House of Lancaster, which was in turn overthrown in the Wars of the Roses. Abroad, Henry V's heroic victory at Agincourt in 1415 led to the English conquest of northern France, lasting until 1450. Both produced long term consequences: the first shaped the English constitution up to the Stuart civil war, while the second generated lasting hostility between England and France, and a residual wariness of military intervention in Europe.