"A chilling, baffling psychological fooler." — Newsweek. Beneath her self-assured veneer, a mysterious beauty in a stolen sports car is trembling with doubt. Is she the killer the police are looking for or a pawn in a deadly game?

"A gripping tale of hatred, revenge, and lust … a sinister spellbinder." — Publishers Weekly Car mechanic Florimond can't believe his luck when a beautiful young newcomer to his sleepy Provence village agrees to marry him. But his bride's motivation is slowly revealed as a cunning plan to avenge a long-ago crime. Told from four fascinating perspectives, this French noir thriller won the prestigious Prix Deux Magots. One Deadly Summer is a true classic of suspense. "The most welcome talent since the early Simenons." — The New York Times "A rich and resonant sonata in black ... the taut shaping of a grand master." — Kirkus Reviews "Sébastien Japrisot holds a unique place in contemporary French fiction. With the quality and originality of his writing, Japrisot has hugely contributed to breaking down the barrier between crime fiction and literary fiction." — Le Monde

NATIONAL BOOK AWARD FINALIST • In this ambitiously multilayered novel from the bestselling, award-winning author of A Visit from the Goon Squad, a fashion model named Charlotte Swenson emerges from a car accident in her Illinois hometown with her face so badly shattered that it takes eighty titanium screws to reassemble it. She returns to New York still beautiful but oddly unrecognizable, a virtual stranger in the world she once effortlessly occupied. With the surreal authority of a David Lynch, Jennifer Egan threads Charlotte’s narrative with those of other casualties of our infatuation with the image. There’s a deceptively plain teenaged girl embarking on a dangerous secret life, an alcoholic private eye, and an enigmatic stranger who changes names and accents as he prepares an apocalyptic blow against American society. As these narratives inexorably converge, Look at Me becomes a coolly mesmerizing intellectual thriller of identity and imposture.

During the First World War five French soldiers, accused of a cowardly attempt to evade duty, are bundled into no-man's land and certain death. Five bodies are later recovered, the families are notified that the men died in the line of duty and the whole, distasteful incident appears closed. After the war the fianc-e of one of the men receives a letter which hints at what might have happened. Mathilde Donnay determines to discover the fate of her beloved amid the carnage of battle. A Very Long Engagement turns into an unusual and engrossing thriller as she discovers an increasing number of people trying to put her off the scent. Japrisot's achievement is to have written a novel that is both a suspenseful thriller and one which transforms a single small incident into the epitome of all wartime atrocities. The d-nouement, when it finally happens, is moving and horribly convincing.

During his 40-year career, director-producer Anatole Litvak (1902-1974) made films of all genres in Russia, Germany, England, France and the United States. His rootless background was cited by critics lamenting his lack of consistent style, but it also added to his mystique as a chameleon-like realisateur. Litvak directed Hollywood greats like Edward G. Robinson, John Garfield, Kirk Douglas, Ingrid Bergman, Vivien Leigh, Sophia Loren, Anthony Perkins, Olivia de Havilland, Yul Brynner, Burt Lancaster, Barbara Stanwick and many others. He was twice nominated for Best Director by the Academy of Motion Picture Art and Sciences for The Snake Pit (1948) and for Decision Before Dawn (1951). These films--along with Mayerling (1936), Sorry, Wrong Number (1946) and Anastasia (1956)--are considered classics, but his pictures don't offer many clues about Litvak the man. Apart from passing references to his wartime service as combat documentarian, he never discussed his life in print, allowing only brief interviews relating exclusively to his work. This biography fills that void, providing the first detailed portrait of an artist described by film historian Richard Schickel as "an adept, adaptable and prolific man; the kind of director that Hollywood likes best."

Described as 'the Graham Greene of France' by The Independent, cult French noir writer Japrisot brings us a stylish thriller about revenge. ‘A magician who lays out the truth on the page’ Le Monde The bus never stops in Le Cap-des-Pins. Not in autumn, when the small Riviera resort is deserted. Except today, when a man with a red bag and a disconcerting stare steps out into the rain. His arrival will throw the life of young housewife Mellie Mau into disarray. After surviving a horrific attack, she has a dark secret to hide. But a stranger at a wedding, the enigmatic American Harry Dobbs, is determined to get the truth out of her, leading her into a game of cat and mouse with dangerous consequences … A cool, twisty thriller from cult French noir writer Sébastien Japrisot.

Becker reminiscences about his work on the sets and in the dressing rooms of Hollywood personalities, providing glimpses into the private lives of a stellar array of actors and actresses. Besides these and other stars, Becker also discloses fascinating details of working with world-famous directors John Huston, William Wyler, Nicholas Ray, Anatole Litvak, René Clément, and Vittorio de Sica.