The blackly comic play about the oppressed lives of women in 1950s New York One of literature's leading humorists, Dorothy Parker drew from the dark side of her imagination to pen The Ladies of the Corridor, a searing drama about women living on their own in a New York residence hotel. Loosely based on Parker's life, and co-written with famed Hollywood playwright Arnaud d'Usseau, The Ladies of the Corridor exposes the limitations of a woman's life in a drama teeming with Parker's signature wit. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

This is the first collection of critical essays devoted to the writing of Dorothy Parker. Its four part organisation reflects a necessary shift away from her identity as primarily a humorist or Jazz Age literary celebrity.

After nine years in Bayshore mental institution, once called the lunatic asylum, Caroline Hill is finally being released. There will be no one to meet her. Her parents who brought her here...are dead. They have found her a room in a rooming house, a job washing dishes in a restaurant. She will do fine, they said. But no one told that women in St. Simeon are already dying at the hands of a vicious predator. One, an actress who lived previously in her building. And others. And now, as Caroline struggles to survive on the outside, she realizes someone is stalking her. But who will believe her? She's a crazy woman after all. Then, one cold winter's night on her way home from her job, a man follows and is about to assault her when a stranger intercedes. A stranger who hides his face and whispers her name.

A shred of black lace. A broken hand mirror. A spidery strip of false eyelash. These are the fragments left to Irene Vilar, granddaughter of Lolita Lebrón, the revered political activist for Puerto Rican independence who in 1954 sprayed the U.S. House of Representatives with gunfire, wounding several congressmen, and served twenty-seven years in prison. In The Ladies' Gallery, Vilar revisits the legacy of her grandmother and that of her anguished mother, who leaped to her death from a speeding car when Vilar was eight. Eleven years after her mother's death, Vilar awakens in a psychiatric hospital after her own suicide attempt and begins to face the devastating inheritance of abandonment and suicide passed down from her grandmother and mother. The familial pattern of self-destruction flings open the doors to her national inheritance and the search for identity. Alternating between Vilar's notes from the ward and the unraveling of her family's secrets, this lyrical and powerful memoir of three generations of Puerto Rican women is urgent, impassioned, and unforgettable.

Marion Meade's engrossing and comprehensive biography of one of the twentieth century's most captivating women In this lively, absorbing biography, Marion Meade illuminates both the charm and the dark side of Dorothy Parker, exploring her days of wicked wittiness at the Algonquin Round Table with the likes of Robert Benchley, George Kaufman, and Harold Ross, and in Hollywood with S. J. Perelman, William Faulkner, and Lillian Hellman. At the dazzling center of it all, Meade gives us the flamboyant, self-destructive, and brilliant Dorothy Parker. This edition features a new afterword by Marion Meade.

In the early days of television, many of its actors, writers, producers and directors came from radio. This crossover endowed the American Radio Archives with a treasure trove of television documents. The collected scripts span more than 40 years of American television history, from live broadcasts of the 1940s to the late 1980s. They also cover the entire spectrum of television entertainment programming, including comedies, soap operas, dramas, westerns, and crime series. The archives cover nearly 1,200 programs represented by more than 6,000 individual scripts. Includes an index of personal names, program and episode titles and production companies, as well as a glossary of industry terms.

THE INSTANT NEW YORK TIMES AND WALL STREET JOURNAL BESTSELLER Like Fire & Fury, the gossipy real-life soap opera behind a serious show. When Barbara Walters launched The View, network executives told her that hosting it would tarnish her reputation. Instead, within ten years, she’d revolutionized morning TV and made household names of her co-hosts: Joy Behar, Star Jones, Meredith Vieira and Elisabeth Hasselbeck. But the daily chatfest didn’t just comment on the news. It became the news. And the headlines barely scratched the surface. Based on unprecedented access, including stunning interviews with nearly every host, award-winning journalist Ramin Setoodeh takes you backstage where the stars really spoke their minds. Here's the full story of how Star, then Rosie, then Whoopi tried to take over the show, while Barbara struggled to maintain control of it all, a modern-day Lear with her media-savvy daughters. You'll read about how so many co-hosts had a tough time fitting in, suffered humiliations at the table, then pushed themselves away, feeling betrayed—one nearly quitting during a commercial. Meanwhile, the director was being driven insane, especially by Rosie. Setoodeh uncovers the truth about Star’s weight loss and wedding madness. Rosie’s feud with Trump. Whoopi’s toxic relationship with Rosie. Barbara’s difficulty stepping away. Plus, all the unseen hugs, snubs, tears—and one dead rodent. Ladies Who Punch shows why The View can be mimicked and mocked, but it can never be matched.

The garish neon lights of New York City’s Times Square can be very seductive. And so can the promises of dark pleasures on the seedier side streets. To Davey Owen, the lure of a glowing sign advertising “Live Girls” was too hard to resist. He was looking for a little entertainment. He found instead a nightmare in the form of a beautiful but strangely pale woman. A woman who offers him passion, ecstasy— and eternal life—but takes in exchange his lifeblood and his very soul. It's scary, it's involving, and it’s also mature and thoughtful.” — Stephen King on Dark Channel “The most nightmarish vampire story I have ever read.” — Ramsey Campbell “Garton never fails to go for the throat!” — Richard Laymom “Garton has a flair for taking veteran horror theiries and twisting them to evocative or entertaining effect.” — Publishers Weekly “Ray Garton has consistently created some of the best horror ever set to print.” — Cemetery Dance

For some fifty years now, Arthur Miller has been not only America's premier playwright, but also one of our foremost public intellectuals and cultural critics. Echoes Down the Corridor gathers together a dazzling array of more than forty previously uncollected essays and works of reportage. Here is Arthur Miller, the brilliant social and political commentator-but here, too, Miller the private man behind the internationally renowned public figure.Witty and wise, rich in artistry and insight, Echoes Down the Corridor reaffirms Arthur Miller's standing as one of the greatest writers of our time.