Perfect for fans of Conn Iggulden, Lindsey Davis, Steven Pressfield, this breathtaking and captivating novel brings the Crusades to life in all their triumphant and tragic glory. 'Gripping from the first page, the reader is swept up in this colourful and convincing portrayal of an Emperor and his realm under siege.' - Ink 'Superb read. Thoroughly enjoyed it' -- ***** Reader review 'Highly enjoyable read' -- ***** Reader review 'Brilliant.' -- ***** Reader review 'Holds your interest from [the first] to the last page' -- ***** Reader review ******************************************************************** AN ASSASSIN IS ON THE LOOSE...AND AN EMPIRE STANDS IN PERIL Byzantium, 1096: When a mysterious assassin fires his arrow at the Emperor, he has more than a man in his sights; as the keystone of a crumbling empire, if he falls, then the mightiest power in Christendom will be torn apart. Aware of the stakes, the Emperor hires Demetrios Askiates, the unveiler of mysteries, to catch the would-be-killer. But Demetrios is entering an unknown and mysterious world and must edge his way through a glittering maze of treachery and deceit before time runs out. Nor are all enemies within the city walls. With the Turks rampant across Asia, the Emperor has sent to the west for mercenaries to reinforce his position. When a great army, tens of thousands strong, appears before the gates, he gets more than he bargained for. The first crusaders have arrived, intent on making their fortunes in war, and they have no allegiance to an empire they eye with jealousy and suspicion. As the armies of east and west confront each other, and the assassin creeps ever closer to his prey, Demetrios must untangle the golden web of intrigue which surrounds the Emperor before the city - and the empire - are drowned in blood.

Examining English, Latin, French, and German texts, The Knight, the Cross, and the Song traces the role of secular chivalric literature in shaping Crusade propaganda across three centuries.

"It is in the very first rank of imaginative and historical romance. The time and scene of the noble story are laid in the middle ages during the conquest of Pagan Lithuania by the military and priestly order of the "Krzyzacy" Knights of the Cross. And the story exhibits with splendid force the collision of race passions and fierce, violent individualities which accompanied that struggle. Those who read it will, in addition to their thrilling interest in the tragical and varied incidents, gain no little insight into the origin and working of the inextinguishable race hatred between Teuton and Slav. It was an unfortunate thing surely, that the conversion of the heathen Lithuanians and Zmudzians was committed so largely to that curious variety of the missionary, the armed knight, banded in brotherhood, sacred and military. To say the least, his sword was a weapon dangerous to his evangelizing purpose. He was always in doubt whether to present to the heathen the one end of it, as a cross for adoration, or the other, as a point to kill with. And so, if Poland was made a Catholic nation, she was also made an undying and unalterable hater of the German, the Teutonic name and person."--Goodreads

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

A European conspiracy and a fanatic Catholic sect are behind Piers Paul Reads superb new novel-both a thriller and a love story.

The Ritterkreuz des Eisernen Kreuzes (Knights Cross of the Iron Cross), known simply as the Ritterkreuz (Knights Cross), was the highest German military award of the Second World War. Instituted on 1 September 1939, to coincide with the German invasion of Poland, it was awarded for leadership, valor or skill. As the war progressed, higher variants were instituted, namely the Knights Cross with Oak Leaves, Knights Cross with Oak Leaves and Swords, and the Knights Cross with Oak Leaves Swords and Diamonds. Similar in design, but larger, than the Eiserne Kreuz (Iron Cross), and worn around the neck as opposed to on the breast, the border and hanging loop on the Knights Cross were made of pure silver which was marked ‘800. The award was made by a number of German manufacturers. On 3 June 1940, the Ritterkreuz des Eisernen Kreuz mit Eichenlaub (Knights Cross with Oak Leaves) was instituted, by which time 124 Rittterkreuz had been awarded to all arms of the German military, of which forty-nine had been awarded to Luftwaffe personnel. The first recipient was Generalfeldmarschal Hermann Göring on 30 September 1939; the first Luftwaffe operational Luftwaffe aircrew member recipient, and the fifth overall, was Oberst Robert Fuchs, Kommodore of Kampfgeschwader 26. His award was made on 6 April 1940. The first fighter pilot to receive the Ritterkreuz was Hauptmann Werner Mölders of III Gruppe/Jagdgeschwader 53 (III./JG 53) on 29 May 1940. Only three Luftwaffe officers would receive the Ritterkreuz mit Eichenlaub in 1940, and all of them were fighter pilots – Mölders on 21 September 1940 (he was then Geschwader Kommodore of JG 51), Major Adolf Galland (Kommodore of JG 26) on 24 September 1940, and Hauptmann Helmut Wick (Kommandeur of I Gruppe/JG 2) on 6 October 1940. Throughout the summer of 1940, many more Luftwaffe members, be they serving on fighter, bomber, dive bomber or reconnaissance units, would receive the Ritterkreuz. Some of these awards were made posthumously, whilst others would learn of their awards whilst a prisoner of war in Britain or, later, in Canada. In this book, the renowned aviation historian Chris Goss provides biographical details of all operational members of the Luftwaffe who received the Ritterkreuz during 1940 or were awarded it as a result of their actions in what became known as the Battle of Britain.

In the Compasses and the Cross, Stephen Dafoe, the author of Nobly Born: An Illustrated History of the Knights Templar, traces the origins and evolution of the Masonic Knights Templar from their beginnings in the middle of the eighteenth century to its present form. Through the course of the book, Dafoe draws on his knowledge of the history of the original Order as well as that of the modern Masonic variant. Individual chapters will examine the various myths connecting the Templars and Freemasonry put forth by eighteenth and nineteenth century Freemasons including James Anderson, Andrew Michael Ramsay and Baron von Hund, as well as Scottish Freemasons such as William Alexander Lawrie and the Chevalier James Burnes. In addition to separating historical fact from masonic tradition, Dafoe also chronicles the differences in Masonic Templarism as it exists in Britain and the Dominion with that of the United States. An excellent and thought provoking addition to the existing information on the Knights Templar which will be essential reading for all Masons and general readers with an interest in this subject area.