Places and books like Rosslyn Chapel and The Da Vinci Code have focused attention on Scotland's Knights Templar. Who they were and what they did has been touched upon, but never properly explored until now. They were close advisors to Scotland's early kings; they were major property owners and respected landlords in a harsh and unforgiving time; and they were secretive and arrogant. But did they really flee from France to Scotland just prior to their arrest in 1307? Did they fight with Robert the Bruce at Bannockburn in 1314? And how did the Templars continue on after Bannockburn? In The Knights Templar and Scotland Robert Ferguson intertwines Templar and Scottish history, from the foundation of the order in the early twelfth century right up to the present day. Including a comparison of the arrest of the Templars in France with the Templar Inquisition at Holyrood, and an examination of the part they played at Bannockburn, this is an essential book for anyone with an interest in history of the Knights Templar.

This work considers how chivalry was interpreted in 15th century Scotland and how it compared with European ideas of chivalry; the resposibilities of knighthood in this period and the impact on political life; the chivalric literature and the relevance of Christian components of chivalric culture.

Slave to Fortune is an award-winning historical novel. Tom Cheke's world is turned upside-down when he is kidnapped and enslaved by Barbary corsairs. Tom carves out a promising, new life only to have it shattered again when he falls into the hands of a knight of the Order of St John and into a turbulent world of ciphers, spies and assassinations.

Illuminates how the ceremonial dimension of death and the succession reflected both Scottish royal identity and a broader culture of ceremony. To date, scholarly attention to royal ceremony in Scotland from the Middle Ages into the early modern period has been rather haphazard, with few attempts to explore how these crucial moments for the representation of royal authority. This monograph provides a long durée analysis of the ceremonial cycle of death and succession associated with Scottish kingship from the thirteenth to the sixteenth centuries, including the final century of the Canmore dynasty, the crisis of the Bruce-Balliol conflict, and the emergence and consolidation of the Stewart family up to the funeral of last monarch buried in Scotland, James V, in 1543. Using a broad range of primary sources, including financial records and material culture, many of them previously untapped, it addresses key questions about kingship and power, the function of ceremony in legitimising royal authority, its significance in relation to the practical exercising of power, and evidence for Scottish similarities and distinctiveness within wider European contexts.

A new series of the Scottish antiquary established 1886.

Emblems in the visual arts use motifs which have meanings, and in Emblems in Scotland Michael Bath, leading authority on Renaissance emblem books, shows how such symbolic motifs address major historical issues of Anglo-Scottish relations, the Reformation of the Church and the Union of the Crowns. Emblems are enigmas, and successive chapters ask for instance: Why does a late-medieval rood-screen show a jester at the Crucifixion? Why did Elizabeth I send Mary Queen of Scots tapestries showing the power of women to build a feminist City of God? Why did a presbyterian minister of Stirling decorate his manse with hieroglyphics? And why in the twentieth-century did Ian Hamilton Finlay publish a collection of Heroic Emblems?