Includes lists of members of the Kipling society.

This book explores and re-evaluates Kipling’s connection with India, its people, culture, languages, and locales through his experiences and his writings. Kipling’s works attracted interest among a large section of the British public, stimulating curiosity in their far-off Indian Empire, and made many canonize him as an emblem of the ‘Raj’. This volume highlights the astonishing social and thematic range of his Indian writings as represented in The Jungle Books; Kim; his early verse; his Simla-based tales of Anglo-Indian intrigues and love affairs; his stories of the common Indian people; and his journalism. It brings together different theoretical and contextual readings of Kipling to examine how his experience of India influenced his creative work and conversely how his imperial loyalties conditioned his creative engagement with India. The 18 chapters here engage with the complexities and contradictions in his writings and analyse the historical and political contexts in which he wrote them, and the contexts in which we read him now. With well-known contributors from different parts of the world – including India, the UK, the USA, Canada, France, Japan, and New Zealand – this book will be of great interest not only to those interested in Kipling’s life and works but also to researchers and scholars of nineteenth-century literature, comparative studies, postcolonial and subaltern studies, colonial history, and cultural studies.

An overview of Kipling's work, his career and postcolonial views on his often controversial position on imperialism.

How the camel got his lump, how the leopard got his spots, and 10 other stories are told.

Chronicles the four years writer Rudyard Kipling spent in Vermont and discusses his work on "The Jungle Books," the family feud that forced him to leave the United States, his relationship with his family and friends, and other related topics.

In early 1900, the paths of three British writers--Rudyard Kipling, Mary Kingsley and Arthur Conan Doyle--crossed in South Africa, during what has become known as Britain's last imperial war. Each of the three had pressing personal reasons to leave England behind, but they were also motivated by notions of duty, service, patriotism and, in Kipling's case, jingoism. Sarah LeFanu compellingly opens an unexplored chapter of these writers' lives, at a turning point for Britain and its imperial ambitions. Was the South African War, as Kipling claimed, a dress rehearsal for the Armageddon of World War One? Or did it instead foreshadow the anti-colonial guerrilla wars of the later twentieth century? Weaving a rich and varied narrative, LeFanu charts the writers' paths in the theatre of war, and explores how this crucial period shaped their cultural legacies, their shifting reputations, and their influence on colonial policy.