Can a stolen violin lead secret agent and spy Maggie Hope to a serial killer terrorizing London? Find out as the acclaimed World War II mystery series from New York Times bestselling author Susan Elia MacNeal continues. “A wartime mystery to sink your teeth into.”—Kate Quinn, New York Times bestselling author of The Huntress Maggie Hope started out as Winston Churchill’s secretary, but now she’s a secret agent—and the only one who can figure out how the missing violin ties into a series of horrifying murders. London, December 1943. As the Russian army repels German forces from Stalingrad, Maggie Hope takes a much-needed break from spying to defuse bombs in London. But Maggie herself is an explosion waiting to happen. Traumatized by her past, she finds herself living dangerously—taking huge risks, smoking, drinking, and speeding through the city streets on a motorbike. The last thing she wants is to get entangled in another crime. But when she’s called upon to look into the theft of a Stradivarius, one of the finest violins ever made, Maggie can’t resist. Meanwhile, there’s a serial killer on the loose in London, targeting conscientious objectors. Little does Maggie know that investigating this dangerous predator will pit her against a new evil—and old enemies. Only Maggie can uncover the connection between the robbery, the murders, and a link to her own past.

Young Kelson Haldane, King of Gwynedd, heir to both royal and Deryni magical powers, was still no match for ex-Archbishop Loris and the Pretender Queen Caitrin who sought his death. Yet, he raised an army against them both, knowing that honor made defeat impossible....

A cause for celebration among Stephen R. Donaldson’s many fans: two original novellas—his first publication since finishing the Thomas Covenant series. In “The King’s Justice,” a stranger dressed in black arrives in the village of Settle’s Crossways, following the scent of a terrible crime. He even calls himself Black, though almost certainly that is not his name. The people of the village discover that they have a surprising urge to cooperate with this stranger, though the desire of inhabitants of quiet villages to cooperate with strangers is not common in their land, or most lands. But this gift will not save him as he discovers the nature of the evil concealed in Settle’s Crossways. The “Augur’s Gambit” is a daring plan created by Mayhew Gordian, Hieronomer to the Queen of Indemnie, a plan to save his Queen and his country. Gordian is a reader of entrails. In the bodies of chickens, lambs, piglets, and one stillborn infant he sees the same message: the island nation of Indemnie is doomed. But even in the face of certain destruction a man may fight, and the Hieronomer is utterly loyal to his beautiful Queen—and to her only daughter. The “Augur’s Gambit” is his mad attempt to save a kingdom.

A murder that defies logic--and a killer on the loose. England, 1176. Aelred Barling, esteemed clerk to the justices of King Henry II, is dispatched from the royal court with his young assistant, Hugo Stanton, to investigate a brutal murder in a village outside York. The case appears straightforward. A suspect is under lock and key in the local prison, and the angry villagers are demanding swift justice. But when more bodies are discovered, certainty turns to doubt--and amid the chaos it becomes clear that nobody is above suspicion. Facing growing unrest in the village and the fury of the lord of the manor, Stanton and Barling find themselves drawn into a mystery that defies logic, pursuing a killer who evades capture at every turn. Can they solve the riddle of who is preying upon the villagers? And can they do it without becoming prey themselves?

Action, intrigue, and magic collide in this epic fantasy following Sir Konrad Vonvalt, an Emperor's Justice, who is a detective, judge, and executioner all in one—but with rebellion and unrest building, these are dangerous times to be a Justice . . . The Empire of the Wolf simmers with unrest. Rebels, heretics, and powerful patricians all challenge the power of the Imperial throne. Only the Order of Justices stands in the way of chaos. Sir Konrad Vonvalt is the most feared Justice of all, upholding the law by way of his sharp mind, arcane powers, and skill as a swordsman. At his side stands Helena Sedanka, his talented protégé, orphaned by the wars that forged the Empire. When the pair investigates the murder of a provincial aristocrat, they unearth a conspiracy that stretches to the very top of Imperial society. As the stakes rise and become ever more personal, Vonvalt and Helena must make a choice: Will they abandon the laws they’ve sworn to uphold, in order to protect the Empire? "Richard Swan's sophisticated take on the fantasy genre will leave readers hungry for more." – Sebastien de Castell, author of Spellslinger “A fantastic debut.” – Peter McLean, author of Priest of Bones

The Mancini Sisters, Marie and Hortense, were born in Rome, brought to the court of Louis XIV of France, and strategically married off by their uncle, Cardinal Mazarin, to secure his political power base. Such was the life of many young women of the age: they had no independent status under the law and were entirely a part of their husband's property once married. Marie and Hortense, however, had other ambitions in mind altogether. Miserable in their marriages and determined to live independently, they abandoned their husbands in secret and began lives of extraordinary daring on the run and in the public eye. The beguiling sisters quickly won the affections of noblemen and kings alike. Their flight became popular fodder for salon conversation and tabloids, and was closely followed by seventeenth-century European society. The Countess of Grignan remarked that they were traveling "like two heroines out of a novel." Others gossiped that they "were roaming the countryside in pursuit of wandering lovers. "Their scandalous behavior -- disguising themselves as men, gambling, and publicly disputing with their husbands -- served as more than just entertainment. It sparked discussions across Europe concerning the legal rights of husbands over their wives. Elizabeth Goldsmith's vibrant biography of the Mancini sisters -- drawn from personal papers of the players involved and the tabloids of the time -- illuminates the lives of two pioneering free spirits who were feminists long before the word existed.

How did representative institutions become the central organs of governance in Western Europe? What enabled this distinctive form of political organization and collective action that has proved so durable and influential? The answer has typically been sought either in the realm of ideas, in the Western tradition of individual rights, or in material change, especially the complex interaction of war, taxes, and economic growth. Common to these strands is the belief that representation resulted from weak ruling powers needing to concede rights to powerful social groups. Boucoyannis argues instead that representative institutions were a product of state strength, specifically the capacity to deliver justice across social groups. Enduring and inclusive representative parliaments formed when rulers could exercise power over the most powerful actors in the land and compel them to serve and, especially, to tax them. The language of rights deemed distinctive to the West emerged in response to more effectively imposed collective obligations, especially on those with most power.

Two new, original novellas-Donaldson's first publication since finishing the Thomas Covenant series-are a sure cause for celebration among his many fans. In The King's Justice, a stranger dressed in black arrives in the village of Settle's Crossways, following the scent of a terrible crime. He even calls himself "Black," though almost certainly that is not his name. The people of the village discover that they have a surprising urge to cooperate with this stranger, though the desire of inhabitants of quiet villages to cooperate with strangers is not common in their land, or most lands. But this gift will not save him as he discovers the nature of the evil concealed in Settle's Crossways. The "Augur's Gambit" is a daring plan created by Mayhew Gordian, Hieronomer to the Queen of Indemnie, a plan to save his Queen and his country. Gordian is a reader of entrails. In the bodies of chickens, lambs, piglets, and one stillborn infant he sees the same message: the island nation of Indemnie is doomed. But even in the face of certain destruction a man may fight, and the Hieronomer is utterly loyal to his beautiful Queen--and to her only daughter. The "Augur's Gambit" is his mad attempt to save a kingdom.

A series of baffling murders among a group of imprisoned agents threatens the outcome of World War II in this chilling mystery from the New York Times bestselling author of Mr. Churchill’s Secretary. November, 1942. World War II is raging, and former spy Maggie Hope knows too much: what the British government is willing to do to keep its secrets, who is lying, who the double-crossers are. She knows exactly who is sending agents to their deaths. These are the reasons Maggie is isolated on a remote Scottish island, in a prison known as Killoch Castle. When one of her fellow inmates drops dead in the middle of his after-dinner drink—he’s only the first. As victims fall one by one, Maggie will have to call upon all her wits and skills to escape—not just certain death . . . but certain murder. For what’s the most important thing that Maggie Hope knows? She must survive. Praise for The Prisoner in the Castle “The colonel sums it up best on page ten: ‘If you take a pretty girl and teach her how to kill, it can cause problems.’ Not just problems—electrifying action and nonstop surprises. I loved this book!”—R. L. Stine, author of the Goosebumps and Fear Street series “Another literary tour de force . . . From the book’s perfectly calibrated plot to its incisively etched characters, everything is handled with perfect finesse by the author.”—Poisoned Pen Newsletter “One pleasure of a mystery series is connecting with a character that changes and grows with each novel. . . . Maggie’s intelligence and loyalty to the war effort continue to evolve in [Susan Elia] MacNeal’s series. . . . Solid twists keep the plot of The Prisoner in the Castle churning until the surprise finale.”—Associated Press “A mystery . . . tailor-made for readers in the post-election, #MeToo era. . . . If you love a tricky puzzle that requires you to keep track of multiple alibis over time, this is your summer read.”—The Washington Post “Evocative.”—Publishers Weekly “MacNeal uses [Agatha] Christie’s And Then There Were None as a framework for a character-driven mystery/thriller that successfully emulates the original.”—Kirkus Reviews