The Republic of the Rio Grande had a brief and tenuous existence (1838–1840) before most of it was reabsorbed by Mexico and the remainder annexed by the United States, yet this region that straddles the Rio Grande has retained its distinctive cultural identity to the present day. Born on one side of the Rio Grande and raised on the other, Beatriz de la Garza is a product of this region. Her birthplace and its people are the subjects of this work, which fuses family memoir and borderlands history. From the Republic of the Rio Grande brings new insights and information to the study of transnational cultures by drawing from family papers supplemented by other original sources, local chronicles, and scholarly works. De la Garza has fashioned a history of this area from the perspective of individuals involved in the events recounted. The book is composed of nine sections spanning some two hundred years, beginning in the mid-1700s. Each section covers not only a chronological period but also a particular theme relating to the history of the region. De la Garza takes a personal approach, opening most sections with an individual observation or experience that leads to the central motif, whether this is the shared identity of the inhabitants, their pride in their biculturalism and bilingualism, or their deep attachment to the land of their ancestors.

The Mexican Revolution (1910-19) was the first seismic social convulsion of the twentieth century, superseded in historical importance only by the Russian and Chinese revolutions. Tierra y Libertad (land and liberty) was the watchword of the revolutionaries who fought a succession of autocrats in Mexico City. But the revolution was fired by a confusing multiplicity of issues- local, national, international, cultural, racial and economic. The two greatest rebel leaders were Francisco (Pancho) Villa and Emiliano Zapata, and Frank McLynn here tells the story of the Revolution through a dual biography of these legendary heroes.The great ten-year struggle that devastated Mexico was essentially a war on two fronts- in the north waged by Villa and a mobile army of ex-cowboys and ranchers; and in the south carried on by Zapata and an infantry army recruited from the peons of the sugar plantations. Villa was the Revolution's great military hero, but Zapata was its soul and the only rebel whose revolt was aimed at a genuine root-and-branch transformation of Mexican society. The two men reached the peak of their careers in 1914 when they met briefly in triumph in Mexico City. Failing to make common cause, over the next five years they gradually fell victim to their great rivals.

*Winner of the Chicago Review of Books Award for Fiction* A Heartland Booksellers Award Nominee An NPR Best Book of the Year A BookPage Best Book of the Year A Library Journal Best Winter/Spring Debut of 2020 A Most Anticipated Book of 2020 from the Boston Globe and The Millions A Best Book of February 2020 at Salon, The Millions, LitHub and Vol 1. Brooklyn “A stunner—equal parts epic and intimate, thrilling and elegiac.”—Laura Van den Berg, author of The Third Hotel The mesmerizing story of a Latin American science fiction writer and the lives her lost manuscript unites decades later in post-Katrina New Orleans In 1929 in New Orleans, a Dominican immigrant named Adana Moreau writes a science fiction novel. The novel earns rave reviews, and Adana begins a sequel. Then she falls gravely ill. Just before she dies, she destroys the only copy of the manuscript. Decades later in Chicago, Saul Drower is cleaning out his dead grandfather’s home when he discovers a mysterious manuscript written by none other than Adana Moreau. With the help of his friend Javier, Saul tracks down an address for Adana’s son in New Orleans, but as Hurricane Katrina strikes they must head to the storm-ravaged city for answers. What results is a brilliantly layered masterpiece—an ode to home, storytelling and the possibility of parallel worlds.

Kushobi is a story based on the science of African and Indigenous disciplines, supplemented with the tales of Egyptian mythology and influenced by the history of the Benin Kingdom. Composites of Japanese style anime contributed to the storytelling. The story has many concepts that are privy to voodoo and cosmic energy. It starts with Oxie, the voodoo priest from Benin, and his path to becoming the chief political advisor in Egypt and the upholder of peace.

"Esto no es cosa de armas" (this is not a matter for weapons). These were the last words of Don Francisco Gutiérrez before Alonzo W. Allee shot and killed him and his son, Manuel Gutiérrez. What began as a simple dispute over Allee's unauthorized tenancy on a Gutiérrez family ranch near Laredo, Texas, led not only to the slaying of these two prominent Mexican landowners but also to a blatant miscarriage of justice. In this engrossing account of the 1912 crime and the subsequent trial of Allee, Beatriz de la Garza delves into the political, ethnic, and cultural worlds of the Texas-Mexico border to expose the tensions between the Anglo minority and the Mexican majority that propelled the killings and their aftermath. Drawing on original sources, she uncovers how influential Anglos financed a first-class legal team for Allee's defense and also discusses how Anglo-owned newspapers helped shape public opinion in Allee's favor. In telling the story of this long-ago crime and its tragic results, de la Garza sheds new light on the interethnic struggles that defined life on the border a century ago, on the mystique of the Texas Rangers (Allee was said to be a Ranger), and on the legal framework that once institutionalized violence and lawlessness in Texas.

The Republic of the Rio Grande had a brief and tenuous existence (1838–1840) before most of it was reabsorbed by Mexico and the remainder annexed by the United States, yet this region that straddles the Rio Grande has retained its distinctive cultural identity to the present day. Born on one side of the Rio Grande and raised on the other, Beatriz de la Garza is a product of this region. Her birthplace and its people are the subjects of this work, which fuses family memoir and borderlands history. From the Republic of the Rio Grande brings new insights and information to the study of transnational cultures by drawing from family papers supplemented by other original sources, local chronicles, and scholarly works. De la Garza has fashioned a history of this area from the perspective of individuals involved in the events recounted. The book is composed of nine sections spanning some two hundred years, beginning in the mid-1700s. Each section covers not only a chronological period but also a particular theme relating to the history of the region. De la Garza takes a personal approach, opening most sections with an individual observation or experience that leads to the central motif, whether this is the shared identity of the inhabitants, their pride in their biculturalism and bilingualism, or their deep attachment to the land of their ancestors.

THE KINGDOM OF FIENDs, is a fictional story about the gangs in Central America and the abandonment of members of a missionary youth group in a church located in the Slums of Torocagua in the fictional capital of Tengenalpa in the republic in Central America. The Mission group is witness to an assassination of a young boy by the 18th street gang- a violent group that rules over the kingdom. The missionaries are threatened by the gang and depart for the safety of a Hotel, but four lonely souls –the invisible ones- are left behind by an uncaring right-wing preacher that seems to have forgotten the teachings of the Bible. The young missionaries are subject to the gang's violence, the same violence experienced every day by the citizens of Torocagua. Some of the poor souls are killed, others are raped, kidnapped and taken to the compound of Gordo Félix the patron of the kingdom of fiends, the extortion king. A female MS13 gang - mortal enemy of the 18th street gang - member being held as sex slave by Gordo Felix helps the missionaries escape the 18th street gang compound. As corruption is common in the republic, the missionaries are not only hunted by the 18th Street gang once they escape – attempting to make it to the American Embassy- but also by a corrupt police search block trying to recover a cell phone because of compromising messages - police coordination and payoffs - with the gang. The less than Holy actions of the right-wing Evangelical preacher , Pastor Fermin, of The church of Latter-Day Saints of Jesus Christ attempts to cover up why the young missionaries were left behind at the mission in the slum of Torocagua, but his son, the youth pastor, Gregory, while tormented between telling the truth or continuing the lie to the public in order to protect his father finds his place where he can exist and have a sense of purpose in the chaotic world of the Kingdom of Fiends. Editor’s Note: “This story addresses the impact that corrupt leadership has on society, how it enslaves the ordinary person and forces them into a lifestyle they had never aspired to, which, in turn, supports the people in control, creating a self-perpetuating, eternal kingdom of fiends”. For the purpose of originality, there is dialogue in Spanish, but mostly in short phrases, by certain protagonist in the Kingdom of Fiends.

The Texas Landscape Project explores conservation and ecology in Texas by presenting a highly visual and deeply researched view of the widespread changes that have affected the state as its population and economy have boomed and as Texans have worked ever harder to safeguard its bountiful but limited natural resources. Covering the entire state, from Pineywoods bottomlands and Panhandle playas to Hill Country springs and Big Bend canyons, the project examines a host of familiar and not so familiar environmental issues. A companion volume to The Texas Legacy Project, this book tracks specific environmental changes that have occurred in Texas using more than 300 color maps, expertly crafted by cartographer Jonathan Ogren, and over 100 photographs that coalesce to fashion a broad portrait of the modern Texas landscape. The rich data, compiled by author David Todd, are presented in clearly written yet marvelously detailed text that gives historical context and contemporary statistics for environmental trends connected to the land, water, air, energy, and built world of the second-largest and second-most populated state in the nation. An engaging read for any environmentalist or conscientious citizen, The Texas Landscape Project provides a true sense of the grand scope of the Lone Star State and the high stakes of protecting it. To learn more about The Meadows Center for Water and the Environment, sponsors of this book's series, please click here.

“Masterfully researched. . . . There is no book like this either in the field of LBJ literature or in the field of Chicano history.” —Mario T. García, author of Mexican Americans: Leadership, Ideology, and Identity, 1930–1960 As he worked to build his Great Society, Lyndon Johnson often harkened back to his teaching days in the segregated “Mexican school” at Cotulla, Texas. Recalling the poverty and prejudice that blighted his students’ lives, Johnson declared, “It never occurred to me in my fondest dreams that I might have the chance to help the sons and daughters of those students and to help people like them all over this country. But now I do have that chance—and I’ll let you in on a secret—I mean to use it.” This book explores the complex and sometimes contradictory relations between LBJ and Mexican Americans. Julie Pycior shows that Johnson’s genuine desire to help Mexican Americans—and reap the political dividends—did not prevent him from allying himself with individuals and groups intent on thwarting Mexican Americans’ organizing efforts. Not surprisingly, these actions elicited a wide range of response, from grateful loyalty to, in some cases, outright opposition. Mexican Americans’ complicated relationship with LBJ influenced both their political development and his career—with consequences that reverberated in society at large.