The story of Sylvester Ritter is finally told.

"Magic is seeping out of the world, leaving the witches who've relied on it for countless centuries increasingly hopeless. While some see an inevitable end of their era, others are courting madness--willing to sacrifice former allies, friends, and family to retain the power they covet. While the other witches watch their reality unravel, young Alice Marin is using magic's waning days to delve into the mystery of numerous disappearances in the occult circles of New Orleans. Alice disappeared once, too--caged in an asylum by blood relatives ... Discovering the cause of the vanishings, though, could be the only way to escape her mother's reach while determining the future of all witches"--Amazon.com.

"I once ate more than eighty king cakes in a single Carnival," author Matt Haines proudly remembers, demonstrating his dedication to this delicious Mardi Gras tradition. "So you can imagine how amazed I was to learn there has never been a coffee table book dedicated to king cakes!" The Big Book of King Cake changes that, telling the thousands-year-old story through lush photography of more than one hundred and fifty unique king cakes, as well as stories from the diverse and talented bakers who make them. While king cakes are typically only available during Carnival season, readers can enjoy this book year-round. From the traditional cakes generations of New Orleanians have loved, to the unconventional creations that break all the rules, this book is your guide to the Crescent City's favorite baked good. The Big Book of King Cake is for anyone who loves food, history, sweets, culture, and of course, New Orleans.

Not as well-known as some of her contemporaries—Mark Twain, George W. Cable, and Joel Chandler Harris, to name a few—author and historian Grace King (1851–1932) was nonetheless highly praised in her own right. She garnered attention from such eminent critics as William Dean Howells, and her work frequently appeared in Harper’s and Century Magazine. She published thirteen volumes of fiction, history, biography, and memoir. What contributed to King’s critical acclaim, and her continued importance across time, was the panoramic view of social and historical New Orleans that she captured in her writing. She was, scholar Robert Bush argues, one of the most talented and perceptive citizens of New Orleans during the post–Civil War period. In pursuing an intellectual career, King broke with many Old South traditions. She embraced Anglo-Saxon and Creole French cultures. Much of her work is especially interesting for the way in which her view of the southern temper and cultural contribution supplemented that of other writers of the period. In his introduction, Bush analyzes the breadth of King’s work, leading the reader on a biographical journey that clearly establishes King as an important symbol of a bygone era. He then offers selections that cover the full range of her writing: chapters from her autobiography, Memories of a Southern Woman of Letters; her major short fiction, including five uncollected stories and the best of her Balcony Stories; a large portion of The Pleasant Ways of St. Médard, a novel about life during Reconstruction; sections from her historical writings, including New Orleans: The Place and the People; a series of biographical sketches of Mark Twain and others; excerpts from her notebooks; and a group of more than twenty letters. Grace King of New Orleans offers readers a nuanced understanding of King’s impressions of the people and places of New Orleans as well as southern life and culture.

Wiseguys called him "the Keith Richards of the American Mafia" and JFK hero Jim Garrison denounced him as "one of the most notorious vice operators in the history of New Orleans" ... but you can just call him MR. NEW ORLEANS. Mr. New Orleans tells the incredible story of Frenchy Brouillette, a redneck Cajun teenager who stole his big brother's motorcycle and embarked on a 60-year vacation to New Orleans, where he became a legendary gangster and the underworld political fixer for his cousin, Louisiana Governor Edwin Edwards. Written by Crescent City native Matthew Randazzo V, the wickedly funny Mr. New Orleans is the first book to ever break the code of secrecy of the New Orleans Mafia Family, the oldest and most mysterious criminal secret society in America. "Mr. New Orleans is a rollicking, disturbing ride through the underbelly of a bygone New Orleans, lined with moments of dark, side-splitting hilarity. If you're a fan of James Lee Burke, drop what you're reading and pick this one up. In an era when popular wisdom tells us T.V. has stolen all depth from the literary true-crime narrative, Matthew Randazzo has found a way to beat that trend mightily; he's gone straight to the source and captured the singular, confounding voice of the New Orleans' mafia's top political fixer with fast-paced, riveting prose and a fine journalist's eye for detail." Chris Rice, New York Times Bestselling Author "Mr. New Orleans is a total knockout: Take everything you ever imagined about the sleazy good times to be had in New Orleans -- the sleazy good times capital of America -- and quadruple it, and you have a hint of what's inside these sticky pages." Bill Tonelli, Author of The Italian American Reader and Editor for Esquire and Rolling Stone

Song for My Fathers is the story of a young white boy driven by a consuming passion to learn the music and ways of a group of aging black jazzmen in the twilight years of the segregation era. Contemporaries of Louis Armstrong, most of them had played in local obscurity until Preservation Hall launched a nationwide revival of interest in traditional jazz. They called themselves “the mens.” And they welcomed the young apprentice into their ranks. The boy was introduced into this remarkable fellowship by his father, an eccentric Southern liberal and failed novelist whose powerful articles on race had made him one of the most effective polemicists of the early Civil Rights movement. Nurtured on his father’s belief in racial equality, the aspiring clarinetist embraced the old musicians with a boundless love and admiration. The narrative unfolds against the vivid backdrop of New Orleans in the 1950s and ‘60s. But that magical place is more than decor; it is perhaps the central player, for this story could not have taken place in any other city in the world.

“Makes you want to spend a week—immediately—in New Orleans.” —Jeffrey A. Trachtenberg, Wall Street Journal A cocktail is more than a segue to dinner when it’s a Sazerac, an anise-laced drink of rye whiskey and bitters indigenous to New Orleans. For Wisconsin native Sara Roahen, a Sazerac is also a fine accompaniment to raw oysters, a looking glass into the cocktail culture of her own family—and one more way to gain a foothold in her beloved adopted city. Roahen’s stories of personal discovery introduce readers to New Orleans’ well-known signatures—gumbo, po-boys, red beans and rice—and its lesser-known gems: the pho of its Vietnamese immigrants, the braciolone of its Sicilians, and the ya-ka-mein of its street culture. By eating and cooking her way through a place as unique and unexpected as its infamous turducken, Roahen finds a home. And then Katrina. With humor, poignancy, and hope, she conjures up a city that reveled in its food traditions before the storm—and in many ways has been saved by them since.

When the smiling King of Carnival is killed at Mardi Gras, policewoman Skip Langdon is on the case. She knows the upper-crust family of the victim and that it hides more than its share of glittering skeletons. But nothing could prepare her for the tangled web of clues and ancient secrets that would mean danger for her--and doom for the St. Amants.... "Smith is a gifted writer." THE WASHINGTON POST BOOK WORLD

In Over New Orleans, photographer David King Gleason creates a breathtaking aerial mosaic of the Crescent City—a composite portrait that is at once panoramic and intimate, dramatic and subtle. Working from the skies, Gleason reveals every aspect of the city from the familiar streetcars and wrought-iron balconies to less celebrated views of the Faubourg Marigny, the Dixie Brewery on Tulane Avenue, and the palatial residences that overlook Lake Pontchartrain. From high overhead, Gleason's camera captures the dynamism of the Central Business District and the broad sweep of the docks that lie along the great bend of the Mississippi. Closing in, he reveals the lush courtyards of the French Quarter and the great mansions of the Garden District. Mapping the city's environs, Gleason shows the turbid Mississippi where it meets the clear blue waters of the Gulf of Mexico, the Lake Pontchartrain Causeway leading off into the morning mist, and the cluster of chemical plants that have found their place on the river amid the swampland and graceful antebellum plantation homes. These photographs reveal the diverse urban fabric of New Orleans with a drama that can seldom be approached at street level. The narrow streets of the French Quarter give way to the bustle of Canal Street and the bluntly modern towers of Poydras Street; the Iberville Housing Project is revealed wedged in a netherworld between the Saint Louis No. 2 Cemetery and the sculptured terrain of Louis Armstrong Park; the Superdome sits at the hub of a network of highways; and the Mississippi, girded with shipping, is seen as the city's backbone—its presence felt in nearly every image. Cities are usually seen from above only fleetingly, from airplane windows, or partially, from the upper floors of tall buildings. In Over New Orleans, David King Gleason offers us the opportunity to linger above one of the world's most fascinating cities, to contrast its charms and raw vigor, to see it whole in all its complexity.