"An unnerving and suspenseful novel, House. Tree. Person. is McPherson's best yet."—Karin Slaughter, New York Times and international bestselling author The body found in a muddy grave across the street is just the latest horror threatening to tear Ali McGovern's life apart seam by seam. She knows Angelo, her brooding teenage son, is keeping secrets. She fears he's in danger, too. But her new job at the psychiatric hospital, the job her husband pushed her into, is using up everything she's got every day. She can try to ignore the sounds that surely can't really be there. And she can try to trust the doctors, who can't be as dark as they seem. But can Ali hold herself, her life, and her family together without getting blood on her hands? Praise: "McPherson is a master of creating psychological tension and doubts about the motives of her characters...The clever way McPherson reveals each hint of the truth makes this a one-sitting read."—Kirkus Reviews (starred review) "McPherson keeps the suspense level high."—Publishers Weekly "[An] intricate, deeply claustrophobic story."—Entertainment Weekly in an "A" review "A body unearthed by rains on the abbey grounds further pulls Ali's family into the dark mystery...and draws Ali to the brink of her own sanity. This is Scottish author McPherson's sixth stand-alone novel. She's been a finalist for both the Agatha Christie and Mary Higgins Clark award. No wonder."—Star Tribune

The classic easy-reference field guide with more than 1500 photographs: “An almost foolproof practical reference book.” —Kirkus Reviews (starred review) This useful book for botanists, horticulturists, and nature lovers is made up of two parts: Pictorial Keys and Master Pages. The Keys are designed for easy visual comparison of details that look alike, narrowing the identification of a tree to one of a small group—the family or genus. Then, in the Master Pages, the species of the tree is determined, with similar details placed together to highlight differences within the family group, thus eliminating all other possibilities. All of the more than 1500 photographs were made specifically for use in this book and were taken either in the field or of carefully collected specimens. Where possible, details such as leaves, fruit, etc., appear in actual size, or in the same scale.

Here we have Matt Bell at his most inventive and uncanny: parents and children, murderers and monsters, wild renditions of the past, and stunning visions of the present, all of which build to a virtuoso reimagining of our world. A 19th-century minister builds an elaborate motor that will bring about the Second Coming. A man with rough hands locks a boy in a room with an albino ape. An apocalyptic army falls under a veil of forgetfulness. The story of Red Riding Hood is run through a potentially endless series of iterations. A father invents an elaborate, consuming game for his hospitalized son. Indexes, maps, a checkered shirt buried beneath a blanket of snow: they are scattered through these pages as clues to mysteries that may never be solved, lingering evidence of the violence and unknowability of the world. A Tree or a Person or a Wall brings together Bell’s previously published shorter fiction—the story collection How They Were Found and the acclaimed novella Cataclysm Baby—along with seven dark and disturbing new stories, to create a collection of singular power.

Elise and Franklin have always been best friends. Elise has always lived in the big house with her loving Uncle and Aunt, because Elise's parents died when she was too young to remember them. There's always been a barn behind the house with eight locked doors on the second floor. When Elise and Franklin start middle school, things feel all wrong. Bullying. Not fitting in. Franklin suddenly seems babyish. Then, soon after her 12th birthday, Elise receives a mysterious key left for her by her father. A key that unlocks one of the eight doors upstairs in the bar . . . SUNSHINE STATE AWARD FINALIST!

Arthur Penhaligon's magical adventures continue as he faces a new grave danger -- in the form of an enemy named Grim Tuesday. More amazing fantasy from bestselling author Garth Nix. Arthur Penhaligon's magical adventures continue as he faces a new grave danger -- in the form of an enemy named Grim Tuesday. More amazing fantasy from best-selling author Garth Nix.Arthur doesn't think he will ever have to return to the strange house that nearly killed him on Monday -- the house that contains an entire world. But Tuesday brings new challenges -- in the form of an enemy named Grim Tuesday, who threatens the well-being of both Arthur's family and his world. Arthur must retrieve the Second Key from Grim Tuesday in order to save everything -- an adventure that will include stealing a Sunship, surviving a very weird work camp, befriending a bearlike spirit, fighting the voidlike Nithlings, and traveling to the scary Far Reaches for the ultimate showdown.

What kind of tree is that? Whether you're hiking in the woods or simply sitting in your backyard, from Maine to New York you'll never be without an answer to that question, thanks to this handy companion to the trees of the Northeast. Featuring detailed information and illustrations covering each phase of a tree's lifecycle, this indispensable guidebook explains how to identify trees by their bark alone--no more need to wait for leaf season. Chapters on the structure and ecology of tree bark, descriptions of bark appearance, an easy-to-use identification key, and supplemental information on non-bark characteristics--all enhanced by more than 450 photographs, illustrations, and maps--will show you how to distinguish the textures, shapes, and colors of bark to recognize various tree species, and also understand why these traits evolved. Whether you're a professional naturalist or a parent leading a family hike, this new edition of Bark: A Field Guide to Trees of the Northeast is your essential guide to the region's 67 native and naturalized tree species.

Now a Netflix film starring Julia Roberts, Mahershala Ali, Ethan Hawke, Myha'la, Farrah Mackenzie, Charlie Evans and Kevin Bacon. Written for the Screen and Directed by Sam Esmail. Executive Producers Barack and Michelle Obama, Tonia Davis, Daniel M. Stillman, Nick Krishnamurthy, Rumaan Alam A Read with Jenna Today Show Book Club Pick! Finalist for the 2020 National Book Award in Fiction One of Barack Obama's Summer Reads A Best Book of the Year From: The Washington Post * Time * NPR * Elle * Esquire * Kirkus * Library Journal * The Chicago Public Library * The New York Public Library * BookPage * The Globe and Mail * EW.com * The LA Times * USA Today * InStyle * The New Yorker * AARP * Publisher's Lunch * LitHub * Book Marks * Electric Literature * Brooklyn Based * The Boston Globe A magnetic novel about two families, strangers to each other, who are forced together on a long weekend gone terribly wrong. From the bestselling author of Rich and Pretty comes a suspenseful and provocative novel keenly attuned to the complexities of parenthood, race, and class. Leave the World Behind explores how our closest bonds are reshaped—and unexpected new ones are forged—in moments of crisis. Amanda and Clay head out to a remote corner of Long Island expecting a vacation: a quiet reprieve from life in New York City, quality time with their teenage son and daughter, and a taste of the good life in the luxurious home they’ve rented for the week. But a late-night knock on the door breaks the spell. Ruth and G. H. are an older couple—it’s their house, and they’ve arrived in a panic. They bring the news that a sudden blackout has swept the city. But in this rural area—with the TV and internet now down, and no cell phone service—it’s hard to know what to believe. Should Amanda and Clay trust this couple—and vice versa? What happened back in New York? Is the vacation home, isolated from civilization, a truly safe place for their families? And are they safe from one other?

A landmark in the conversation about race and religion in America. "They put him to death by hanging him on a tree." Acts 10:39 The cross and the lynching tree are the two most emotionally charged symbols in the history of the African American community. In this powerful new work, theologian James H. Cone explores these symbols and their interconnection in the history and souls of black folk. Both the cross and the lynching tree represent the worst in human beings and at the same time a thirst for life that refuses to let the worst determine our final meaning. While the lynching tree symbolized white power and "black death," the cross symbolizes divine power and "black life" God overcoming the power of sin and death. For African Americans, the image of Jesus, hung on a tree to die, powerfully grounded their faith that God was with them, even in the suffering of the lynching era. In a work that spans social history, theology, and cultural studies, Cone explores the message of the spirituals and the power of the blues; the passion and of Emmet Till and the engaged vision of Martin Luther King, Jr.; he invokes the spirits of Billie Holliday and Langston Hughes, Fannie Lou Hamer and Ida B. Well, and the witness of black artists, writers, preachers, and fighters for justice. And he remembers the victims, especially the 5,000 who perished during the lynching period. Through their witness he contemplates the greatest challenge of any Christian theology to explain how life can be made meaningful in the face of death and injustice.

House-Tree-Person is a projective personality test, wherein a person responds to a given stimuli, and the responses give clues about the person's hidden emotions or internal conflicts. The individual taking the test is asked to draw primary objects like a house, tree, and a person; that's why the name. These drawings render a measure of self perceptions and attitudes inherent in a personality. The HTP test is adhered to, along with other techniques, in cases where there is likelihood of brain damage, other neurological disorders, or to evaluate brain damage in patients of schizophrenia. It can be taken in any language by anyone who is 3 years old or above. The test consumes around 150 minutes. The person taking the test is first asked to draw, and then is later questioned based on his/her illustration. Usually, the first phase of drawing is colored using crayons, and then pencil is used for the next phase. The instructions given to the test-taker are quite short and simple. "Draw me as good a house as you can", states it well. Once the picture of a house is completed, the test-taker is asked to draw a tree, and later a person. If we are told to draw some object, we might either shy away (for not being good at it) or we might enjoy the process itself (regardless of our artistic abilities). Whichever way, drawing gives us a sense of revisiting our childhood memories full of such fun activities. Similar to writing, the act of drawing forms a powerful medium for us to let our emotions out. As we know, and some of us might even have experienced, that forms of fine art, including drawing, are seen to be stress-releasing activities. Off the mind and onto the paper. This is the knack behind a psychological personality test like the House-Tree-Person test. It is like reading our minds from what we have scribbled or sketched on a sheet of paper. This test is a technique developed by John N. Buck, an early clinical psychologist in 1948, which was later updated in 1969. This, and such other contributions from him are remarkable.