Come read my book good boys and girls That live on freedom's ground, With pleasant homes, and parents dear, And blithesome playmates round; And you will learn a woeful tale, Which a good woman told, About the poor black negro race, How they are bought and sold. Within our own America Where these bad deeds are done, A father and a mother lived Who had a little son; As slaves, they worked for two rich men, Whose fields were fair and wide— But Harry was their only joy, They had no child beside. Now Harry's hair was thick with curls And softly bright his eyes, And he could play such funny tricks And look so wondrous wise, That all about the rich man's house Were pleased to see him play, Till a wicked trader buying slaves Came there one winter day.

In the nineteenth century Uncle Tom's Cabin sold more copies than any other book in the world except the Bible.

No play in the history of the American Stage has been as ubiquitous and as widely viewed as Uncle Tom's Cabin . This book traces the major dramatizations of Stowe's classic from its inception in 1852 through modern versions on film. Frick introduce the reader to the artists who created the plays and productions that created theatre history.

As Harriet Beecher Stowe’s novel Uncle Tom’s Cabin traveled around the world, it was molded by the imaginations and needs of international audiences. For over 150 years it has been coopted for a dazzling array of causes far from what its author envisioned. This book tells thirteen variants of Uncle Tom’s journey, explicating the novel’s significance for Canadian abolitionists and the Liberian political elite that constituted the runaway characters’ landing points; nineteenth-century French theatergoers; liberal Cuban, Romanian, and Spanish intellectuals and social reformers; Dutch colonizers and Filipino nationalists in Southeast Asia; Eastern European Cold War communists; Muslim readers and spectators in the Middle East; Brazilian television audiences; and twentieth-century German holidaymakers. Throughout these encounters, Stowe’s story of American slavery serves as a paradigm for understanding oppression, selectively and strategically refracting the African American slave onto other iconic victims and freedom fighters. The book brings together performance historians, literary critics, and media theorists to demonstrate how the myriad cultural and political effects of Stowe’s enduring story has transformed it into a global metanarrative with national, regional, and local specificity.

IF ever a nation were taken by storm by a book, England has recently been stormed by "Uncle Tom's Cabin." It is scarcely three months since this book was first introduced to the British Reader, and it is certain that at least 1,000,000 copies of it have been printed and sold. The unexampled success of "Uncle Tom's Cabin" will ever be recorded as an extraordinary literary phenomena. Nothing of the kind, or anything approaching to it, was ever before witnessed in any age or in any country. A new fact has been contributed to the history of literature--such a fact, never before equaled, may never be surpassed. The pre-eminent success of the work in America, before it was reprinted in this country, was truly astonishing. All at once, as if by magic, everybody was either reading, or waiting to read, "the story of the age," and "a hundred thousand families were every day either moved to laughter, or bathed in tears," by its perusal. This book is not more remarkable for its poetry and its pathos, its artistic delineation of character and development of plot, than for its highly instructive power. A great moral idea runs beautifully through the whole story. One of the greatest evils of the world--slavery--is stripped of its disguises, and presented in all its naked and revolting hideousness to the reading world. And that Christianity, which consists not in professions and appearances, but in vital and vitalizing action, is exhibited in all-subduing beauty and tenderness in every page of the work.

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1853 edition. Excerpt: ... CHAPTER XX. THE VICTORY. It was late at night, and Tom lay groaning and bleeding alone, in an old forsaken room of the ginhouse, among pieces of broken machinery, piles of damaged cotton, and other rubbish which had there accumulated. The night was damp and close, and the thick air swarmed with myriads of mosquitoes, which increased the restless torture of his wounds; whilst a burning thirst--a torture beyond all others--filled up the uttermost measure of suffering. "O, good Lord! Do look down--give me the victory!--give me the victory over all!"--prayed poor Tom in his anguish. A footstep entered the room behind him, and the light of a lantern flashed on his eyes. "Who's there? O, for the Lord's massy, please give me some water!" "Well, my boy," said Legree, with a contemptuous kick, "how do you find yourself? Didn't I tell yer I could lam you a thing or two? How do yer like it--eh?" Tom answered nothing. "Get up," said Legree. This was a difficult matter for one so bruised and faint; but Tom gained his feet, ar.il-tood confronting his master with a steady, unmoved front. "Now, Tom, get right down on your knees and beg my pardon, for yer shines last night," said Legree. Tom did not move. "Down, you dog I" said Legree, striking him with his riding-whip. "Mas'r Legree," said Tom, "I can't do it. I did only what I thought was right. I shall do just so again, if ever the time comes. I never will do a cruel thing, come what may." "Yes, but ye don't know what may come, Master Tom. Ye think what you've got is something. I can tell you t' an't anything--nothing 't all." "Mas'r," said Tom, "I know ye can do dreadful.things, but,"--he stretched himself up-' wards and clasped his hands, --" but, after ye've killed the body, there an't no more ye...

"A Romance of the Republic" is a novel written by author Lydia Maria Child. The book is an engaging romantic tale in which the main protagonist, Lydia Maria, explores various aspects of the American republic in the 19th century. The story unfolds during a period of rapid development in the United States, as the country grapples with significant issues and challenges. Lydia Maria, driven by her curiosity and passion for justice, embarks on a journey that takes her through the complexities of American society, politics, and cultural norms. Through vivid storytelling and compelling characters, Child delves into themes of love, freedom, and social progress. The novel captures the spirit of the era, offering readers a glimpse into the hopes, struggles, and aspirations of individuals navigating a changing world. "A Romance of the Republic" is a captivating blend of history, romance, and social commentary, showcasing the author's ability to weave together personal narratives and larger societal issues. It invites readers to reflect on the complexities of American identity and the ongoing pursuit of a more perfect union.