Within this fascinating new book, Barbara Morrill analyses the journal writings of Etty Hillesum, a young Jewish woman in the 1940s, as she began analysis with a Jungian oriented practitioner in 1941. While Anne Frank is an inspirational figure, little is known about Etty Hillesum, also from Amsterdam, who kept a diary recounting her life and experiences during early World War II. This book is a compelling example of how we can use Etty Hillesum’s writings in the present to stand firm against the problems we’re currently facing globally. Being a Jungian oriented Integral psychologist and professor, the author examines what Hillesum recorded in her time, as well as employing Etty’s ideas to illuminate the chaos in our time. She explores Hillesum’s own process of individuation and realization, encouraging others to “develop yourselves!” This will be a unique volume of interest to Jungian analysts, analysts in training, as well as readers with an interest in the time period and concern about democracy and “our times.”

The Lasting Significance of Etty Hillesum's Writings contains the proceedings of the third international Etty Hillesum Conference, held in Middelburg in September 2018. It brings together the work of 33 experts from all over the world to shed new light on life, works, inspiration and vision of the Dutch Jewish writer Etty Hillesum (1914-1943), one of the victims of the Nazi regime. Hillesum's diaries and letters illustrate her heroic struggle to come to terms with her personal life in the context of the Holocaust. This volume revives Hillesum research with a comprehensive rereading of her texts but also by introducing new sources about her life. With the current rise of interest in peace studies, Judaism, the Holocaust, inter-religious dialogue, gender studies and mysticism, this book will be invaluable to students and scholars in a range of disciplines.

Diaries describe the Nazi occupation

In the midst of the horrors of the Nazi Holocaust, Etty's writings reveal a young Jewish woman who celebrated life and remained an undaunted example of courage, sympathy, and compassion. Through this splendid translation by Arnold J. Pomerans, commissioned by the Etty Hillesum Foundation, readers everywhere will resonate with the spirit of this amazing young woman.

On 8 March 1941, a 27-year-old Jewish Dutch student living in Nazi-occupied Amsterdam made the first entry in a diary that was to become one of the most remarkable documents to emerge from the Nazi Holocaust. Over the course of the next two and a half years, an insecure, chaotic and troubled young woman was transformed into someone who inspired those with whom she shared the suffering of the transit camp at Westerbork and with whom she eventually perished at Auschwitz. Through her diary and letters, she continues to inspire those whose lives she has touched since. She was an extraordinarily alive and vivid young woman who shaped and lived a spirituality of hope in the darkest period of the twentieth century. This book explores Etty Hillesum's life and writings, seeking to understand what it was about her that was so remarkable, how her journey developed, how her spirituality was shaped, and what her profound reflections on the roots of violence and the nature of evil can teach us today.

Etty Hillesum (1914-1943), a young Dutch Jewish woman, died in Auschwitz at the age of 29. This volume, drawn from her letters and diaries, lays out the themes of her distinctive and inspiring spiritual vision.

The Ethics and Religious Philosophy of Etty Hillesum contains the proceedings of the second international Etty Hillesum Congress at Ghent University in January 2014 and is a joint effort by fifteen Hillesum experts to shed new light on the life, works and vision of the Dutch Jewish writer Etty Hillesum (1914-1943), one of the victims of the Nazi-regime. Hillesum’s diaries and letters illustrate her heroic struggle to come to terms with her personal life in the context of the Holocaust. This volume revives Hillesum research with a comprehensive rereading of her texts. With the current rise of interest in peace studies, Judaism, the Holocaust, inter-religious dialogue, gender studies and mysticism, it is evident that this book will be invaluable to students and scholars in various disciplines.

In The Existential Philosophy of Etty Hillesum Meins G.S. Coetsier breaks new ground by demonstrating the Jewish existential nature of Etty Hillesum’s spiritual and cultural life in light of the writings of Martin Buber, Emmanuel Levinas and Dietrich Bonhoeffer. Hillesum’s diaries and letters, written between 1941 and 1943, illustrate her struggle to come to terms with her personal life in the context of the Second World War and the Shoah. By finding God under the rubble of the horrors, she rediscovers the divine presence between humankind, while taking up responsibility for the Other as a way to embrace justice and compassion. In a fascinating, accessible and thorough study, Coetsier dispels much of the confusion that assails readers when they are exposed to the bewildering range of Christian and Jewish influences and other cultural interpretations of her writings. The result is a convincing and profound picture of Etty Hillesum's path to spiritual freedom.

Every single artistic endeavor in Stanislavsky's life was achieved in close collaboration with female partners. First, it was his own mother, Elizaveta Alekseyeva, who shaped his personality, and encouraged his exploration of theatre. Then it was his artistic mother, Glikeria Fedotova, who guided him through the ten years of his work. Then Maria Lilina, his wife, who became his best student, and later one of the best actresses of the Art Theatre. It would be impossible to understand Stanislavsky's development as an actor and director without his work with Maria Andreyeva, the 'femme fatale' of turn of the century Russian theatre, or Olga Knipper, whom he directed and acted with for forty years. And near the end of his life, when Stanislavsky introduced the method of physical action (metod phizicheskix deistvii), another woman embraced his work, a young actress named Irina Rozanova. Stanislavsky and Female Actors is the exploration of Stanislavsky's artistic and personal relationship with the leading actresses of the Moscow Art Theatre. It seeks to portray their life-long artistic dialogue and offers a new biographical study of the previously unknown spheres of Stanislavsky's life, as well as the lives of the Moscow Art Theatre's principal actresses.