In the swamps and juke joints of Holmes County, Mississippi, Edward Tillman Branch built his empire. Tillman's clubs were legendary. Moonshine flowed as patrons enjoyed craps games and well-known blues acts. Across from his Goodman establishment, prostitutes in a trysting trailer entertained men, including the married Tillman himself. A threat to law enforcement and anyone who crossed his path, Branch rose from modest beginnings to become the ruler of a treacherous kingdom in the hills that became his own end. Author Janice Branch Tracy reveals the man behind the story and the path that led him to become what Honeyboy Edwards referred to in his autobiography as the "baddest white man in Mississippi."

A Mississippi historian chronicles the rise and fall of The Magnolia State’s moonshine empire in this revealing true crime history. For most states, the repeal of prohibition meant a return to legally drunken normalcy, but not so in Mississippi. The state had gone dry more than a decade before the rest of the nation. In that time, a lucrative black market for moonshine and bonded liquor became a way of life for many Mississippians. By the time Prohibition was lifted, bootleggers and state politicians were unwilling to give up their hold on the sale of alcohol. For nearly sixty years, Mississippi was known as the "wettest dry state in the country." Until statewide prohibition was finally repealed in 1966, illegal booze fueled a corrupt political machine that intimidated journalists who dared to speak against it and fixed juries that threatened its interests. Author and native Mississippian Janice Branch Tracy offers an intimate and authoritative look inside Mississippi Moonshine Politics.

Recovering the history of an often-ignored landmark Supreme Court case, William P. Hustwit assesses the significant role that Alexander v. Holmes (1969) played in integrating the South's public schools. Although Brown v. Board of Education has rightly received the lion's share of historical analysis, its ambiguous language for implementation led to more than a decade of delays and resistance by local and state governments. Alexander v. Holmes required "integration now," and less than a year later, thousands of children were attending integrated schools. Hustwit traces the progression of the Alexander case to show how grassroots activists in Mississippi operated hand in glove with lawyers and judges involved in the litigation. By combining a narrative of the larger legal battle surrounding the case and the story of the local activists who pressed for change, Hustwit offers an innovative, well-researched account of a definitive legal decision that reaches from the cotton fields of Holmes County to the chambers of the Supreme Court in Washington.

Birddogs and Tough Old Broads: Women Journalists of Mississippi and a Century of State Politics, 1880s-1980s documents the professional experiences and observations of more than a dozen journalists, all women, all covering Mississippi state politics over the course of a century—from the 1880s, right after the end of Reconstruction (when newspapers were the primary source of information) to the 1980s, a time period marked by steady declines in both news revenue and circulation, and the emergence of corporate journalism, led by media conglomerates like Gannett. Pete Smith argues that the experiences of the women journalists reflect broader social, political, legal, and cultural struggles and changes in both the South and the nation during the late nineteenth and twentieth centuries. The evolution of the modern-day political journalist, particularly for southern women who aspired to such a position, can be seen in their struggles and accomplishments.

The year was 1950. Mary Ella Harris, works hard sharecropping alongside her husband, a man with a penchant for gambling, drinking, and associating with unsavory white people. When she is cornered in her home by Leon Turner, a white man who refuses to take no for an answer, Mary Ella narrowly avoids an attempted rape. After his arrest, Leon escapes jail and enacts a bloody revenge with two accomplices. With the eyes of the nation watching, the state itself is on trial. The jury's controversial decision ultimately serves as a catalyst for change.

SHORTLISTED FOR THE COLUMBIA SCHOOL OF JOURNALISM J. ANTHONY LUKAS BOOK AWARD LONGLISTED FOR THE 2023 PEN/JOHN KENNETH GALBRAITH AWARD FOR NONFICTION FINALIST FOR THE NELLIE BY CHANTICLEER INTERNATIONAL BOOK AWARDS FOR JOURNALISTIC NON-FICTION A gripping investigation of the billion-dollar timber black market “and a fascinating examination of the deep and troubled relationship between people and forests” (Michelle Nijhuis, author of Beloved Beasts). There's a strong chance that chair you are sitting on was made from stolen lumber. In Tree Thieves, Lyndsie Bourgon takes us deep into the underbelly of the illegal timber market. As she traces three timber poaching cases, she introduces us to tree poachers, law enforcement, forensic wood specialists, the enigmatic residents of former logging communities, environmental activists, international timber cartels, and indigenous communities along the way. Old-growth trees are invaluable and irreplaceable for both humans and wildlife, and are the oldest living things on earth. But the morality of tree poaching is not as simple as we might think: stealing trees is a form of deeply rooted protest, and a side effect of environmental preservation and protection that doesn't include communities that have been uprooted or marginalized when park boundaries are drawn. As Bourgon discovers, failing to include working class and rural communities in the preservation of these awe-inducing ecosystems can lead to catastrophic results. Featuring excellent investigative reporting, fascinating characters, logging history, political analysis, and cutting-edge tree science, Tree Thieves takes readers on a thrilling journey into the intrigue, crime, and incredible complexity sheltered under the forest canopy.

Between 1954-1972, Homestead Maternity Home in Fort Worth, Texas, housed thousands of pregnant women of all ages, married and unmarried, who came to Fort Worth to give birth to babies they gave up for adoption through Homestead's child placement agency. Some individuals have referred to this period of time in mid-century America as the "Baby Scoop Era," and to Fort Worth, Texas, as an "Adoption Mecca." Without a doubt, the life of every woman who gave up her baby for adoption was changed forever. Author Janice Tracy interviewed nearly one hundred Homestead birth mothers, adoptees, and adoptive parents who shared with her their personal and emotional stories. In "Adopted in Texas," you will read about the Fort Worth hotel owner and the Baptist minister who started Homestead Maternity Home, the doctors who delivered the babies at local hospitals, and the social workers and lawyers who facilitated the adoptions. In addition, you will read about the difficulties adoptees and birth mothers still experience in searching for each other. These searches have been and continue to be complicated due to the alleged destruction of Homestead's records by those who operated the facility and by the maternity home's use of birth mothers' assumed names on hospital records and other official documents, including original birth certificates filed with the State of Texas. In some cases, no original birth certificates exist at all. But most of all, you will hear the truth about Homestead's maternity care and adoption practices through the voices of those who experienced the process firsthand.

The definitive biography of Chicago Bears and Hall of Fame superstar Walter Payton. Based on meticulous research and interviews with nearly 700 contacts, an unforgettable portrait that describes a man who lived his life just like he played the game: at full speed.

Since the rise of the contemporary ecology movement in the 1960s, American songwriters and composers, from folk singer Pete Seeger to jazz saxophonist Paul Winter, have lamented, and protested against, environmental degradation and injustice. The Jukebox in the Garden is the first book to survey a wide range of musical styles, including folk, country, blues, rock, jazz, electronica and hip hop, to examine the different ways in which popular music has explored American relationships between nature, technology and environmental politics. It also investigates the growing link between music and philosophical thought, particularly under the influence of both deep ecology and New Age thinking, according to which music, amongst all the arts, has a special affinity with ecological ideas. This book is both an exploration and critique of such speculations on the role that music can play in raising environmental awareness. It combines description and analysis of American popular music made during the era of modern environmentalism with a consideration of its wider social, historical and political contexts. It will be of interest to undergraduates and post-graduates in music, cultural studies and environmental studies, as well as general readers interested in popular music and the environment.

The perfect introduction to the many strains of American-made music