WWII is over, there is a climate of jubilation and optimism as the Allies look to rebuilding Europe for the future but the perpetrators of Nazi War Crimes have yet to be reckoned with, and the full extent of their atrocities is as yet widely unknown. Today, we have lived with the full knowledge of the extent of Nazi atrocities for over half a century and yet they still retain their power to shock. Imagine what it was like as they were being revealed in the full extent of their horror for the first time. In this book the Judges at the Nuremberg Trials take it in turn to describe the indictments handed down to the defendants and their crimes. The entire history, purpose and method of the Nazi party since its foundation in 1918 is revealed and described in chilling detail.

"Soviet Judgment at Nuremberg reveals the pivotal role the Soviet Union played in the Nuremberg Trials of 1945 and 1946. The Nuremberg Trials (IMT), most notable for their aim to bring perpetrators of Nazi war crimes to justice in the wake of World War II, paved the way for global conversations about genocide, justice, and human rights that continue to this day. As Francine Hirsch reveals in this new history of the trials, a central part of the story has been ignored or forgotten: the critical role the Soviet Union played in making them happen in the first place. While there were practical reasons for this omission--until recently, critical Soviet documents about Nuremberg were buried in the former Soviet archives, and even Russian researchers had limited access--Hirsch shows that there were political reasons as well. The Soviet Union was regarded by its wartime Allies not just as a fellow victor but a rival, and it was not in the interests of the Western powers to highlight the Soviet contribution to postwar justice"--

The Nuremberg trials brought to public attention the worst of the Nazi atrocities. Judgment at Nuremberg brings those trials to life. Abby Mann's riveting drama Judgment at Nuremberg not only brought some of the worst Nazi atrocities to public attention, but has become, along with Elie Wiesel's Night and Anne Frank's Diary of a Young Girl, one of the twentieth century's most important records of the Holocaust. Originally written as a 1957 television play, later made into an Academy Award winning 1961 film, and available now for the first time in print (using the text of Mann's recent Broadway adaptation), Judgment at Nuremberg is as potent and relevant as ever. To this day the Nuremberg trials stand as a model for international criminal tribunals, due in large measure to the spotlight thrown on them by Mann's dramatic interpretation of the historic events. Mann's overwhelming compassion strikes at the heart of human suffering--his achievement has been to reaffirm humanity and justice in the wake of unspeakable evil.

The 24 defendants were: Hermann Wilhelm Göring, Rudolf Hess, Joachim von Ribbentrop, Robert Ley, Wilhelm Keitel, Ernst Kaltenbrunner, Alfred Rosenberg, Hans Frank, Wilhelm Frick, Julius Streicher, Walter Funk, Hjalmar Schacht, Gustav Krupp von Bohlen und Halbach, Karl Dönitz, Erich Raeder, Baldur von Schirach, Fritz Sauckel, Alfred Jodl, Martin Bormann, Franz von Papen, Arthur Seyss-Inquart, Albert Speer, Constantin von Neurath, and Hans Fritzsche.

When people think of the Holocaust, they think of Auschwitz and Dachau. Not of Russia or the Ukraine, and certainly not a town called Kharkov. But in reality, the first war crime trial against the Nazis was in this tiny Ukrainian town, which is fitting, because it is where the Holocaust actually began. Judgment Before Nuremberg is also the story of Dawson’s personal journey to this place, to the scene of the crime, and the discovery of the trial which began the tortuous process of avenging the murder of his grandparents, great-grandparents and tens of thousands of fellow Ukrainians consumed at the dawn of the Shoah, a moment and crime now largely cloaked in darkness.

In the face of conflict and despair, we often console ourselves by saying that history will be the judge. Today’s oppressors may escape being held responsible for their crimes, but the future will condemn them. Those who stand up for progressive values are on the right side of history. As ideas once condemned to the dustbin of history—white supremacy, hypernationalism, even fascism—return to the world, threatening democratic institutions and values, can we still hold out hope that history will render its verdict? Joan Wallach Scott critically examines the belief that history will redeem us, revealing the implicit politics of appeals to the judgment of history. She argues that the notion of a linear, ever-improving direction of history hides the persistence of power structures and hinders the pursuit of alternative futures. This vision of necessary progress perpetuates the assumption that the nation-state is the culmination of history and the ultimate source for rectifying injustice. Scott considers the Nuremberg Tribunal and South Africa’s Truth and Reconciliation Commission, which claimed to carry out history’s judgment on Nazism and apartheid, and contrasts them with the movement for reparations for slavery in the United States. Advocates for reparations call into question a national history that has long ignored enslavement and its racist legacies. Only by this kind of critical questioning of the place of the nation-state as the final source of history’s judgment, this book shows, can we open up room for radically different conceptions of justice.

In this prodigiously researched study, the author concentrates on the reaction to the trials by various segments of the American public largely in terms of the legality of the tribunal, the composition of the court, the justice of the verdicts, and the implications for the future. Originally published 1970. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

In this new collection of essays the editors assess the legacy of the Nuremberg Trial asking whether the Trial really did have a civilising influence or if it constituted little more than institutionalised vengeance. Three essays focus particularly on the historical context and involve rich analysis of, for example, the atmospherics of the Trial itself and the attitudes of German society at the time to the conduct of the Trial. The majority of the essays deal with the contemporary legacies of the Nuremberg Trial and attempt to assess the ongoing relevance of the Judgment itself and of the principles encapsulated in it. Some essays consider the importance of the principle of individual criminal responsibility under international law and argue that the international community has to some extent failed to fulfil the promise of Nuremberg in the decades since the Trial. Other essays focus on contemporary application of aspects of the substantive law of Nuremberg - particularly the international crime of aggression, the law of military occupation and the use of the crime of conspiracy as an alternative basis of criminal responsibility. The collection also includes essays analysing the nature and operation of a number of international criminal tribunals since Nuremberg including the permanent International Criminal Court. The final grouping of essays focus on the impact of the Nuremberg Trial on Australia examining, in particular, Australia's post-World War Two war crimes trials of Japanese defendants, Australia's extensive national case law on Article 1(F) of the Refugee Convention and Australia's national implementing legislation for the Rome Statute.