Also published under the title Topper, The Jovial Ghosts puts Thorne Smith's literary imagination and quirky sense of humor on full display. A mild-mannered professional, Cosmo Topper, finds his life turned upside-down when he encounters a pair of ghosts, George and Marian Kerby. The ghostly couple soon become fast friends with Topper, which turns out to be a pleasant diversion from his passionless marriage and humdrum life.

J. Thorne Smith (1892-1934) was the author of "Topper / The Jovial Ghosts," "Topper Takes a Trip," "The Night Life of the Gods," "The Stray Lamb," "Turnabout," "The Glorious Pool," etc. "Topper" was published in 1926. Public Domain in countries where copyright is Life]70. Thorne Smith is a master of urbane wit and sophisticated repartee. Topper, his best-known work, is the hilarious, ribald comedy on which the hit television show and movie (starring Cary Grant) were based. It all begins when Cosmo Topper, a law-abiding, mild-mannered bank manager, decides to buy a secondhand car, only to find it haunted by the ghosts of its previous owners--the reckless, feckless, frivolous couple who met their untimely demise when the car careened into an oak tree. The ghosts, George and Marion Kerby, make it their mission to rescue Topper from the drab "summer of suburban Sundays" that is his life--and they commence a series of madcap adventures that leave Topper, and anyone else who crosses their path, in a whirlwind of discomfiture and delight. As enchanting today as it was when first published in 1926, Topper has set the standard in American pop culture for such mischievous apparitions as those seen in 'The Ghost and Mrs. Muir, ' 'Heaven Can Wait, ' 'Beetlejuice, ' and 'Bewitched.'

This is a terrifying collection of true-life tales of ghosts, poltergeists and spirits of all kinds in the streets, buildings and graveyards of York. Drawing on historical and contemporary sources, Haunted York contains a chilling range of ghostly phenomena. From the medieval stonemason who haunts York Minster to a re-incarnation mystery at St Mary's Church, the spectres of King's Manor, Micklegate Bar and Exhibition Square and the many spirits to be found in the city's public houses, this phenomenal gathering of ghostly goings-on is bound to captivate anyone interested in the supernatural history of York.

Lilac is a girl of eight, or ten, or twelve years old- she's not sure. She lives happily in the woods until she meets a Troll who begins introducing her to new ideas (Lilac & the Troll). Nelson is just another normal first year at Cambridge when he begins to have visions of one of England's most famous statesmen. Why him and what must he do to make the hauntings stop? (Oliver Cromwell's Head). Enjoy these and other short stories that give you a sense of the surreal-- while leaving you to ponder life's great lessons. Characters journey through real-- and not so real-- life situations, where they must choose right from wrong, true from untrue, good or bad, and love over hate. Other stories include: "The Pitiful Tale of Rosemary Pickering," "Transfiguration in the Blind Forest," & "The Jovial Story of Anges and the Great Pestilence," among others.

With entries that range from specific works to authors, folklore, and popular culture (including music, film, television, urban legend, and gaming), this book provides a single-volume resource on all things ghostly in the United States and in other countries. The concept of ghosts has been an ongoing and universal element in human culture as far back as recorded history can document. In more modern popular culture and entertainment, ghosts are a popular mainstay—from A Christmas Carol and Casper the Friendly Ghost to The Amityville Horror, Ghostbusters, Poltergeist, The Sixth Sense, and Ghost Whisperer. This book comprehensively examines ghost and spirit phenomena in all its incarnations to provide readers with a holistic perspective on the subject. It presents insightful information about the contribution of a specific work or author to establish or further the evolution of ghost lore, rather than concentrating solely on the film, literature, music, or folklore itself. The book focuses on ghosts in western culture but also provides information about spirit phenomena and lore in international settings, as many of the trends in popular culture dealing with ghosts and spirits are informed by authors and filmmakers from Germany, Japan, Korea, and the United Kingdom. The writers and editors are experts and scholars in the field and enthusiastic fans of ghost lore, ghost films, ghost hunting, and urban legends, resulting in entries that are informative and engaging—and make this the most complete and current resource on ghost and spirit lore available.

The Bible serves Wordsworth as a basis for his poetry and poetics, providing language, images, figures, and importantly, a paradigm of poetic genres. Working from three interrelated critical approaches - intertextuality, poetics, and metaphysics - Westbrook first analyzes Wordsworth's theory and practice as these reflect the New Testament doctrine of the Incarnation. Subsequent chapters consider Wordsworth's adaptation of biblical narrative forms - etymological tales, parables, and mystical allegories. Closing chapters examine some extraordinary linguistic innovations in Wordsworth's revisions of biblical apocalypse, techniques that permit the poet to express the ineffable and to reveal nothing.