This precursor to The Way to Rainy Mountain was originally published in a handmade edition in 1967 and has never before been commercially available.

"Tai-me" is a traditional medicine bundle used by the Kiowa in their Sun Dance. The bundle has been handed down from generation to generation, through the nineteenth century and into the twentieth. N. Scott Momaday made this discovery when he began his journey to learn about the Kiowa and his paternal lineage. Following the death of his beloved Kiowa grandmother, Aho, in 1963 Momaday set out on his quest to learn and document the Kiowa heritage, stories, and folklore. His Kiowa-speaking father, artist Al Momaday, served as translator when Scott visited tribal elders to ask about their memories and stories. Scott gathered these stories into The Journey of Tai-me. Originally published only in a limited edition in 1967, The Journey of Tai-me is recognized as the basis from which Momaday's more popular The Way to Rainy Mountain grew. When compiling The Way to Rainy Mountain, published by the University of New Mexico Press, Momaday added his own memories and some poems.

First published in paperback by UNM Press in 1976, The Way to Rainy Mountain has sold over 200,000 copies. "The paperback edition of The Way to Rainy Mountain was first published twenty-five years ago. One should not be surprised, I suppose, that it has remained vital, and immediate, for that is the nature of story. And this is particularly true of the oral tradition, which exists in a dimension of timelessness. I was first told these stories by my father when I was a child. I do not know how long they had existed before I heard them. They seem to proceed from a place of origin as old as the earth. "The stories in The Way to Rainy Mountain are told in three voices. The first voice is the voice of my father, the ancestral voice, and the voice of the Kiowa oral tradition. The second is the voice of historical commentary. And the third is that of personal reminiscence, my own voice. There is a turning and returning of myth, history, and memoir throughout, a narrative wheel that is as sacred as language itself."--from the new Preface

A touching Christmas tale from Jemez Pueblo, illustrated in color by the author.

"Let me say at the outset that this book is not about Bear (he would be spoken of in the singular and masculine, capitalized and without an article), or it is only incidentally about him. I am less interested in defining the being of Bear than in trying to understand something about the spirit of wilderness, of which Bear is a very particular expression. . . . Bear is a template of the wilderness."--from the Introduction Since receiving the Pulitzer Prize in 1969 for his novel House Made of Dawn, N. Scott Momaday has had one of the most remarkable careers in twentieth-century American letters. Here, in In the Bear's House, Momaday passionately explores themes of loneliness, sacredness, and aggression through his depiction of Bear, the one animal that has both inspired and haunted him throughout his lifetime. With transcendent dignity and gentleness, In the Bear's House celebrates Momaday's extraordinary creative vision and evolution as one of our most gifted artists.

Although highly regarded as a writer of fiction, nonfiction, and drama, N. Scott Momaday considers himself primarily a poet. This first book of his poems to be published in over a decade, Again the Far Morning comprises a varied selection of new work along with the best from his four earlier books of poems: Angle of Geese (1974), The Gourd Dancer (1976), In the Presence of the Sun (1992), and In the Bear’s House (1999). To read Momaday’s poems from the last forty years is to understand that his focus on Kiowa traditions and other American Indian myths is further evidence of his spectacular formal accomplishments. His early syllabic verse, his sonnets, and his mastery of iambic pentameter are echoed in more recent work, and prose poetry has been part of his oeuvre from the beginning. The new work includes the elegies and meditations on mortality that we expect from a writer whose career has been as long as Momaday’s, but it also includes light verse and sprightly translations of Kiowa songs.

A form of Chinese exercise and a complete way of life. Exercises combine mind, breath, balance and parts of the body together in harmony.

"In the Presence of the Sun presents 30 years of selected works by [N. Scott] Momaday, the well-known Southwest Native American novelist. His unadorned poetry, which recounts fables and rituals of the Kiowa nation, conveys the deep sense of place of the Native American oral tradition. Here are dream-songs about animals (bear, bison, terrapin) and life away from urban alienation, an imagined re-creation based on Billy the Kid, prose poems about Plains Shields (and a fascinating discussion of their background), and new poems that utilize primary colors ('forms of the earth') to express instinctive continuities of a pre-Columbian vision."--Library Journal "The strong, spare beauty of In the Presence of the Sun is compelling evidence that Scott Momaday is one of the most versatile and distinguished artists in America today."--Peter Matthiessen ". . . the images, the voices, the people are shadowy, elusive, burning with invention, like flames against a dark sky. For behind them is always the artist-author himself . . . a man with a sacred investiture. Strong medicine, strong art indeed."--The New York Times Book Review

In his first novel since the Pulitzer Prize-winning House Made of Dawn, N. Scott Momaday shapes the ancient Kiowa myth of a boy who turned into a bear into a timeless American classic. The Ancient Child juxtaposes Indian lore and Wild West legend into a hypnotic, often lyrical contemporary novel--the story of Locke Setman, known as Set, a Native American raised far from the reservation by his adoptive father. Set feels a strange aching in his soul and, returning to tribal lands for the funeral of his grandmother, is drawn irresistibly to the fabled bear-boy. When he meets Grey, a beautiful young medicine woman with a visionary gift, his world is turned upside down. Here is a magical saga of one man's tormented search for his identity--a quintessential American novel, and a great one.

The sweeping epic novel of the founding of Hong Kong, by the #1 New York Times bestselling author and unparalleled master of historical fiction, James Clavell “There can only be one Tai-Pan.” Dirk Struan rose from humble beginnings to build Struan & Company, also known as the Noble House, into the world’s largest Far East trading company. He is now the Tai-Pan—Supreme Leader—of all Tai-Pans in China. Along the way, however, he made a powerful enemy. Tyler Brock, Struan’s rival from their early opium-smuggling days, also heads a large trading fleet, second in size only to Struan’s. But it is not only silks and spices that drive their mutual companies’ wealth—the opium trade is still booming. War between England and China might be over, but the hostilities remain. Struan and Brock come to control much of England’s trade with China yet neither can control their desires or their hatred of each other. Over the years, their two families will cross paths, threatening to rip both apart, with reverberations that will echo across the generations. Struan must fight to save his company and his family, or risk seeing everything he has created destroyed at the hands of his sworn enemy. Ambition, political intrigue, and love and lust weave their way throughout the novel the New York Times called, “grand entertainment...packed with action...with blood and sin, treachery and conspiracy, sex and murder.” East and West come together in an opulent and intricately plotted narrative. A tour-de-force of historical fiction, rich in detail yet eminently readable, Tai-Pan will stay with you long after the final page.