A writer of fiction, literary criticism, travel narratives and libretti, E M Forster is best known for his beautifully-structured novels which held a mirror up to the English class system. This fascinating collection of diaries, travel journals and itineraries brings together all unpublished material Forster wrote which can be classed as ‘memoir’.

A writer of fiction, literary criticism, travel narratives and libretti, E M Forster is best known for his beautifully-structured novels which held a mirror up to the English class system. This fascinating collection of diaries, travel journals and itineraries brings together all unpublished material Forster wrote which can be classed as ‘memoir’.

A writer of fiction, literary criticism, travel narratives and libretti, E M Forster is best known for his beautifully-structured novels which held a mirror up to the English class system. This fascinating collection of diaries, travel journals and itineraries brings together all unpublished material Forster wrote which can be classed as ‘memoir’.

This book reframes British First World War literature within Britain's history as an imperial nation. Rereading canonical war writers Siegfried Sassoon and Edmund Blunden, alongside war writing by Enid Bagnold, E. M. Forster, Mulk Raj Anand, Roly Grimshaw and others, the book makes clear that the Great War was more than a European war.

English novelist E.M. Forster wrote his last and best-loved work, A Passage to India, both as a paean to his love for India and as a tribute to the relationships he formed with Indians. Forster became entranced by the India of the Raj at a young age, and his love affair with the sub-continent, its princes, and peoples, was to last all his life. At his most socially transgressive, it was with Indians that Forster chose to connect and with whom he put into effect his belief in man’s duty to value friendship over state or ideology. His time in India was undoubtedly when he was at his most human and most vulnerable. At once a contemporary reflection on India’s rich history and a biographical retelling of Forster’s travels through the country in the early 1900s, Developing the Heart delves into the past to better understand the profound impact certain events and people had on his writing. In doing so, it allows readers to look on as Forster matures and softens over time in his behaviour with others as well as with himself. Often using Forster’s own words to evoke a vivid landscape, this is the story of the most dramatic and exotic part of the life of one of England’s greatest novelists.

The history of men's needlework has long been considered a taboo subject. This is the first book ever published to document and critically interrogate a range of needlework made by men. It reveals that since medieval times men have threaded their own needles, stitched and knitted, woven lace, handmade clothes, as well as other kinds of textiles, and generally delighted in the pleasures and possibilities offered by all sorts of needlework. Only since the dawn of the modern age, in the eighteenth and the nineteenth centuries, did needlework become closely aligned with new ideologies of the feminine. Since then men's needlework has been read not just as feminising but as queer. In this groundbreaking study Joseph McBrinn argues that needlework by male artists as well as anonymous tailors, sailors, soldiers, convalescents, paupers, prisoners, hobbyists and a multitude of other men and boys deserves to be looked at again. Drawing on a wealth of examples of men's needlework, as well as visual representations of the male needleworker, in museum collections, from artist's papers and archives, in forgotten magazines and specialist publications, popular novels and children's literature, and even in the history of photography, film and television, he surveys and analyses many of the instances in which “needlemen” have contested, resisted and subverted the constrictive ideals of modern masculinity. This audacious, original, carefully researched and often amusing study, demonstrates the significance of needlework by men in understanding their feelings, agency, identity and history.

An original, authoritative, and lively cultural history of the first modern city, from pre-Homeric times to the present day. Islam Issa’s father had always told him about their city's magnificence, and as he looked at the new library in Alexandria it finally hit home. This is no ordinary library. And Alexandria is no ordinary city. Combining rigorous research with myth and folklore, Alexandria is an authoritative history of a city that has shaped our modern world. Soon after being founded by Alexander the Great, Alexandria became the crucible of cultural exchange between East and West for millennia and the undisputed global capital of knowledge. It was at the forefront of human progress, but it also witnessed brutal natural disasters, plagues, crusades and violence. Major empires fought over Alexandria, from the Greeks and Romans to the Arabs, Ottomans, French, and British. Key figures shaped the city from its eponymous founder to Aristotle, Cleopatra, Saint Mark the Evangelist, Napoleon Bonaparte and many others, each putting their own stamp on its identity and its fortunes. And millions of people have lived in this bustling seaport on the Mediterranean. From its humble origins to its dizzy heights and its latest incarnation, Islam Issa tells us the rich and gripping story of a city that changed the world.

Published to mark the beginning of the Britten centenary year in 2013, Paul Kildea's Benjamin Britten: A Life in the Twentieth Century is the definitive biography of Britain's greatest modern composer. In the eyes of many, Benjamin Britten was our finest composer since Purcell (a figure who often inspired him) three hundred years earlier. He broke decisively with the romantic, nationalist school of figures such as Parry, Elgar and Vaughan Williams and recreated English music in a fresh, modern, European form. With Peter Grimes (1945), Billy Budd (1951) and The Turn of the Screw (1954), he arguably composed the last operas - from any composer in any country - which have entered both the popular consciousness and the musical canon. He did all this while carrying two disadvantages to worldly success - his passionately held pacifism, which made him suspect to the authorities during and immediately after the Second World War - and his homosexuality, specifically his forty-year relationship with Peter Pears, for whom many of his greatest operatic roles and vocal works were created. The atmosphere and personalities of Aldeburgh in his native Suffolk also form another wonderful dimension to the book. Kildea shows clearly how Britten made this creative community, notably with the foundation of the Aldeburgh Festival and the building of Snape Maltings, but also how costly the determination that this required was. Above all, this book helps us understand the relationship of Britten's music to his life, and takes us as far into his creative process as we are ever likely to go. Kildea reads dozens of Britten's works with enormous intelligence and sensitivity, in a way which those without formal musical training can understand. It is one of the most moving and enjoyable biographies of a creative artist of any kind to have appeared for years. Paul Kildea is a writer and conductor who has performed many of the Britten works he writes about, in opera houses and concert halls from Sydney to Hamburg. His previous books include Selling Britten (2002) and (as editor) Britten on Music (2003). He was Head of Music at the Aldeburgh Festival between 1999 and 2002 and subsequently Artistic Director of the Wigmore Hall in London.

A writer of fiction, literary criticism, travel narratives and libretti, E M Forster is best known for his beautifully-structured novels which held a mirror up to the English class system. This fascinating collection of diaries, travel journals and itineraries brings together all unpublished material Forster wrote which can be classed as 'memoir'.