Index of archaeological papers published in 1891, under the direction of the Congress of Archaeological Societies in union with the Society of Antiquaries.

The current book intends to provide a flexible and comprehensive bibliographical tool to those scholars working or interested in Irish English. A whole range of references (approx. 2,500) relating to Irish English in all its aspects are gathered together here and in the majority of cases annotations are supplied. The book has a detailed introduction dealing the history of Irish English, the documentation available and contains an overview of the themes in Irish English which have occupied linguists working in the field. Various appendixes offer information on the history of Irish English studies and biographical notes on scholars from this area. All the bibliographical material is contained on the accompanying CD-ROM along with appropriate software (Windows, PC) for processing the databases and texts. The databases are fully searchable, information can be exported at will and customised extracts can be created by users from within an intuitive software interface. This bibliography is part of a larger project, called the Irish English Resource Centre. Additions and updates to the bibliography can be found on the centre’s website.

As evidenced by the famed Book of Kells and monumental high crosses, Scotland and Ireland have long shared a distinctive artistic tradition. The story of how this tradition developed and flourished for another millennium through survival, adaptation and revival is less well known. Some works were preserved and repaired as relics, objects of devotion believed to hold magical powers. Respect for the past saw the creation of new artefacts through the assemblage of older parts, or the creation of fakes and facsimiles. Meanings and values attached to these objects, and to places with strong early Christian associations, changed over time but their 'Celtic' and/or 'Gaelic' character has remained to the forefront of Scottish and Irish national expression. Exploring themes of authenticity, imitation, heritage, conservation and nationalism, these interdisciplinary essays draw attention to a variety of understudied artworks and illustrate the enduring link that exists between Scottish and Irish cultures.

The proceedings of the first conference of the Construction History Society, which took place on 11 and 12 April 2014 at Queens' College, Cambridge, featuring 48 peer-reviewed papers covering a wide variety of subjects on the theme of construction history.