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This book explores the relationship between ethics, aesthetics, and religion in classical Indian literature and literary theory by focusing on one of the most celebrated and enigmatic texts to emerge from the Sanskrit epic tradition, the Mahabharata. This text, which is widely acknowledged to be one of the most important sources for the study of South Asian religious, social, and political thought, is a foundational text of the Hindu tradition(s) and considered to be a major transmitter of dharma (moral, social, and religious duty), perhaps the single most important concept in the history of Indian religions. However, in spite of two centuries of Euro-American scholarship on the epic, basic questions concerning precisely how the epic is communicating its ideas about dharma and precisely what it is saying about it are still being explored. Disorienting Dharma brings to bear a variety of interpretive lenses (Sanskrit literary theory, reader-response theory, and narrative ethics) to examine these issues. One of the first book-length studies to explore the subject from the lens of Indian aesthetics, it argues that such a perspective yields startling new insights into the nature of the depiction of dharma in the epic through bringing to light one of the principle narrative tensions of the epic: the vexed relationship between dharma and suffering. In addition, it seeks to make the Mahabharata interesting and accessible to a wider audience by demonstrating how reading the Mahabharata, perhaps the most harrowing story in world literature, is a fascinating, disorienting, and ultimately transformative experience.

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This volume examines the role of divine grace in the non-dualist soteriology of Śaṃkara. The author argues that grace is an essential but generally overlooked feature in Śaṃkara’s enlightenment spirituality. Introductory chapters summarize recent developments in Śaṃkara research, Śaṃkara’s epistemology and ontology, ancient Vedāntic teachings on grace, and modern scholarly disagreement about grace in Śaṃkara’s Advaita system. The heart of the book consists of two lengthy exegetical chapters examining Śaṃkara’s key passages on grace from his dozen genuine works. The final chapter presents for the first time a systematic summary of Śaṃkara’s understanding of the operation and necessity of divine grace. This book provides a useful summary of Śaṃkara’s system as a whole besides offering a radical revision of the standard understanding of Śaṃkara’s soteriology. It also reveals that Śaṃkara was much more indebted in his thinking to his Vedantic predecessors than had hitherto been thought.

This book has been written to provide the Western reader with a concise survey of Hindu political ideas. Various works habe been published by Indian scholars, but these erudite studies have generally been written for Indian readers or Orientalists, and deal with rather specialized fields. Although there are several American publications on Chinese political theory, the Indian field has been largely neglected in this country. tHe plan of the present work is to construct a brief analysis of Indian thought together with a series of sections from the Hindu political classics. --From the Preface This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1953.