It's story time! The G.C.P.D have a mysterious corpse, a magical box, and a murderer's row of the city's most dangerous villains sitting in a jail cell. Now all they need to figure out is what exactly happened. Fortunately, one suspect is willing to talk. Unfortunately, it's The Joker…

The GCPD is no closer to figuring out who killed the Riddler, now that all of the suspects have confessed to one crime or another, including the murder....everyone except, Joker. Did he actually do it? Is the Riddler actually dead (we've seen his body...)? The last pieces of the puzzle fall into place here. DIRECTOR’S CUT BONUS BOX: Additional clues for readers: Each issue of Joker Presents: A Puzzlebox includes a BONUS BOX story, giving additional clues and insights to help you stay two steps ahead of Joker!

One big puzzle, two winged players -- Killer Moth and Man-Bat must fly together to get a seat at Riddler's table, but from Joker's POV, there's a blood debt to be paid (and not just Riddler's!)

The mystery of “WHO KILLED THE RIDDLER” heats up as Joker, now incarcerated and under interrogation by Commissioner Jim Gordon, retells his version of events, starting with the victim himself on the hunt for an all-powerful weapon. How did the other Gotham villains get involved, and why? What does this weapon do, and why does Riddler want it? Who had skin in the game, and who could stand to lose everything? It’s a whodunit spiraling out of control, retold by the world’s most unreliable narrator. See if you can spot the clues and solve the puzzle!

The GCPD is no closer to figuring out who killed the Riddler, now that all of the suspects have confessed to one crime or another, including the murder....everyone except, Joker. Did he actually do it? Is the Riddler actually dead (we've seen his body...)? The last pieces of the puzzle fall into place here.

"Batman created by Bob Kane with Bill Finger; Superman created by Jerry Siegel and Joe Shuster, by special arrangement with the Jerry Siegel family."

Joker provides the GCPD with another missing piece of the puzzle involving two faces and two masks: Black Mask has travelled halfway around the world on the hunt for one of the pieces of the MASTER ENGINE, but someone is following him...someone with a gun aimed AT HIS FACE. The mystery deepens with not one but TWO double-crosses in the hunt for who killed the riddler!

The Justice League has long protected Earth from all manner of foreign and alien invaders over the years, always keeping a vigilant eye to the skies for the next threat. But what if the threat was already walking the Earth…hiding in plain sight…watching…waiting for their moment to strike… In the tradition of DCeased comes a terrifying new series that begins from the twisted minds of James Tynion IV (Nice House on the Lake, Something Is Killing the Children), Matthew Rosenberg (The Joker Presents: A Puzzlebox, 4 Kids Walk into a Bank, Hawkeye), and Otto Schmidt that will tear the Justice League apart in their war with the undead! This volume collects DC vs. Vampires #1-6, the first half of this bloody battle.

Following the events of Infinite Frontier #1, The Joker is the most wanted man in the world! But the Clown Prince of Crime is several steps ahead of law enforcement-and he’s on the run overseas. James Gordon, facing retirement, realizes this is the manhunt of his life and the last piece of a storied career…but what mysterious and deadly forces are also in pursuit of The Joker? And in the backup story, following the events of the smash hit Punchline #1, DC’s most controversial new villain navigates the infrastructure of Blackgate Penitentiary-while on the outside, Harper Row takes up the mantle of Bluebird to stop her brother from falling under Punchline’s influence.

This cultural analysis of visual and narrative elements within Batman comics provides an important exploration of the ways readers and creators negotiate gender, identity, and sexuality in popular culture. Thematic chapters investigate how artists, writers, and fans engage with, challenge, and interpret gendered and sexual representations by focusing on one of the most popular and heated fictional rivalries ever inked: that of Batman and the Joker. The monograph provides critical insights into ways queer reading practices can open new forms of understanding that have generally remained implicit and unexplored in mainstream comics studies. This accessible and interdisciplinary approach to the Caped Crusader and the Clown Prince of Crime engages diverse fields of scholarship such as Comics Studies, Critical Theory, Cultural Studies, Gender Studies, Literature, Psychoanalysis, Media Studies, and Queer Theory.