Samuel Johnson, from early boyhood, lived with the knowledge that his homely face, large and ungainly body, loud voice, and odd mannerisms put people off. He later confessed that he had never made an effort to please others until past thirty, “considering the matter as hopeless.” Yet he managed to gather about him as friends, especially during the last quarter of his life, some of the most fascinating and accomplished people of the day. These friendships were not always smooth, and some did not last, but Johnson valued the individuals nonetheless. Actor, painter, playwright, novelist, Greek scholar, miscellaneous writer, biographer, leading bluestocking, wealthy man-of-fashion: they represented a wide range of talents and personalities. Johnson brought them together as a group, and all testified that in knowing him they became far better persons than they otherwise would have been. This book focuses on ten key figures, aside from Johnson himself, of the so-called Johnson circle. It explores their characters, their contributions to society, their relationships with one another, and their indebtedness to Samuel Johnson.

Samuel Johnson, from early boyhood, lived with the knowledge that his homely face, large and ungainly body, loud voice, and odd mannerisms put people off. He later confessed that he had never made an effort to please others until past thirty, "considering the matter as hopeless." Yet he managed to gather about him as friends, especially during the last quarter of his life, some of the most fascinating and accomplished people of the day. These friendships were not always smooth, and some did not last, but Johnson valued the individuals nonetheless. Actor, painter, playwright, novelist, Greek scholar, miscellaneous writer, biographer, leading bluestocking, wealthy man-of-fashion: they represented a wide range of talents and personalities. Johnson brought them together as a group, and all testified that in knowing him they became far better persons than they otherwise would have been. This book focuses on ten key figures, aside from Johnson himself, of the so-called Johnson circle. It explores their characters, their contributions to society, their relationships with one another, and their indebtedness to Samuel Johnson.

The Imprisoned Traveler is a fascinating portrait of a unique book, its context, and its elusive author. Joseph Forsyth, traveling through an Italy plundered by Napoleon, was unjustly imprisoned in 1803 by the French as an enemy alien. Out of his arduous eleven-year “detention” came his only book, Remarks on Antiquities, Arts, and Letters during an Excursion in Italy (1813). Written as an (unsuccessful) appeal for release, praised by Forsyth’s contemporaries for its originality and fine taste, it is now recognized as a classic of Romantic period travel writing. Keith Crook, in this authoritative study, evokes the peculiar miseries that Forsyth endured in French prisons, reveals the significance of Forsyth’s encounters with scientists, poets, scholars, and ordinary Italians, and analyzes his judgments on Italian artworks. He uncovers how Forsyth’s allusiveness functions as a method of covert protest against Napoleon and reproduces the hitherto unpublished correspondence between the imprisoned Forsyth and his brother. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

A fascinating portrait of a radical age through the writers associated with a London publisher and bookseller—from William Wordsworth and Mary Wollstonecraft to Benjamin Franklin Once a week, in late eighteenth-century London, writers of contrasting politics and personalities gathered around a dining table. The veal and boiled vegetables may have been unappetising but the company was convivial and the conversation brilliant and unpredictable. The host was Joseph Johnson, publisher and bookseller: a man at the heart of literary life. In this book, Daisy Hay paints a remarkable portrait of a revolutionary age through the connected stories of the men and women who wrote it into being, and whose ideas still influence us today. Johnson’s years as a publisher, 1760 to 1809, witnessed profound political, social, cultural and religious changes—from the American and French revolutions to birth of the Romantic age—and many of his dinner guests and authors were at the center of events. The shifting constellation of extraordinary people at Johnson’s table included William Blake, William Wordsworth, Samuel Taylor Coleridge, Benjamin Franklin, the scientist Joseph Priestly and the Swiss artist Henry Fuseli, as well as a group of extraordinary women—Mary Wollstonecraft, the novelist Maria Edgeworth, and the poet Anna Barbauld. These figures pioneered revolutions in science and medicine, proclaimed the rights of women and children and charted the evolution of Britain’s relationship with America and Europe. As external forces conspired to silence their voices, Johnson made them heard by continuing to publish them, just as his table gave them refuge. A rich work of biography and cultural history, Dinner with Joseph Johnson is an entertaining and enlightening story of a group of people who left an indelible mark on the modern age.

An inside look at the politics of book reviewing, from the assignment and writing of reviews to why critics think we should listen to what they have to say Taking readers behind the scenes in the world of fiction reviewing, Inside the Critics’ Circle explores the ways critics evaluate books despite the inherent subjectivity involved and the uncertainties of reviewing when seemingly anyone can be a reviewer. Drawing on interviews with critics from such venues as the New York Times, Los Angeles Times, and Washington Post, Phillipa Chong delves into the complexities of the review-writing process, including the considerations, values, and cultural and personal anxieties that shape what critics do. Chong explores how critics are paired with review assignments, why they accept these time-consuming projects, how they view their own qualifications for reviewing certain books, and the criteria they employ when making literary judgments. She discovers that while their readers are of concern to reviewers, they are especially worried about authors on the receiving end of reviews. As these are most likely peers who will be returning similar favors in the future, critics’ fears and frustrations factor into their willingness or reluctance to write negative reviews. At a time when traditional review opportunities are dwindling while other forms of reviewing thrive, book reviewing as a professional practice is being brought into question. Inside the Critics’ Circle offers readers a revealing look into critics’ responses to these massive transitions and how, through their efforts, literary values get made.

In 1866, President Andrew Johnson was trying to find solutions to a bewildering array of immediate post-Civil War challenges: what to do about the recently liberated slaves, how to bring the South back into the Union, whether or not former members of the Confederacy should be pardoned and forgiven for their war time acts and building a thriving national economy that would provide jobs for millions of new veterans. Confronted with an increasingly assertive Congress that had been frustrated by its lack of influence during the presidency of Abraham Lincoln, Johnson decided to take his case directly to the American people for the fall mid-term elections of 1866, becoming the first president in history to actively engage in a political campaign. In a trade ride in which he was joined by the hero Ulysses S. Grant, the very young George Armstrong Custer, and the legendary William Seward, the secretary of state who was viciously attacked on the same night that Lincoln was murdered, Johnson spoke to hundreds of thousands of voters from New York to Chicago and St. Louis. But because of his confrontational, intemperate rhetorical style and habit of engaging hecklers in direct verbal battle, Johnson alienated more people than he won over, resulting not only in a thumping defeat for his cause at the polls, but a move to impeach and remove him from office by opponents who were convinced that Johnson's behavior on the Swing Around the Circle showed that he was mentally unbalanced. Repeatedly referred to by historians and reporters in the decades since, the Swing Around the Circle has never been explored in one single book until now.

Examining William Blake's poetry in relation to the mythographic tradition of the eighteenth century and emphasizing the British discovery of Hindu literature, David Weir argues that Blake's mythic system springs from the same rich historical context that produced the Oriental Renaissance. That context includes republican politics and dissenting theology—two interrelated developments that help elucidate many of the obscurities of Blake's poetry and explain much of its intellectual energy. Weir shows how Blake's poetic career underwent a profound development as a result of his exposure to Hindu mythology. By combining mythographic insight with republican politics and Protestant dissent, Blake devised a poetic system that opposed the powers of Church and King.

For use in schools and libraries only. Three girls have fun playing dress-up at their grandmother's house, even painting their toenails, but then they have nowhere to go. Includes activity ideas for parents and children.