Zimmerman examines the attitude and behavior of the Polish Underground towards the Jews during the Holocaust.

Torah from the Years of Wrath provides a new and essential scholarly contribution by placing Rabbi Shapira’s writings in their immediate historical context. Using a wide variety of primary sources, Abramson situates the sermons within the daily experience of Jews in the Warsaw Ghetto, demonstrating that Rabbi Shapira’s often enigmatic discourses contained veiled messages—opaque to later readers, but readily understood by his congregants at the time—that related directly to the traumatic events endured by his Hasidim. Abramson’s reconstruction of the micro-history of the Ghetto reveals that Rabbi Shapira’s work represents a sustained act of spiritual heroism, helping his followers place their individual tragedies within the cosmic meta-history of the Jewish people, as expressed in the Torah itself.

The Macmillan Profiles series is a collection of volumes featuring profiles of famous people, places and historical events. This text profiles heroes and activists of the Holocaust, including Elie Wiesel, Oskar Schindler, Simon Wiesenthal, Primo Levi, Anne Frank and Raoul Wallenberg, as well as soldiers, Partisans, ghetto leaders, diplomats and ordinary citizens who fought German aggression and risked their lives to save Jews.

A Holocaust expert who survived three Nazi concentration camps recounts the events of the Jewish uprising in Warsaw.

On the eve of Passover, April 19, 1943, Jews in the Warsaw Ghetto staged a now legendary revolt against their Nazi oppressors. Since that day, the deprivation and despair of life in the ghetto and the dramatic uprising of its inhabitants have captured the American cultural imagination. The Warsaw Ghetto in American Art and Culture looks at how this place and its story have been remembered in fine art, film, television, radio, theater, fiction, poetry, and comics. Samantha Baskind explores seventy years’ worth of artistic representations of the ghetto and revolt to understand why they became and remain touchstones in the American mind. Her study includes iconic works such as Leon Uris’s best-selling novel Mila 18, Roman Polanski’s Academy Award–winning film The Pianist, and Rod Serling’s teleplay In the Presence of Mine Enemies, as well as accounts in the American Jewish Yearbook and the New York Times, the art of Samuel Bak and Arthur Szyk, and the poetry of Yala Korwin and Charles Reznikoff. In probing these works, Baskind pursues key questions of Jewish identity: What links artistic representations of the ghetto to the Jewish diaspora? How is art politicized or depoliticized? Why have Americans made such a strong cultural claim on the uprising? Vibrantly illustrated and vividly told, The Warsaw Ghetto in American Art and Culture shows the importance of the ghetto as a site of memory and creative struggle and reveals how this seminal event and locale served as a staging ground for the forging of Jewish American identity.

This is the first ever study to address Jewish forced labor in the General Government (Poland) during the Holocaust, and its consequences on the Nazi regime. A fascinating book about mutual dependence of economics and warfare during one of the most difficult periods in human history.

This volume puts to rest the myth that the Jews went passively to the slaughter like sheep. Indeed Jews resisted in every Nazi-occupied country - in the forests, the ghettos, and the concentration camps.The essays presented here consider Jewish resistance to be resistance by Jewish persons in specifically Jewish groups, or by Jewish persons working within non-Jewish organizations. Resistance could be armed revolt; flight; the rescue of targeted individuals by concealment in non-Jewish homes, farms, and institutions; or by the smuggling of Jews into countries where Jews were not objects of Nazi persecution. Other forms of resistance include every act that Jewish people carried out to fight against the dehumanizing agenda of the Nazis - acts such as smuggling food, clothing, and medicine into the ghettos, putting on plays, reading poetry, organizing orchestras and art exhibits, forming schools, leaving diaries, and praying. These attempts to remain physically, intellectually, culturally, morally, and theologically alive constituted resistance to Nazi oppression, which was designed to demolish individuals, destroy their soul, and obliterate their desire to live.

Jewish society as an active protagonist in the story of the Holocaust

Includes 204 photos, plans and maps illustrating The Holocaust “Born in a small town outside of Warsaw in 1889, Bernard Goldstein joined the Jewish labor organization, the Bund, at age 16 and dedicated his life to organizing workers and resisting tyranny. Goldstein spent time in prisons from Warsaw to Siberia, took part in the Russian Revolution and was a respected organizer within the vibrant labor movement in independent Poland. “In 1939, with the Nazi invasion of Poland and establishment of the Jewish Ghetto, Goldstein and the Bund went underground—organizing housing, food and clothing within the ghetto; communicating with the West for support; and developing a secret armed force. Smuggled out of the ghetto just before the Jewish militia’s heroic last stand, Goldstein assisted in procuring guns to aid those within the ghetto’s walls and aided in the fight to free Warsaw. After the liberation of Poland, Goldstein emigrated to America, where he penned this account of his five-and-a-half years within the Warsaw ghetto and his brave comrades who resisted to the end. His surprisingly modest and frank depiction of a community under siege at a time when the world chose not to intervene is enlightening, devastating and ultimately inspiring.”-Print ed. “His active leadership before the war and his position in the Jewish underground during it qualify him as the chronicler of the last hours of Warsaw’s Jews. Out of the tortured memories of those five-and-a-half years, he has brought forth the picture with all its shadings—the good with the bad, the cowardly with the heroic, the disgraceful with the glorious. This is his valedictory, his final service to the Jews of Warsaw.”—Leonard Shatzkin