A trusted training method for aspiring and serious players, "The Saxophone Bible" covers tuning, tone production, fingering, breath control, playing low and high ranges, scales, intervals, and much more.

A self-study text (newly revised with a recording), presenting the most common jazz rhythms in order of increasing complexity in a series of short exercises and duets. The recording provides examples of performance and a professional rhythm section to play with. Great especially for those trained in classical music. Five compatible editions.

(Schott). These methods provide complete courses for players of all ages, guiding students from their first note to 'classics', together with compositions by contemporary writers. Each book is accompanied by high quality recorded rhythm section tracks. Right from the start, students can enjoy authentic jazz sounds, playing in the company of professionals. With step-by-step instruction and a progression of specially written pieces, the fundamental elements of good technique are introduced alongside the rhythmic subtleties of jazz. Improvisation is encouraged from an early stage and is given direction through the systematic study of scales and arpeggios and advice on ear-training and chord patterns. With supplementary suggestions for listening and reading, and an Appendix containing all the chord progressions for 'live' accompaniment of the tunes, The Jazz Methods are ideally suited to both students working alone and those learning with a teacher. "John O'Neill has a solid understanding of jazz and how it can be taught. I highly recommend his educational jazz materials." (Jamey Aebersold) "...a rare opportunity for a new player (or a more experienced one) to develop a really musical facility. A rare addition to the jazz improvising library." (Lee Konitz, international jazz saxophone soloist) - includes 'classics' by Thelonious Monk, Charlie Parker, Sonny Rollins and Horace Silver - "...very good original jazz tunes that students will use as stepping stones for further development... a non-jazz-playing flute teacher would probably find the book a godsend especially if students are studying GCSE music." (Steve Tayton, Jazz Journal International) Part one: The foundation techniques * Part two: Playing the music * Part three: Appendices Audio is accessed online.

A complete method for learning to play jazz on your saxophone

(Woodwind Method). This definitive book provides a comprehensive guide for the intermediate saxophonist looking for an introduction to the world of jazz. It is packed full of tunes and exercises to improve your technique, improvising skills, score reading, musical creativity, and understanding of music theory. Author and renowned jazz saxophonist Ollie Weston guides you through the history of jazz, covering the key styles of influential saxophonists and jazz innovators, and explains essential musical concepts with a minimum of jargon. The book provides clear guidance and concise explanations of harmonic and theoretical concepts, with demo solos and authentic live jazz trio recordings on the accompanying CD. The CD contains 15 play-along tracks in audio format, which can be played on a normal CD players. There are also 45 MP3 files with full versions of the pieces, as well as further exercises and demos, which can be played on a computer or MP3 player.

James Rae's highly successful method Progressive Jazz Studies has given countless aspiring jazz players the confidence to play with real style. Now with Jazz Saxophone Studies, 78 of Rae's studies are brought together into a single great-value book, from Grade 1 to 5 (elementary to late intermediate). Part 1 introduces the beginner to jazz rhythms including swing quavers, syncopation and anticipation; Part 2 contains fully graded melodic jazz studies; and Part 3 develops confidence within common jazz tonalities: whole-tone, diminished and blues scales, modes and the II-V-I chord sequence.

As taught at Berklee College of Music Ready, Aim, Improvise!, Book 1: Preparation and Jazz Vocabulary by Hal Crook explores the critical areas involved in learning how to improvise, including: music theory, jazz harmony, ear training, jazz execution, jazz vocabulary, practicing, self-critiquing, career planning, and much more. Ready, Aim, Improvise! is filled with musical examples, exercises, and practice routines that help make the learning process easy and enjoyable. Two enclosed play-along CDs feature modal, key-area, and modulating chord progressions performed at a slow, manageable tempo. Ready, Aim, Improvise! is a clear, comprehensive study of the most important steps in a jazz musicians education. Don't be surprised if it gets you practicing more and playing better in no time at all! So get Ready . . . Aim . . . Improvise!