"Volume accompanies the exhibition ... presented at Japan Society Gallery, New York, from October 5, 2007, through January 13, 2008"--T.p. verso.

In Julian Street's 'Mysterious Japan', the reader is taken on a captivating journey through the intriguing and enigmatic aspects of Japanese culture. Street's writing style is both informative and engaging, providing a detailed exploration of Japan's spiritual beliefs, customs, and folklore. The book serves as a valuable resource for those interested in understanding the complexities of Japanese society and its unique traditions. Street's meticulous research and vivid descriptions bring to life the mystique of Japan, making it a must-read for anyone seeking a deeper insight into this fascinating country. Julian Street, an American journalist and author, was renowned for his keen observations of foreign cultures. His profound interest in Japan led him to write 'Mysterious Japan', a work that reflects his admiration for the country's rich heritage. Street's nuanced perspective and deep appreciation for Japanese culture shine through in this enlightening exploration of the country's mystical allure. I highly recommend 'Mysterious Japan' to readers who are eager to delve into the mysticism and mystery of Japanese culture. Street's expert storytelling and insightful analysis make this book a captivating read for anyone seeking a deeper understanding of Japan's enigmatic traditions.

Explores the pioneering & influential avant-garde artist's prolific 40-year career & accompanies the first major museum retrospective of her work that will travel internationally.

As Japan enters the 21st century with a new emperor, this title continues to be an indispensable guide through often enigmatic and historical idiosyncrasies of Japanese culture and politics that are often confusing to the outsider. This title includes information on the latest social developments, customs, rituals, business culture, medicine and arts.

Innovative artists in 1960s Japan who made art in the “wilderness”—away from Tokyo, outside traditional norms, and with little institutional support—with global resonances. 1960s Japan was one of the world's major frontiers of vanguard art. As Japanese artists developed diverse practices parallel to, and sometimes antecedent to, their Western counterparts, they found themselves in a new reality of “international contemporaneity” (kokusaiteki dōjisei). In this book Reiko Tomii examines three key figures in Japanese art of the 1960s who made radical and inventive art in the “wilderness”—away from Tokyo, outside traditional norms, and with little institutional support. These practitioners are the conceptualist Matsuzawa Yutaka, known for the principle of “vanishing of matter” and the practice of “meditative visualization” (kannen); The Play, a collective of “Happeners”; and the local collective GUN (Group Ultra Niigata). The innovative work of these artists included a visionary exhibition in Central Japan of “formless emissions” organized by Matsuzwa; the launching of a huge fiberglass egg—“an image of liberation”—from the southernmost tip of Japan's main island by The Play; and gorgeous color field abstractions painted by GUN on accumulating snow on the riverbeds of the Shinano River. Pioneers in conceptualism, performance art, land art, mail art, and political art, these artists delved into the local and achieved global relevance. Making “connections” and finding “resonances” between these three practitioners and artists elsewhere, Tomii links their local practices to the global narrative and illuminates the fundamentally “similar yet dissimilar” characteristics of their work. In her reading, Japan becomes a paradigmatic site of world art history, on the periphery but asserting its place through hard-won international contemporaneity.

Essential reading for students of Japanese society, An Introduction to Japanese Society now enters its third edition. Here, internationally renowned scholar, Yoshio Sugimoto, writes a sophisticated, yet highly readable and lucid text, using both English and Japanese sources to update and expand upon his original narrative. The book challenges the traditional notion that Japan comprises a uniform culture, and draws attention to its subcultural diversity and class competition. Covering all aspects of Japanese society, it includes chapters on class, geographical and generational variation, work, education, gender, minorities, popular culture and the establishment. This new edition features sections on: Japan's cultural capitalism; the decline of the conventional Japanese management model; the rise of the 'socially divided society' thesis; changes of government; the spread of manga, animation and Japan's popular culture overseas; and the expansion of civil society in Japan.

Presents a detailed account of the attempt to reconcile the United States and Japan through the 1934 All American baseball tour which included Babe Ruth, Lou Gehrig, Jimmie Foxx, future secret agent Moe Berg, and Connie Mack.

Catalog of an exhibition held at the Japan Society Gallery, New York, N.Y., Mar. 16-June 17, 2012, the John and Mable Ringing Museum, Sarasota, Fla., July 14- Sept. 30, 2012, and the Society of the Four Arts, Palm Beach, Fla., Nov. 9-Jan. 19, 2014.

This catalogue features 43 Japanese art pieces including netsuke, ceramics, paintings, sculptures and lacquerwares.