From Miss Lou to Bob Marley and Usain Bolt to Kamala Harris, Jamaica has had an outsized reach in global mainstream culture. Yet many of its most important historical, cultural, and political events and aspects are largely unknown beyond the island. The Jamaica Reader presents a panoramic history of the country, from its precontact indigenous origins to the present. Combining more than one hundred classic and lesser-known texts that include journalism, lyrics, memoir, and poetry, the Reader showcases myriad voices from over the centuries: the earliest published black writer in the English-speaking world; contemporary dancehall artists; Marcus Garvey; and anonymous migrant workers. It illuminates the complexities of Jamaica's past, addressing topics such as resistance to slavery, the modern tourist industry, the realities of urban life, and the struggle to find a national identity following independence in 1962. Throughout, it sketches how its residents and visitors have experienced and shaped its place in the world. Providing an unparalleled look at Jamaica's history, culture, and politics, this volume is an ideal companion for anyone interested in learning about this magnetic and dynamic nation.

A little girl finds a stuffed dog in the park and decides to take it home.

Decolonizing the Caribbean Record: An Archives Reader is a compendium of forty essays by archivists and academics within and outside of the Caribbean region that address challenges of collecting, representing and preserving the records and cultural expressions of former colonial societies, exploring the contribution of these records to nation-building. How the power of the archives can be subverted to serve the oppressed rather than the oppressors, the colonized rather than the colonizers, is the central theme of this Reader. This collection seeks to disrupt traditional notions of archives, instead re-imagining records within the context of Caribbean cultures and identities where the oral may be privileged over the written, the creative design over text, the marginal over the mainstream. Envisioned initially as a foundational text that supports the archives education program at the University of the West Indies and documents the history and development of archives and records in the Caribbean, this volume addresses such issues as oral traditions, records repatriation, community archives, cultural forms and format and diasporic collections. Although focused on the Caribbean region, the essays, ranging from the theoretical to the practice-based to the personal are applicable to the global archival concerns of all decolonized societies.

Originally published in various sources between 1907 and 1999.

A tale inspired by the 1976 attempted assassination of Bob Marley spans decades and continents to explore the experiences of journalists, drug dealers, killers, and ghosts against a backdrop of social and political turmoil.

“In these kaleidoscopic stories of Jamaica and its diaspora we hear many voices at once. All of them convince and sing. All of them shine.”—Zadie Smith An O: The Oprah Magazine “Top 15 Best of the Year” • A Well-Read Black Girl Pick Tenderness and cruelty, loyalty and betrayal, ambition and regret—Alexia Arthurs navigates these tensions to extraordinary effect in her debut collection about Jamaican immigrants and their families back home. Sweeping from close-knit island communities to the streets of New York City and midwestern university towns, these eleven stories form a portrait of a nation, a people, and a way of life. In “Light-Skinned Girls and Kelly Rowlands,” an NYU student befriends a fellow Jamaican whose privileged West Coast upbringing has blinded her to the hard realities of race. In “Mash Up Love,” a twin’s chance sighting of his estranged brother—the prodigal son of the family—stirs up unresolved feelings of resentment. In “Bad Behavior,” a couple leave their wild teenage daughter with her grandmother in Jamaica, hoping the old ways will straighten her out. In “Mermaid River,” a Jamaican teenage boy is reunited with his mother in New York after eight years apart. In “The Ghost of Jia Yi,” a recently murdered student haunts a despairing Jamaican athlete recruited to an Iowa college. And in “Shirley from a Small Place,” a world-famous pop star retreats to her mother’s big new house in Jamaica, which still holds the power to restore something vital. Alexia Arthurs emerges in this vibrant, lyrical, intimate collection as one of fiction’s most dynamic and essential authors. Praise for How to Love a Jamaican “A sublime short-story collection from newcomer Alexia Arthurs that explores, through various characters, a specific strand of the immigrant experience.”—Entertainment Weekly “With its singular mix of psychological precision and sun-kissed lyricism, this dazzling debut marks the emergence of a knockout new voice.”—O: The Oprah Magazine “Gorgeous, tender, heartbreaking stories . . . Arthurs is a witty, perceptive, and generous writer, and this is a book that will last.”—Carmen Maria Machado, author of Her Body and Other Parties “Vivid and exciting . . . every story rings beautifully true.”—Marie Claire

This book goes from the arrival of Columbus, to the taverns of Port Royal, to the runaway slaves who defeated the English to the slaves' rebellions and everyday life.

While Haiti established the second independent nation in the Western Hemisphere and was the first black country to gain independence from European colonizers, its history is not well known in the Anglophone world. The Haiti Reader introduces readers to Haiti's dynamic history and culture from the viewpoint of Haitians from all walks of life. Its dozens of selections—most of which appear here in English for the first time—are representative of Haiti's scholarly, literary, religious, visual, musical, and political cultures, and range from poems, novels, and political tracts to essays, legislation, songs, and folk tales. Spanning the centuries between precontact indigenous Haiti and the aftermath of the 2010 earthquake, the Reader covers widely known episodes in Haiti's history, such as the U.S. military occupation and the Duvalier dictatorship, as well as overlooked periods such as the decades immediately following Haiti's “second independence” in 1934. Whether examining issues of political upheaval, the environment, or modernization, The Haiti Reader provides an unparalleled look at Haiti's history, culture, and politics.

In See Now Then, the brilliant and evocative new novel from Jamaica Kincaid—her first in ten years—a marriage is revealed in all its joys and agonies. This piercing examination of the manifold ways in which the passing of time operates on the human consciousness unfolds gracefully, and Kincaid inhabits each of her characters—a mother, a father, and their two children, living in a small village in New England—as they move, in their own minds, between the present, the past, and the future: for, as she writes, "the present will be now then and the past is now then and the future will be a now then." Her characters, constrained by the world, despair in their domestic situations. But their minds wander, trying to make linear sense of what is, in fact, nonlinear. See Now Then is Kincaid's attempt to make clear what is unclear, and to make unclear what we assumed was clear: that is, the beginning, the middle, and the end. Since the publication of her first short-story collection, At the Bottom of the River, which was nominated for a PEN/Faulkner Award for Fiction, Kincaid has demonstrated a unique talent for seeing beyond and through the surface of things. In See Now Then, she envelops the reader in a world that is both familiar and startling—creating her most emotionally and thematically daring work yet.