The Present Volume Is Published By The Oriental Institute, M.S. University Of Baroda In Sacred Memory Of Late Dr. U.P. Shah, Ex-Deputy Director And General Editor, Ramayana Deptt. Of The Institute. It Contains Research Articles Specially Written By Scholar-Friends Of Dr. Shah From The World Over, Ranging From Jaina Philosophy, Jaina Iconography, Art-History To Indian Literature In General, As His Interest Too Ranged To All The Afore-Mentioned Subjects. As Will Be Evident From The Life-Sketch And The Bibliography Of His Works, Dr. Shah Made An Impact In The Field Of Jaina Iconography And Art-History, Though He Handled, With Equal Felicity, Subjects Related To Oriental Studies. Some Of The Articles Appearing In This Volume Break New Ice Regarding Certain Knotty Points Of Jaina Philosophical Thought And Religious Practices. It Would Be Helpful To View The Contents Of This Volume From The Standpoint Of Long, Mutual Affinity And Correlatedness Of The Ancient Vedic And Jaina Traditions That Flourished Coevally Over A Great Stretch Of Time In This Country Of Uncommon Tolerance And Understanding Of Opposing Ideas And Ideals, Evincing Brilliant Insights Into The Problems Of Being And Consciousness Ever Probed By Human Mind. The Methodology Of Symbolical Representation Of Transcendental Principles And Perceptions Evolved In Both Jaina And Brahmanical Traditions Of Thought Is Well-Documented In This Volume, Which Will Prove To Be A Treasure For The Students Of Oriental Studies In General And Indology In Particular

The JAINA-RUPA-MANDANA Volume I is an authentic work on Jaina iconography from the pen of a well-known authority on the subject, Dr. Umakant P.Shah, an eminent Indologist and art-historian with specialization in Jaina art and literature. Illustrated profusely with over two hundred monochrome plates, the work is a standard textbook and a very useful guide to all students in Indian art and archaeology and to Museum Curators. The work is supplemented with a large number of iconographic tables for images of all important Jaina gods and goddesses. Dr. Shah, the author, has for the first time given solutions to various basis problems of Jaina iconography supported with ample evidence from both archaeology and literature including unpublished original texts still in manuscripts.

Accompanies the exhibition presented at the Santa Barbara Museum of Art, Santa Barbara, California, April 17-July 31, 2016.

In 2018 India's prime minister, Narendra Modi, inaugurated the world's tallest statue: a 597-foot figure of nationalist leader Sardar Patel. Twice the height of the Statue of Liberty, it is but one of many massive statues built following India's economic reforms of the 1990s. In Gods in the Time of Democracy Kajri Jain examines how monumental icons emerged as a religious and political form in contemporary India, mobilizing the concept of emergence toward a radical treatment of art historical objects as dynamic assemblages. Drawing on a decade of fieldwork at giant statue sites in India and its diaspora and interviews with sculptors, patrons, and visitors, Jain masterfully describes how public icons materialize the intersections between new image technologies, neospiritual religious movements, Hindu nationalist politics, globalization, and Dalit-Bahujan verifications of equality and presence. Centering the ex-colony in rethinking key concepts of the image, Jain demonstrates how these new aesthetic forms entail a simultaneously religious and political retooling of the “infrastructures of the sensible.”