Temptation. Bargain. Falling Infamous Italian Luca Bianchi has sworn off women and is dedicated to his million-dollar business. Yet Emily Dodds’ unadorned beauty and closeted lifestyle are tempting him... But are exquisite nights between his sheets all Luca can offer?

Story of cinema -- How movies are made -- Movie genres -- World cinema -- A-Z directors -- Must-see movies.

This 2002 book is a guide to Italian usage for students who have already acquired the basics of the language and wish to extend their knowledge. Unlike conventional grammars, it gives special attention to those areas of vocabulary and grammar which cause most difficulty to English-speakers. Careful consideration is given throughout to questions of style, register, and politeness which are essential to achieving an appropriate level of formality or informality in writing and speech. It surveys the contemporary linguistic scene in Italy and gives ample space to the new varieties of Italian that are emerging in modern Italy. The influence of the dialects in shaping the development of Italian is also acknowledged. Clear, readable and easy to consult via its two indexes, this is an essential reference for learners seeking access to the finer nuances of the Italian language.

Figuring the past" geeft een nieuwe kijk op kostuumdrama's die aan het begin van deze eeuw gemaakt zijn en onderzoekt de manieren waarop de hedendaagse cinema het historische verleden herschept. De auteur verkent de relatie tussen visuele motieven en culturele representaties in een aantal belangrijke films van onder anderen James Ivory, Martin Scorsese en Jane Campion. Door te kijken naar de maniëristische voorkeur voor citatie, detail en stilering, pleit de auteur voor een esthetiek van fragmenten en figuren die centraal staan in de historische kostuumdrama's als een0internationaal genre. In gedetailleerde casestudies worden drie belangrijke kenmerken van het genre - het huis, het tableau en de brief - in relatie gebracht met de veranderende begrippen van visuele stijl, melodrama en geslacht.

On a cold winter’s night in 1778, two patriot soldiers recall their first sensual encounter and ponder their future together with the women they love. Winter’s icy weather is not the only chill to descend upon New York’s Fort Revolution in January of 1778. Discontent hangs heavy in the air between Lieutenant Patrick Hamilton and Captain Samuel Taylor during an evening’s respite from America’s war for independence. Reminiscing brings a realization of their emotional and physical connection to each other. Will memories be enough to rouse reconciliation? Winter Interlude: An American Revolutionary Novelette (American Revolutionary Tales Book 2) is a prequel and interquel companion story to The General’s Wife: An American Revolutionary Tale, delving into the relationship between Captain Samuel Taylor and Lieutenant Patrick Hamilton. Much of the action of Winter Interlude takes place in the gap between Chapter Twenty-Three and Chapter Twenty-Four of The General’s Wife. American Revolutionary Tales Book 1: The General’s Wife: An American Revolutionary Tale An English Lady and a handsome American Patriot in a battle for her heart – will she submit to the enemy? Book 2: Winter Interlude: An American Revolutionary Novelette On a cold winter’s night in 1778, two patriot soldiers recall their first sensual encounter and ponder their future together with the women they love. Coming soon! Book 3: The Viscount and the Veteran: An American Federalist Tale

Featuring essays by top scholars and interviews with acclaimed directors, this book examines Italian women's authorship in film and their visions of reality. The contributors use feminist film criticism in the analysis of their works and give direct voices to the artists who are constantly excluded by the conventional Italian film criticism.

This volume investigates the ways in which Italian women writers, filmmakers, and performers have represented female identity across genres from the immediate post-World War II period to the turn of the twenty-first century. Considering genres such as prose, poetry, drama, and film, these essays examine the vision of female agency and self-actualization arising from women artists’ critique of female identity. This dual approach reveals unique interpretations of womanhood in Italy spanning more than fifty years, while also providing a deep investigation of the manipulation of canvases historically centered on the male subject. With its unique coupling of generic and thematic concerns, the volume contributes to the ever expanding female artistic legacy, and to our understanding of postwar Italian women’s evolving relationship to the narration of history, gender roles, and these artists’ use and revision of generic convention to communicate their vision.