With writings that span more than thirty-five years, American Woman, Italian Style is a rich collection of essays that fleshes out the realities of today's Italian American women and explores the myriad ways they continue to add to the American experience. The status of modern Italian-American women in the United States is noteworthy: their quiet and continued growth into respected positions in the professional worlds of law and medicine surpasses the success achieved in that of the general population--so too does their educational attainment and income. Contributions include Donna Gabaccia on the oral-to-written history of cookbooks, Carol Helstosky on the Tradition of Invention, an interview with Sandra Gilbert, Paul Levitt's look at Lucy Mancini as a metaphor for the modern world, William Egelman's survey of women's work patterns, and Edvige Giunta on the importance of a selfconscious understanding of memory. There are explorations of Jewish-Italian intermarriages and interpretations of entrepreneurship in Milwaukee. Readers will find challenges to common assumptions and stereotypes, departures from normal samplings, and springboards to further research. American Woman, Italian Style: Italian Americana's Best Writings on Women offers unique insights into issues of gender and ethnicity and is a voice for the less heard and less seen side of the Italian-American experience from immigrant times to the present. Instead of seeking consensus or ideological orthodoxy, this collection brings together writers with a wide range of backgrounds, outlooks, ideas, and experiences. It is an impressive postmodern collection for interdisciplinary studies: a book and a look about being and becoming an American.

This look at the traditional and subversive world of women's folklore examines the realm of women's talk, exploring the ways Italian immigrant women from Montreal use classic folk genres to stretch the boundaries of their culture. Through songs, lullabies, bawdy riddles, and trickster tales, these women subvert, redefine, and alter what it means to be Italian and female in North America. More than just a study of Italian Canadians, this essay delves into broader themes of gender, immigration, and ethnicity, showcasing voices that contradict homogenizing interpretations of traditional historical scholarship.

Gathers fairy tales told by Clementina Todesco, an Italian immigrant, offers background information about her life in Italy and America, and explains how and when the tales were told

Challenging long-held patriarchal assumptions about Italian women's work in the United States Diane C. Vecchio's unique study considers the work experiences of Italian immigrant women and their daughters in the previously unexamined regions of Milwaukee, Wisconsin, and Endicott, New York, during the turn of the twentieth century. Using Italian and American sources and rich oral histories, this study reveals that women in Italy had economic responsibilities that often included work experiences outside of the home, including jobs as midwives and businesswomen. Demonstrating the regional variation of Italian women's work as well as the skills they transplanted to America balances the image of inexperienced and low-skilled laborers that dominates scholarship on Italian working women. Vecchio's research on Endicott sheds light on the gendered nature of life in a "company town" governed by welfare paternalism, while her research on Milwaukee emphasizes how Italian immigrant women turned to small business enterprise when local opportunities for wage-earning were limited. This comparative method helps to move beyond reductionist theories and conventional portraits of Italian women to explore the diverse factors that prompted them to seek certain kinds of occupations to the exclusion of others.

This thesis, relating the vicissitudes and experiences of Italian immigrant women in the Mahoning Valley, between 1880 and 1930, aims at giving them their rightful place in the history of Italian emigration. The three chapters that compose this project put light on three significant stages of the history of Italian immigrant women in this area: their arrivals, their entrances into the job world and, eventually, their adaptations into a completely new society. Throughout the chapters other important features of Italian immigration to the United States emerge. For example, the analysis of two different typologies of emigration, temporary and permanent migration, provides many other aspects that deeply shaped and affected the entire process of transplantation from Italy to the New World. On the bases of local important sources, such as the articles in the Italian language newspaper, Il Cittadino Italo-Americano, oral histories, letters and the census data, from 1880 to 1930, I have reconstructed the everyday life of Italian women in the microcosm of the Mahoning Valley. Although the thesis has a strong local focus, it continuously offers comparisons between the steel town Youngstown and the big North American metropolises, such as New York and Chicago. These comparisons highlight not only how the United States affected Italians, especially women, but also how Italian women, belonging to the first as well as to the second generation of immigrants, molded the United States. The voices and the histories of women mentioned in the following chapters demonstrate that Italian women played a key-role in the project of emigration.

Using interviews and photographs, Anthony Riccio provides a vital supplement to our understanding of the Italian immigrant experience in the United States. In conversations around kitchen tables and in social clubs, members of New Haven's Italian American community evoke the rhythms of the streets and the pulse of life in the old ethnic neighborhoods. They describe the events that shaped the twentieth century—the Spanish Flu pandemic, the Great Depression, and World War II—along with the private histories of immigrant women who toiled under terrible working conditions in New Haven's shirt factories, who sacrificed dreams of education and careers for the economic well-being of their families. This is a compelling social, cultural, and political history of a vibrant immigrant community.

In this transnational analysis of women and gender in Italy's world-wide migration, Franca Iacovetta and Donna Gabaccia challenge the stereotype of the Italian immigrant woman as silent and submissive; a woman who stays 'in the shadows.'