New interpretations of Roman and Greek interactions on the Isthmus of Corinth.

Annotation Country-by-country studies of Nicaragua, El Salvador, Guatemala, Honduras and Costa Rica as well as a wealth of charts, statistics and chronologies. Dunkerly teaches political studies at Queen Mary College, London. Annotation copyrighted by Book News, Inc., Portland, OR.

The construction, maintenance, and defense of the Panama Canal brought Panamanians, U.S. soldiers and civilians, West Indians, Asians, and Latin Americans into close, even intimate, contact. In this lively and provocative social history, Michael E. Donoghue positions the Panama Canal Zone as an imperial borderland where U.S. power, culture, and ideology were projected and contested. Highlighting race as both an overt and underlying force that shaped life in and beyond the Zone, Donoghue details how local traditions and colonial policies interacted and frequently clashed. Panamanians responded to U.S. occupation with proclamations, protests, and everyday forms of resistance and acquiescence. Although U.S. "Zonians" and military personnel stigmatized Panamanians as racial inferiors, they also sought them out for service labor, contraband, sexual pleasure, and marriage. The Canal Zone, he concludes, reproduced classic colonial hierarchies of race, national identity, and gender, establishing a model for other U.S. bases and imperial outposts around the globe.

Mexican history is as tortured and crooked (in both senses of the word) as an ox cart trail--unexpected turns around every corner, replete with bumps and declivities. The casual reader of general Mexican history will find it difficult keeping up with the list of Mexico s principal characters over the centuries, now expanding, then suddenly contracting due to assassinations, exiles, military defeats, and alliances gone awry. Oaxacan writer Bruce Stores solves that problem by employing a simple technique used for millennia by the local indigenous peoples: storytelling. His take on historical fiction paints a human, everyday face on the historian s cold mask of dates, places, and wars. Structuring his book around key historical events, he asks--and answers--the questions: How did that feel? Who was affected? What happened to the community, the families? The focus of this book, as its title implies, is the Isthmus of Tehuantepec, the bottom of the scorpion s tail of Mexican geography. At its narrowest point, it s only approximately 125 miles wide, spanning the Gulf of Mexico to the Pacific, making the Isthmus an early, much-courted, often-spurned alternative to the Panama Canal. The region s remoteness, heat, and lack of picturesque colonial cities or swank beach resorts have kept tourists far away. And perhaps because of that, and sociological factors as well, the Isthmus has managed to protect its distinct, largely indigenous, culture. Stores explains that culture to us over a 500-year period through the pre-Conquest period with its intertribal warfare to Cortes arrival, the battles for independence from Spain, and the French Intervention. In the modern era, his characters fight political battles from Mexico City s university protests to struggles with the domination of the long-entrenched Institutional Revolutionary Party (PRI). A common thread for all the stories is the importance of land to the Zapotec people. It defines them. Land ownership in Oaxaca, Gomez told the Judge, has different roots. The system of property rights among the pre-Colombian natives was, without a doubt, antagonistic to the Spaniards sense of private property. Yet to the indigenous peoples, their communal property holdings were as natural to them as night and day. Because their land was the provider of their food, they considered it to be divine. Yes. Their land was to them a god. And, just as the air and the wind belong to everyone, they couldn t come to terms with European notions of private property. '" The Isthmus succeeds in elucidating a little-understood region of Mexico. And its telling of tales brings us closer the fierce human spirit that has withstood and shaped-- its history.

In 1899, the United Fruit Company (UFCO) was officially incorporated in Boston, Massachusetts, beginning an era of economic, diplomatic, and military interventions in Central America. This event marked the inception of the struggle for economic, political, and cultural autonomy in Central America as well as an era of homegrown inequities, injustices, and impunities to which Central Americans have responded in creative and critical ways. This juncture also set the conditions for the creation of the Transisthmus—a material, cultural, and symbolic site of vast intersections of people, products, and narratives. Taking 1899 as her point of departure, Ana Patricia Rodríguez offers a comprehensive, comparative, and meticulously researched book covering more than one hundred years, between 1899 and 2007, of modern cultural and literary production and modern empire-building in Central America. She examines the grand narratives of (anti)imperialism, revolution, subalternity, globalization, impunity, transnational migration, and diaspora, as well as other discursive, historical, and material configurations of the region beyond its geophysical and political confines. Focusing in particular on how the material productions and symbolic tropes of cacao, coffee, indigo, bananas, canals, waste, and transmigrant labor have shaped the transisthmian cultural and literary imaginaries, Rodríguez develops new methodological approaches for studying cultural production in Central America and its diasporas. Monumental in scope and relentlessly impassioned, this work offers new critical readings of Central American narratives and contributes to the growing field of Central American studies.

Powerful and beautifully written, this is the story of the Isthmus Zapotecs of southern Mexico and their unbroken chain of ancestors and collective memory over the generations. Mortuary beliefs and actions are collective and pervasive in ways not seen in the United States, a resonant deep structure across many domains of Zapotec culture. Anthropologist Anya Peterson Royce draws upon forty years of participant research in the city of Juchitán to offer a finely textured portrait of the vibrant and enduring power of death in the Isthmus of Tehuantepec of Mexico. Focusing especially on the lives of Zapotec women, Becoming an Ancestor highlights the aesthetic sensibility and durability of mortuary traditions in the past and present. An intricate blending of Roman Catholicism and indigenous spiritual tradition, death through beliefs and practices expresses a collective solidarity that connects families, binds the living and dead, and blurs the past and present. A model of ethnographic research and presentation, Becoming an Ancestor not only reveals the luminescent heart of Zapotec culture but also provides important clues about the cultural power and potential of mortuary traditions for all societies.

Make way for Ruth Bader Ginsburg! It's RBG like you've never seen her before! Using a unique mix of first-person narrative, hilarious comic panels, and essential facts, Dean Robbins introduces young readers to an American trailblazer. The first book in an exciting new nonfiction series, You Are a Star, Ruth Bader Ginsburg focuses on Ruth's lifelong mission to bring equality and justice to all. Sarah Green's spot-on comic illustrations bring this icon to life, and engaging backmatter instructs readers on how to be more like Ruth!

First published in 1986. Routledge is an imprint of Taylor & Francis, an informa company.