The Island of Doctor Moreau is an 1896 science fiction novel by H. G. Wells, who called it "an exercise in youthful blasphemy". The text of the novel is the narration of Edward Prendick, a shipwrecked man rescued by a passing boat who is left on the island home of Doctor Moreau, who creates human-like beings from animals via vivisection. The novel deals with a number of philosophical themes, including pain and cruelty, moral responsibility, human identity, and human interference with nature.

NEW YORK TIMES BESTSELLER • From the bestselling author of Mexican Gothic and Velvet Was the Night comes a lavish historical drama reimagining of The Island of Doctor Moreau set against the backdrop of nineteenth-century Mexico. “This is historical science fiction at its best: a dreamy reimagining of a classic story with vivid descriptions of lush jungles and feminist themes. Some light romance threads through the heavier ethical questions concerning humanity.”—Library Journal (starred review) “The imagination of Silvia Moreno-Garcia is a thing of wonder, restless and romantic, fearless in the face of genre, embracing the polarities of storytelling—the sleek and the bizarre, wild passions and deep hatreds—with cool equanimity.”—The New York Times (Editors’ Choice) ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, Time, NPR, Polygon, Tordotcom, Paste, CrimeReads, Booklist Carlota Moreau: A young woman growing up on a distant and luxuriant estate, safe from the conflict and strife of the Yucatán peninsula. The only daughter of a researcher who is either a genius or a madman. Montgomery Laughton: A melancholic overseer with a tragic past and a propensity for alcohol. An outcast who assists Dr. Moreau with his experiments, which are financed by the Lizaldes, owners of magnificent haciendas and plentiful coffers. The hybrids: The fruits of the doctor’s labor, destined to blindly obey their creator and remain in the shadows. A motley group of part human, part animal monstrosities. All of them live in a perfectly balanced and static world, which is jolted by the abrupt arrival of Eduardo Lizalde, the charming and careless son of Dr. Moreau’s patron, who will unwittingly begin a dangerous chain reaction. For Moreau keeps secrets, Carlota has questions, and, in the sweltering heat of the jungle, passions may ignite. The Daughter of Doctor Moreau is both a dazzling historical novel and a daring science fiction journey.

Following a shipwreck a young naturalist finds himself on an island run by a mad scientist intent on creating a strain of beast men

Watch as the line between man and animal is blurred in this thrilling H. G. Wells graphic novel adaptation! Shipwrecked in the Pacific Ocean, Edward Prendick is rescued only to find himself on the strange island of Dr. Moreau. Hidden away on his remote island, Dr. Moreau has been conducting bizarre experiments for over ten years, genetically modifying animals to give them each a conscience and the ability to speak. These “Beastmen” obey a very precise set of rules called The Law, which forbids them to exhibit any primitive behavior and commands that they worship Dr. Moreau like a god. Trapped on the jungle island, Prendick soon discovers that the animal impulses of these creatures are far from forgotten. Based on the original story by H. G. Wells, this graphic novel adaptation brings a whole new look to the disturbing and visionary tale of The Island of Doctor Moreau. Rediscover this science fiction classic in comic book form today!

Collected together here are seven of the most iconic novels of H. G. Wells, the father of science fiction himself. With each story, he presents a unique and exciting twist. In The Invisible Man, a scientist's experimentation with visibility goes disastrously wrong. The Time Machine features a traveller recounting his adventures into the future, and The Island of Doctor Moreau explores the terrifying boundaries of human and animal morality. Other stories included are The War of the Worlds, The First Men in the Moon, When the Sleeper Wakes and The World Set Free. This array of thrilling stories ranges from scenes of alien invasions to visions of dystopian futures.

As relevant today as when Wells wrote it in 1896, this graphic novel adaptation addresses the question all scientists should ask themselves: "Just because we can do something, does that mean we should?" Diablo House writer/co-creator Ted Adams joins Locke & Key artist/co-creator Gabriel Rodriguez to present an all-new version of H.G. Wells' classic science fiction novel. This bold adaptation gives us a new protagonist in the form of Ellen Prendick, whose point of view shines a new light upon the horrific events on the cursed island, providing unique insights into one of the world's favorite stories.

The star of the cult classic Withnail and I offers “a refreshing combination of comedy, confession, and coruscation” in this memoir of the movie business (Kirkus Reviews). Richard E. Grant’s acting career has included memorable roles in some of Hollywood’s most critically acclaimed films, including Robert Altman’s Gosford Park and Francis Ford Coppola’s Dracula. But he attributes his success to his first film role, starring as a flamboyantly pathetic Shakespearean in the underground hit Withnail and I. As Grant explains, “I had no notion that, almost without exception, every film offered since would be the result of playing an alcoholic out-of-work actor.” In With Nails, Grant shares his long, maddening, and immensely rewarding journey through the world of film. From the hell of making Hudson Hawk to befriending Steve Martin on the set of L.A. Story; and from eating spaghetti with the Coppolas, to window-shopping with Sharon Stone, and working with and learning from the best actors and directors in the business, Grant’s unvarnished memoir “is a biting and wonderfully funny look at the movie business by an actor who is as clear-eyed and observant about himself as he is about the craziness surrounding him” (Publishers Weekly, starred review).

An unnamed island in the middle of the ocean hides a huge secret. During the day, inhuman screams are heard coming from a house. At night, the silence is only broken by stifled rumors that come from the forest. It is said that someone there played God. It is said that something went terribly wrong...

Prendick, a naturalist, is shipwrecked on the island retreat of notorious vivisector Dr Moreau. In a laboratory called the House of Pain, Moreau manufactures 'humanised' animals known as the Beast People, whom he controls through fear - until the terrifying day when one of his degraded victims destroys him. Prendick is then alone with the bloodthirsty survivors. A sombre fantasy in which Wells issues a resonant warning against scientific obsession and the pursuit of evolutionary control.

A cautionary tale of the horrors that can ensue when man experiments with nature, from the father of science fiction, H. G. Wells. A lonely island in the Pacific. The sinister scientist who rules it. And the strange beings who dwell there.... This is the scenario for H. G. Wells’s haunting classic, one of his most intriguing and visionary novels. Living in the late nineteenth century and facing the impact of Darwin’s theory of evolution, Wells wrote this chilling masterpiece about the characteristics of beasts blurring as the animals turn into men. Dr. Moreau, a scientist expelled from his homeland for his cruel vivisection experiments, finds a deserted island that gives him the freedom to continue torturous transplantations and create hideous creatures with manlike intelligence. But as the brutally enforced order on Moreau’s island dissolves, the true consequences of his experiments emerge, and his creations revert to beasts more shocking than nature could devise. A genius of his time, H. G. Wells foresaw the use of what he called the “atom bomb,” the practice of gene-splicing, and men landing on the moon. Now, when these have become part of everyday life, his dark fable serves as a compelling reminder of the horrors that reckless experiments with nature can produce. With an Introduction by Nita A. Farahany and an Afterword by Dr. John L. Flynn