Collectively the Irish annals represent a substantial and important source for the history and culture of Ireland. These texts provide the primary witness for much of early medieval Irish history, and for many key events and persons up until c.1600. Many of the most important of these texts passed into the possession of 17th-century Anglo-Irish scholars, and it was principally their work which formed the basis for all modern scholarship on them. However, examination of their work shows that a number of the accepted hypotheses rest upon assertions of opinion, and are unsupported by any textual evidence. This book first re-examines the manuscript evidence, commencing with an account of the primary manuscript witnesses for the ten most characteristic annalistic texts. It then reviews the scholarly literature relating to the annalistic corpus and identifies those hypotheses that are not supported by the available evidence. Next, based upon a critical evaluation of both the textual and chronological characteristics of the texts, the book establishes, where possible, the place, author(s), time and salient characteristics of the compilations that have contributed to the development of these ten texts. The penultimate chapter reviews the chronology of these texts and identifies the basis for a synchronised chronology for them all.

This quirky, yet important book, breaks new ground in the study of Gaelic Ireland by exploiting the rich source material contained in the sixteenth-century Annals of Ulster, Annals of Connacht, the Annals of Loch Cé and the Four Masters. While attention has previously been paid to poetry in Irish as a source for the history of the 16th century, the richness of the prose sources have not been exploited by historians. The annals contain a series of short accounts of events arranged by year. The storytelling of the annalists provides the openings into the past that are the key to this book, which uses seven of their longer stories to examine, at micro level, aspects of Gaelic society that created them. The significance of each story is illuminated by reference to other contemporary evidence, including the genealogies and the poetry. The text is provided in both the original Irish with an English language translation, with extensive writings placing the passages in their historical time.

Analyses the principal Irish chronicles and proposes that the chroniclers were in contact with each other, exchanging written notices of events. Reconstructs the contents and chronology at different times, showing how the accounts were altered to reflect and promote certain views of history.

There was something about the form and substance of the Annals of the Four Masters, compiled in the 1630s, that allowed them to become accepted as an authentic, reliable and comprehensive record of Gaelic society. Drawing on a rich heritage of manuscript sources on Irish history, these annals have long been regarded as an essential element of the cultural capital of a community that valued its Gaelic past. The Four Masters' approach to making their own annals conveys their regard for the older written records that had preserved for them, in manuscript, the history of their ancestors. This study surveys the scholarly and political context, both Irish and European, that inspired the annalists, reconstructing the networks of professional expertise and patronage that contributed to the pursuit of scholarship about the Irish past. The original manuscripts of these annals are used to illuminate how the annalists collaborated in the production and revision of their magnum opus, while comparison with the extant source texts consulted by the annalists reveals their priorities and their understanding of the world in which they lived.

The Irish Annals of New Zealand is essentially a Joycean tour-de-force through New Zealand's history from the Irish rather than the usual English point of view. However, as well as historical facts the novel incorporates many other linguistic and language conceits and concepts. The story begins with the main character falling from a train, having opened the wrong door because he is drunk. He lies dying alone in the falling snow of the central North Island. During the course of the novel he is visited by several of his ancestors, Irish and Maori, who tell him about his life. He also turns into other life forms. Straight was adapted for the theatre and reviews of the play are below the reviews of the book. Responses to Michael O'Leary's novel The Irish Annals of New Zealand The Irish Annals of New Zealand is from the other side of the fence, mixing the stories of the two rebel cultures in this country - the Irish and the Māori'. Richard Langston, Dominion Sunday Times, 10 March 1991 'Both a long cry of social maladjustment and a virtuoso manipulation of word associations, this novel makes a tuneful medley out of ordinary everyday speech'. David Eggleton, Otago Daily Times 1992 'The music was witty, inventive, altogether a piece with the other elements of a production crammed with physical and verbal jokes, wordplay in several languages, pratfalls and profundities, and passages of real pathos'. Martyn Sanderson, Kapiti Observer, 12 February 2001 [review of the play Irish Annals of Aotearoa by Simon O'Connor based on O'Leary's The Irish Annals of New Zealand - the play was directed by David O'Donnell with music direction by Chris O'Connor, for which he won Best Original Music at the Chapman Tripp Awards 2001 for his work on the play Irish Annals of Aotearoa. The play was also nominated for several other Chapman Tripp Awards in 2001]. 'a streamlined, sizzling, lunatic play' Bernadette Hall in Theatre News 2001 [on Irish Annals of Aotearoa]