This work invites the reader to travel through 60 years of Iowa history, between 1860 and 1920, and to view the state in turn-of-the-century glory. Lavish illustrations show harvest times, main streets, children playing, and leisure activities of the time - warmly redolent of a time gone by.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In 1978 historian Joseph Wall wrote that Iowa was “still seeking to assert its own identity. . . . It has no real center where the elite of either power, wealth, or culture may congregate. Iowa, in short, is middle America.” In this collection of well-written and accessible essays, originally published in 1996, seventeen of the Hawkeye State’s most accomplished historians reflect upon the dramatic and not-so-dramatic shifts in the middle land’s history in the nineteenth and twentieth centuries. Marvin Bergman has drawn upon his years of editing the Annals of Iowa to gather contributors who cross disciplines, model the craft of writing a historical essay, cover more than one significant topic, and above all interpret history rather than recite it. In his preface to this new printing, he calls attention to publications that begin to fill the gaps noted in the 1996 edition. Rather than survey the basic facts, the essayists engage readers in the actual making of Iowa’s history by trying to understand the meaning of its past. By providing comprehensive accounts of topics in Iowa history that embrace the broader historiographical issues in American history, such as the nature of Progressivism and Populism, the debate over whether women’s expanded roles in wartime carried over to postwar periods, and the place of quantification in history, the essayists contribute substantially to debates at the national level at the same time that they interpret Iowa’s distinctive culture.

In a series that explores the logic-defying comebacks and tough losses, the dramatic interceptions, fumbles, game-winning field goals, and touchdowns that shape a fan’s greatest memories of their beloved team, this book does not disappoint as the ultimate collector’s item for Hawkeyes fans. It chronicles the most famous moments in the University of Iowa’s football history, including Warren Holloway's miraculous game-ending catch in the Capital One Bowl; "The Kick," Rob Houghtlin's game-winning 29-yard field goal against Michigan in 1985; Gordon Locke's one-yard touchdown plunge to hand Notre Dame their first loss in three years; and Chuck Long's touchdown run in the closing minute to clinch a comeback win over Michigan State. The descriptions of each play are accompanied with game information and quotes from participants, players, and observers with firsthand accounts.