Julie Moir Messervy has written a classic garden book. Deeply literate and beautifully written, The Inward Garden gives the reader a process for designing one's dream garden. Based on garden archtypes: the sea, the cave, the harbor, the promitory, the island, the mountain, and the sky, this book provides a structure for imagining and designing the garden of one's desires. It is illustrated with outstanding garden photographs by the celebrated national geographic photographer Sam Abell.

Julie Messervy, photo. Sam Abell. A wondrous feast for the eyes and spirit, this volume takes readers around the globe to 35 unique gardens that inspire reverie and reflection.

From poet, meditator, and speaker Yung Pueblo, comes the first in series, a collection of poetry and prose that explores the movement from self-love to unconditional love, the power of letting go, and the wisdom that comes when we truly try to know ourselves. It serves as a reminder to the reader that healing, transformation, and freedom are possible.

A garden designer reveals the secrets of his trade with practical guidelines on how to enhance an old garden, hide an eyesore, and create a new masterpiece, along with tips on proporations, materials, and styles.

As Quakers expressed and reflected upon their experience of life under the guidance of the spirit of Christ, they developed a rich vocabulary to describe those experiences. This vocabulary played an important role in Quaker spiritual formation and community life from the beginning of the movement in 1650, and continues today as modern seekers wrestle with describing their experiences. When Bill Taber died in 2005, he left behind notes on a project: "A language for the inward landscape." Key phrases provide important insights into the nature of inward experience over time and can help people explore their spiritual experience with an enriched vocabulary. Brian Drayton compiled these notes and expanded them. Readers (both Quaker and non-Quaker) may find this language conveys a distinctive "alternative Christianity" combining mystical and prophetic experiences with God and in community.

Garden designers face some daunting questions: How do I begin the creative process? Where can I find design inspiration? How will I know if my design is successful? If you approach these questions like an artist, with an artist’s tools and ways of looking at the world, you will be able to design gardens that combine the unique character of a place with your innermost creative spirit. You’ll make inspiring gardens that have real meaning, for yourself as well as others. In this luminous volume, landscape architect and artist W. Gary Smith explores the various means that artists use—including drawing, painting, sculpture, meditation, poetry, and dance—to create personal connections with the landscape that enrich and inform garden design. Part 1 focuses on simple techniques that anyone can use to nurture creativity, unleash the imagination, and get ideas down on paper. Part 2 shows how these techniques have shaped actual design projects—with spectacular results. Throughout, the author’s friendly and encouraging voice removes the shroud of mystery surrounding the creative process and shows how even the least artistically inclined can tap into inner resources they never knew they had. Smith’s own exuberant sketches and bold paintings illuminate the path from art to landscape. Infectiously engaging and unfailingly inspiring, this eye-opening book deserves to be read and reread by anyone who aspires to master the rich and demanding art of garden design.

Presents a step-by-step guide to designing outdoor living spaces, discussing the site, layout and organization, structures, privacy, and other topics, and including photographs and sample layouts.

“A learned romp through plant biology; solar energy and soil nutrients; the movement of vines; and ‘fellow gardeners’ . . . a wealth of stunning images.” —Nature At the tips of our trowels, a sun-driven world of microbes, insects, roots, and stems awaits—and it is a world no one knows better than James Nardi. A charming guide to all things green and growing, Nardi is as at home in prairies, forests, and wetlands as he is in the vegetable patch. And with Discoveries in the Garden, he shows us that these spaces aren’t as different as we might think, that nature flourishes in our backyards, schoolyards, and even indoors. To find it, we’ve only got to get down into the dirt. Leading us through the garden gate, Nardi reveals the extraordinary daily lives and life cycles of a quick-growing, widely available, and very accommodating group of study subjects: garden plants. Through close observations and simple experiments we all can replicate at home, we learn the hidden stories behind how these plants grow, flower, set seeds, and produce fruits, as well as the vital role dead and decomposing plants play in nourishing the soil. From pollinators to parasites, plant calisthenics to the wisdom of weeds, Nardi’s tale also introduces us to our fellow animal and microbial gardeners, the community of creatures both macro- and microscopic with whom we share our raised beds. Featuring a copse of original, informative illustrations that are as lush as the garden plants themselves, Discoveries in the Garden is an enlightening romp through the natural history, science, beauty, and wonder of these essential green places.

In this book, Sean Safford compares the recent history of Allentown, Pennsylvania, with that of Youngstown, Ohio. Allentown has seen a noticeable rebound over the course of the past twenty years. Facing a collapse of its steel-making firms, its economy has reinvented itself by transforming existing companies, building an entrepreneurial sector, and attracting inward investment. Youngstown was similar to Allentown in its industrial history, the composition of its labor force, and other important variables, and yet instead of adapting in the face of acute economic crisis, it fell into a mean race to the bottom.Challenging various theoretical perspectives on regional socioeconomic change, Why the Garden Club Couldn’t Save Youngstown argues that the structure of social networks among the cities’ economic, political, and civic leaders account for the divergent trajectories of post-industrial regions. It offers a probing historical explanation for the decline, fall, and unlikely rejuvenation of the Rust Belt. Emphasizing the power of social networks to shape action, determine access to and control over information and resources, define the contexts in which problems are viewed, and enable collective action in the face of externally generated crises, this book points toward present-day policy prescriptions for the ongoing plight of mature industrial regions in the U.S. and abroad.