More than a recipe book, this offers something infinitely healthier - a guide for learning to feed your body, spirit, and soul, and achieving a higher level of consciousness and well-being. The authors teach us about eating consciously, treating the food we put into the body as nourishment for both spirit and soul. The book is a perfect guide for people new to blessing their food. It also provides common sense cooking information about how to prepare your food and your kitchen. Index.

In AD 3150 on Zerian, the home world of the Intergalactic Riders, the past has come back to haunt the peoples of the galaxy. A chain of events is about to unleash an ancient and powerful evil. Every living being in the galaxy faces the very real threat of annihilation unless a young guardian named Altar can find a way to get a message across the time barrier. Can an action of the present truly impact history? As Altar travels ahead of a team of extraordinary heroes to locate the signal that is resonating from the Trimex galaxy, he finds his capsule being pulled into a temporal superstorm that bridges the gap to another galaxy from the past called the Milky Way. Altar is transported back in time to man's earliest beginnings, where his directives and mission becomes entangled. There, the guardian must piece together all the clues and make a choice, as time becomes his greatest enemy. Will Altar decipher the diabolical scheme in time to stop a tyrant's revenge, or will the fate of the past and future galaxies be decided by an ancient and terrifying evil with access to powers beyond his comprehension? Altar and the Intergalactic Riders must race against time to save the galaxy from annihilation. If Zerian falls from the heavens, could Earth be next?

Israel has changed. The country was born in Europe’s shadow, haunted by the Holocaust and inspired by the Enlightenment. But for Israelis today, Europe is hardly relevant, and the country’s ties to the broader West, even to America, are fraying. Where is Israel heading? How do citizens of an increasingly diverse nation see themselves globally and historically? In this revealing portrait of the new Israel, Diana Pinto presents a country simultaneously moving forward and backward, looking outward and turning in on itself. In business, Israel is forging new links with the giants of Asia, and its booming science and technology sectors are helping define the future for the entire world. But in politics and religion, Israelis are increasingly self-absorbed, building literal and metaphorical walls against hostile neighbors and turning to ancient religious precepts for guidance here and now. Pinto captures the new moods and mindsets, the anxieties and hopes of Israelis today in sharply drawn sketches of symbolically charged settings. She takes us on the roads to Jerusalem, to border control at Ben Gurion Airport, to a major Israeli conference in Jerusalem, to a hill overlooking the Dome of the Rock and Temple Mount, to the heart of Israel’s high-tech economy, and to sparkling new malls and restaurants where people of different identities share nothing more than a desire to ignore one another. Vivid and passionate but underpinned by deep analysis, this is a profound and sometimes unsettling account of a country that is no longer where we might think.

Ingrid Torfudottir lives in two worlds at once. The first, Runde, lies on the banks of Lake Superior, a town of northern Minnesotans who descend from Scandinavian immigrants, fishermen and farmers both. In that world she barely exists, just an unknown aspiring book illustrator who occasionally sells a little art at the local café.The other, Villmark, lies hidden from the rest of the world by ancient, strong magic. The people of the village descend from colonists who fled their homeland in Norway centuries before. In that world she bears great responsibilities. As a volva, a Viking witch, the protection of her people always comes first in her life.These two worlds overlap in just one place: her grandmother's mead hall. After sitting abandoned for months, Ingrid and her grandmother open it again to much celebration in both communities.But then everything goes wrong. The illusions and protections remain despite their efforts at the end of the night. And Ingrid can't get back to Villmark.Then someone dies, a murder. As if Ingrid didn't have enough on her plate.

Memories that evoke the physical awareness of touch, smell, and bodily presence can be vital links to home for people living in diaspora from their culture of origin. How can filmmakers working between cultures use cinema, a visual medium, to transmit that physical sense of place and culture? In The Skin of the Film Laura U. Marks offers an answer, building on the theories of Gilles Deleuze and others to explain how and why intercultural cinema represents embodied experience in a postcolonial, transnational world. Much of intercultural cinema, Marks argues, has its origin in silence, in the gaps left by recorded history. Filmmakers seeking to represent their native cultures have had to develop new forms of cinematic expression. Marks offers a theory of “haptic visuality”—a visuality that functions like the sense of touch by triggering physical memories of smell, touch, and taste—to explain the newfound ways in which intercultural cinema engages the viewer bodily to convey cultural experience and memory. Using close to two hundred examples of intercultural film and video, she shows how the image allows viewers to experience cinema as a physical and multisensory embodiment of culture, not just as a visual representation of experience. Finally, this book offers a guide to many hard-to-find works of independent film and video made by Third World diasporic filmmakers now living in the United States, Great Britain, and Canada. The Skin of the Film draws on phenomenology, postcolonial and feminist theory, anthropology, and cognitive science. It will be essential reading for those interested in film theory, experimental cinema, the experience of diaspora, and the role of the sensuous in culture.

This book is an anthology of research co-edited by Dr. Chia-rong Wu (University of Canterbury) and Professor Ming-ju Fan (National Chengchi University). This collection of original essays integrates and expands research on Taiwan literature because it includes both established and young writers. It not only engages with the evolving trends of literary Taiwan, but also promotes the translocal consciousness and cultural diversity of the island state and beyond. Focusing on the new directions and trends of Taiwan literature, this edited book fits into Taiwan studies, Sinophone studies, and Asian studies.

One of the world’s top chess journalists in the world explores why, after 1,500 years of existence, chess has never been more relevant than now. Chess is not just one of the greatest games ever devised. It has inspired writers, painters, and filmmakers, and was a secret mover behind technical revolutions like artificial intelligence that are transforming society. In this fascinating pop culture history of the game and its impact, acclaimed Chess.com journalist Peter Doggers (also their news and events director), reveals how computers and the Internet have further strengthened the timeless magic of chess in the digital era, leading to a new peak in popularity and cultural relevance. Doggers explores chess as a cultural phenomenon from its earliest beginnings in ancient India to its biggest stars and most dramatic moments to the impact of the internet and AI. The book is illustrated with approximately 40 photographs and artworks.

Introducing the latest edition of this much-loved anthology, with brand-new Fifteenth and Fourteenth Doctor stories. Fifteen wonderful tales of adventure, science, magic, monsters and time travel – featuring all fifteen Doctors – are waiting for you in this very special Doctor Who volume. Includes a bonus story starring the Fourteenth Doctor (and a very familiar foe), and a brand-new, very exciting and very exclusive, new tale that will feature the Fifteenth Doctor - written by bestselling author Faridah Àbíké-Íyímídé Other authors featured include: Eoin Colfer, Michael Scott, Marcus Sedgwick, Philip Reeve, Patrick Ness, Richelle Mead, Malorie Blackman, Alex Scarrow, Charlie Higson, Derek Landy, Neil Gaiman, Holly Black, Naomi Alderman and Steve Cole.

As the magazine of the Texas Exes, The Alcalde has united alumni and friends of The University of Texas at Austin for nearly 100 years. The Alcalde serves as an intellectual crossroads where UT's luminaries - artists, engineers, executives, musicians, attorneys, journalists, lawmakers, and professors among them - meet bimonthly to exchange ideas. Its pages also offer a place for Texas Exes to swap stories and share memories of Austin and their alma mater. The magazine's unique name is Spanish for "mayor" or "chief magistrate"; the nickname of the governor who signed UT into existence was "The Old Alcalde."