This "tale of delicious revenge" (USA Today) is also "a punchy little comedy of manners.... Think Jane Austen in the Catskills" (Chicago Tribune). It's 1962 and all across America barriers are collapsing. But when Natalie Marx's mother inquires about summer accommodations in Vermont, she gets the following reply: The Inn at Lake Devine is a family-owned resort, which has been in continuous operation since 1922. Our guests who feel most comfortable here, and return year after year, are Gentiles. For twelve-year-old Natalie, who has a stubborn sense of justice, the words are not a rebuff but an infuriating, irresistible challenge. In this beguiling novel, Elinor Lipman charts her heroine's fixation with a small bastion of genteel anti-Semitism, a fixation that will have wildly unexpected consequences on her romantic life. As Natalie tries to enter the world that has excluded her—and succeeds through the sheerest of accidents—The Inn at Lake Devine becomes a delightful and provocative romantic comedy full of sparkling social mischief.

This "tale of delicious revenge" (USA Today) is also "a punchy little comedy of manners.... Think Jane Austen in the Catskills" (Chicago Tribune). It's 1962 and all across America barriers are collapsing. But when Natalie Marx's mother inquires about summer accommodations in Vermont, she gets the following reply: The Inn at Lake Devine is a family-owned resort, which has been in continuous operation since 1922. Our guests who feel most comfortable here, and return year after year, are Gentiles. For twelve-year-old Natalie, who has a stubborn sense of justice, the words are not a rebuff but an infuriating, irresistible challenge. In this beguiling novel, Elinor Lipman charts her heroine's fixation with a small bastion of genteel anti-Semitism, a fixation that will have wildly unexpected consequences on her romantic life. As Natalie tries to enter the world that has excluded her—and succeeds through the sheerest of accidents—The Inn at Lake Devine becomes a delightful and provocative romantic comedy full of sparkling social mischief.

A hysterical phone call from his ex-wife and a familiar face in a photograph upend Henry Archer's well-ordered life to bring him back into contact with the child he adored, a stepdaughter from a misbegotten marriage long ago 320 pp.

Daphne Maritch doesn't quite know what to make of the heavily annotated high school yearbook she inherits from her mother. She discards it when she moves to New York. But when it's found by a neighbor/documentary filmmaker, the yearbook's mysteries - not to mention her own family's - take on a whole new urgency

Two newly-single sisters, one a divorce?, the other a widow, become roommates with a handsome, gay cupcake-baker as they try to return to the dating world of lower Manhattan.

From the beloved and acclaimed novelist, a collection of witty, moving essays.In her two decades of writing, Elinor Lipman has populated her fictional universe with characters so utterly real that we feel like they’re old friends. Now she shares an even more intimate world with us—her own—in essays that offer a candid, charming take on modern life. Looking back and forging ahead, she considers the subjects that matter most: childhood and condiments, long marriage and solo living, career and politics. Here you’ll find the lighthearted: a celebration of four decades of All My Children, a reflection on being Jewish in heavily Irish-Catholic Lowell on St. Patrick’s Day, a hilariously unflinching account of her tiptoe into online dating. But she also tackles the serious and profound in eloquent stories of unexpected widowhood and caring for elderly parents that use her struggles to illuminate ours. Whether for Lipman’s longtime readers or those who love the essays of Nora Ephron or Anna Quindlen, I Can't Complain is a diverting delight.

A liberal New England college campus is a peculiar place for a girl to grow up in this “lovable, psychologically intricate [and] bittersweet farce” (The New York Times Book Review). Massachusetts, 1970s. Born to a pair of “bleeding heart” professors who live on campus as dorm parents, Frederica Hatch soon finds herself the unofficial mascot of Dewing College. Life is so ideal that by the time she becomes a teenager, Frederica finds herself chafing under the care of "the most annoyingly evenhanded parental team in the history of civilization." But she’s about to learn that life isn’t as simple or idyllic as it seems—even amid the manicured lawns of a small women’s college like Dewing. A new dorm parent has just arrived on campus. Laura Lee French is glamorous, worldly, and the former wife of Frederica’s father. Suddenly, Frederica sees her parents’ lives—and by extension her own—in a whole new light. “May be Lipman's best work so far... Every page offers laugh-out-loud dialogue.”—The Seattle Times

In her newest well-tuned, witty, and altogether wonderful novel, bestselling author Elinor Lipman dares to ask: Can an upper-middle-class doctor find love with a shady, fast-talking salesman? Meet Alice Thrift, surgical intern in a Boston hospital, high of I.Q. but low in social graces. She doesn’t mean to be acerbic, clinical, or blunt, but where was she the day they taught Bedside Manner 101? Into Alice’s workaholic and wallflower life comes Ray Russo, a slick traveling fudge salesman in search of a nose job and well-heeled companionship, but not necessarily in that order. Is he a conman or a sincere suitor? Good guy or bad? Alice’s parents, roommate, and best friend Sylvie are appalled at her choice of mate. Despite her doubts, Alice finds herself walking down the aisle, not so much won over as worn down. Will their marriage last the honeymoon? Only if Alice’s best instincts can triumph over Ray’s unsavory ways.

In this thrilling and suspenseful fantasy set in the world of the New York Times bestselling Others series, an inn owner and her shape-shifting lodger find themselves enmeshed in danger and dark secrets. Human laws do not apply in the territory controlled by the Others--vampires, shape-shifters, and even deadlier paranormal beings. And this is a fact that humans should never, ever forget.... After her divorce, Vicki DeVine took over a rustic resort near Lake Silence, in a human town that is not human controlled. Towns such as Vicki's don't have any distance from the Others, the dominant predators who rule most of the land and all of the water throughout the world. And when a place has no boundaries, you never really know what is out there watching you. Vicki was hoping to find a new career and a new life. But when her lodger, Aggie Crowe--one of the shape-shifting Others--discovers a murdered man, Vicki finds trouble instead. The detectives want to pin the death on her, despite the evidence that nothing human could have killed the victim. As Vicki and her friends search for answers, ancient forces are roused by the disturbance in their domain. They have rules that must not be broken--and all the destructive powers of nature at their command.

Rachel Klein is sacked from her job at the White House after she sends an email criticizing Donald Trump. As she is escorted off the premises she is hit by a speeding car, driven by what the press will discreetly call "a personal friend of the President." Does that explain the flowers, the get-well wishes at a press briefing, the hush money offered by a lawyer at her hospital bedside? Rachel's recovery is soothed by comically doting parents, matchmaking room-mates, a new job as aide to a journalist whose books aim to defame the President, and unexpected love at the local wine store. But secrets leak, and Rachel's new-found happiness has to make room for more than a little chaos. Will she bring down the President? Or will he manage to do that all by himself? Rachel to the Rescue is a mischievous political satire, with a delightful cast of characters, from one of America's funniest novelists.