Ingrid Pitt turns her attention to murder--real, gross, hideous, and depraved. From Caligula to Ivan the Terrible, Josef Mengele to modern serial killers, the actions and motives of the world's worst killers are dissected and analyzed with Pitt's razor-sharp wit and insight.

The year's best, and darkest, tales of terror, showcasing the most outstanding new short stories and novellas by both contemporary masters of the macabre and exciting newcomers. As ever, this acclaimed anthology also offers the most comprehensive annual overview of horror around the world in all its incarnations; a comprehensive necrology of famous names; and a list of indispensable contact addresses for the dedicated horror fan and writer alike. The Mammoth Book of Best New Horror remains the world's leading annual anthology dedicated solely to presenting the best in contemporary horror fiction.

Thirty-five uncanny and erotic tales of vampires written by supernatural fiction’s greatest mistresses of the macabre. "Fashions change, and the urbane vampire created by Byron and cemented in place by Stoker has had to move on . . . Are you, like me, ready for the new dusk?" —Ingrid Pitt, from her Introduction Prepare to arm yourself with garlic, silver bullets, and a stake. Featuring the only vampire short story written by Anne Rice, the undisputed queen of vampire literature, and boasting an autobiographical introduction and original tale by Ingrid Pitt, the star of Hammer Films' The Vampire Lovers and Countess Dracula, this is one anthology that every vampire fan—vampiric feminist or not—will want to drink deep from. From the classic stories of Edith Wharton, Edith Nesbit, Mary E. Wilkins-Freeman, and Mary Elizabeth Braddon to modern incarnations by such acclaimed writers as Poppy Z. Brite, Nancy Kilpatrick, Tanith Lee, Caitlín R. Kiernan, and Angela Slatter, these blood-drinkers and soul-stealers range from the sexual to the sanguinary, from the tormented Good to the unspeakably Evil. Among those memorable Children of the Night you will encounter are Chelsea Quinn Yarbro's Byronic vampire Saint-Germain, Nancy A. Collins' undead heroine Sonja Blue, Tanya Huff's vampiric detective Vicki Nelson, and Freda Warrington’s age-old lovers Karl and Charlotte. Nominated for the World Fantasy Award and the International Horror Guild Award, and now revised and updated, The Mammoth Book of Vampire Stories by Women fulfils the bloodlust of the somnambulist horror fan, delivering the ultimate bite.

Hammer Vampire Women, whose subject is the biography and filmography of all the actresses who took part in the Hammer films about Dracula and Vampires, is a work divided into three volumes. Each volume is the assembly of various topics available on the web, especially from Wikipedia. The next obvious question is: why buy this book? The answer: because it means you avoid having to carry out long and tedious internet searches. (....... different topics grouped in one book). All topics are assembled in an organic and chronological way and are enriched by numerous images, these not available on Wikipedia, in order to make the work in its conception unique and unrepeatable, which turns into something new and original. In the form of an eBook, the text is enriched by numerous links to external resources and each actress is linked to films that concern her available on the web. Contents of the book: Hammer Vampire Women: Adrienne Corri, Anouska Hempel, Barbara Archer, Barbara Ewing, Barbara Jefford, Barbara Shelley, Barbara Yu Ling, Carol Marsh, Caroline Munro, Caroline Villiers, Christina Paul, Dawn Addams, Delia Lindsay, Domini Blythe, Dorothy Frere, Elizabeth Dear, Elizabeth Seal, Gwen Watford, Helen Christie, Ingrid Pitt, Isla Blair, Isobel Black, Jacqui Cook, Jacquie Wallis, Janet Key, Janina Faye, Jennifer Daniel, Jenny Hanley, Joanna Lumley, Joanna Ross, Joyce Hemson.

Barry Forshaw celebrates with enthusiasm the British horror film and its fascination for macabre cinema. A definitive study of the genre, British Gothic Cinema discusses the flowering of the field, with every key film discussed from its beginnings in the 1940s through to the 21st century.

Monsters and shape-shifters have always held a special fascination in mythologies, legends, and folklore the world over. From ancient customs to famous cases of beasts and vampires and their reflections in popular culture, 600 entries provide definitions, explanations, and lists of suggested further reading.

Ingrid Pitt, icon of horror cinema: her life and career. Full cast and production credits, synopses, reviews and notes are offered for all of her film, stage and television appearances, along with a critical listing of her novels and other published works. An analysis of Hammer Films' Karnstein Trilogy--of which Pitt's celebrated The Vampire Lovers (1970) was the first installment--is included, and also examined is the trilogy's original literary source, Sheridan Le Fanu's "Carmilla." Other features are rare photographs and other movie-related graphics from every phase of the actress' career and a foreword by Ingrid Pitt herself.

At the age of five, Ingrid Pitt found herself in a concentration camp. Ingrid and her mother escaped from the guards while on a forced march and presented themselves to the partisans, unsure if they would kill them. They spent the rest of the war in the forests. Ingrid fell in love for the first time and watched in despair as British bombers flew overhead. She still cannot see the vapour trials of planes without being transported back to her childhood vigil. After the war Ingrid came to London, where she developed a career as a Hammer House of Horror movie star, but, as she proundly says, `I was always the biter, never the bitten!' She also acted in mainstream films, such as WHERE EAGLES DARE. She had a child by her first marriage and a grand passion which lead to her marrying a racing driver. They lived in Argentina for a while and were good friends of President Peron and Isabelits Peron. Ingrid even spent an evening with the embalmed body of Eva Peron. Written with great passion and warmth, this is a rare childhood memoir and the story of Hammer`s most galmorous actress. Above all, this is a story of a survivor.

Blends actual places, events, and characters with cinematic portrayals of fictional and factual monsters.