An American literary form that flourished from the seventeenth through the nineteenth centuries, the Indian Captivity narrative has long fascinated readers on both sides of the Atlantic. These narratives - chronicling the unpredictable encounters between Native Americans and newcomers - number in the thousands. They encompass the factual as well as the fictional. And in their often negative portrayals of Native Americans, these narratives have aroused considerable controversy. Presenting a broad survey of these narratives and shedding much-needed light on their place in American culture and letters comes The Indian Captivity Narrative, 1550-1900, written by two scholars eminently well versed in their subject matter. In clear and straightforward writing, Kathryn Zabelle Derounian-Stodola and James Arthur Levernier argue that these texts played a vital role in American culture, forming the first truly American literary form and revealing, in their racist subtexts, much about white America's fear of "otherness". With a focus on both the literary and the historical features of the narratives, the authors take a New Historicist approach, extending the accepted chronology to encompass texts written in the 1500s through the 1900s and representing most regions of the continental United States. Here readers will find references to hundreds of primary texts and commentary on texts, as well as expert treatment of such topics as the mythology surrounding the form, the narratives' images of Native Americans and of women, and Mary Rowlandson's well-known 1682 account. A highly accessible work that nevertheless retains its subject's complexity, The Indian Captivity Narrative, 1550-1900 - complementedby nine important illustrations - provides an ideal resource for high school and college students, and for general audiences.

Twaynes United States Authors Series presents concise critical introductions to great writers and their works. Devoted to critical interpretation and discussion of an authors work, each study takes account of major literary trends and important scholarly contributions and provides new critical insights with an original point of view. An Authors Series volumeaddresses readers ranging from advanced high school students to university professors. The book suggests to the informed reader new ways of considering a writers work. A reader new to the work under examination will, after reading theAuthors Series, be compelled to turn to the originals, bringing to the reading a basic knowledge and fresh critical perspectives.

Enthralling generations of readers, the narrative of capture by Native Americans is arguably the first American literary form dominated by the experiences of women. The ten selections in this anthology span the early history of this country (1682-1892) and range in literary style from fact-based narrations to largely fictional, spellbinding adventure stories. The women are variously victimized, triumphant, or, in the case of Mary Jemison, permantently transculturated. This collection includes well known pieces such as Mary Rowlandson's "A True History" (1682), Cotton Mather's version of Hannah Dunstan's infamous captivity and escape (after scalping her captors!), and the "Panther Captivity", as well as lesser known texts. As Derounian-Stodola demonstrates in the introduction, the stories also raise questions about the motives of their (often male) narrators and promoters, who in many cases embellish melodrama to heighten anti-British and anti-Indian propaganda, shape the tales for ecclesiastical purposes, or romanticize them to exploit the growing popularity of sentimental fiction in order to boost sales. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The Captivity Narrative offers a collection of scholarly treatises that assess the phenomenon of captivity and the nuanced methods captives have used to express their psychological duress and the manner in which they coped with bondage and its aftermath. The essays reflect a multidisciplinary interest in the subject by offering historical, literary, and philosophical analyses. Topics include 17th-century captivity in Spanish Texas and Puritan New England, 19th-century slavery, Indian captivity in works of fiction, and the poetry, literature, and narratives of prisoners in the United States and England from the 19th to 21st century. The studies originated in a conference hosted in San Antonio, Texas (2011) by the Southwest/Texas Popular Culture and American Culture Association. Contributors include Anne Babson, Jennifer Oakes Curtis, Lanta Davis, Steven Gambrel, Anne Matthews, Alan Smith and Elisabeth Ziemba.

This edition of A Thrilling Narrative of Indian Captivity rescues from obscurity a crucially important work about the bitterly contested U.S.-Dakota War of 1862. Written by Mary Butler Renville, an Anglo woman, with the assistance of her Dakota husband, John Baptiste Renville, A Thrilling Narrative was printed only once as a book in 1863 and has not been republished since. The work details the Renvilles’ experiences as “captives” among their Dakota kin in the Upper Camp and chronicles the story of the Dakota Peace Party. Their sympathetic portrayal of those who opposed the war in 1862 combats the stereotypical view that most Dakotas supported it and illumines the injustice of their exile from Dakota homelands. From the authors’ unique perspective as an interracial couple, they paint a complex picture of race, gender, and class relations on successive midwestern frontiers. As the state of Minnesota commemorates the 150th anniversary of the Dakota War, this narrative provides fresh insights into the most controversial event in the region’s history. This annotated edition includes groundbreaking historical and literary contexts for the text and a first-time collection of extant Dakota correspondence with authorities during the war.

A comprehensive, chronological overview of American literature in three scholarly and authoritative volumes A Companion to American Literature traces the history and development of American literature from its early origins in Native American oral tradition to 21st century digital literature. This comprehensive three-volume set brings together contributions from a diverse international team of accomplished young scholars and established figures in the field. Contributors explore a broad range of topics in historical, cultural, political, geographic, and technological contexts, engaging the work of both well-known and non-canonical writers of every period. Volume One is an inclusive and geographically expansive examination of early American literature, applying a range of cultural and historical approaches and theoretical models to a dramatically expanded canon of texts. Volume Two covers American literature between 1820 and 1914, focusing on the development of print culture and the literary marketplace, the emergence of various literary movements, and the impact of social and historical events on writers and writings of the period. Spanning the 20th and early 21st centuries, Volume Three studies traditional areas of American literature as well as the literature from previously marginalized groups and contemporary writers often overlooked by scholars. This inclusive and comprehensive study of American literature: Examines the influences of race, ethnicity, gender, class, and disability on American literature Discusses the role of technology in book production and circulation, the rise of literacy, and changing reading practices and literary forms Explores a wide range of writings in multiple genres, including novels, short stories, dramas, and a variety of poetic forms, as well as autobiographies, essays, lectures, diaries, journals, letters, sermons, histories, and graphic narratives. Provides a thematic index that groups chapters by contexts and illustrates their links across different traditional chronological boundaries A Companion to American Literature is a valuable resource for students coming to the subject for the first time or preparing for field examinations, instructors in American literature courses, and scholars with more specialized interests in specific authors, genres, movements, or periods.

The fictionalized Los Angeles of television's Angel is a world filled with literature--from the all-important Shansu prophecy that predicts Angel's return to a state of humanity to the ever-present books dominating the characters' research sessions. This collection brings together essays that engage Angel as a text to be addressed within the wider fields of narrative and literature. It is divided into four distinct parts, each with its own internal governing themes and focus: archetypes, narrative and identity, theory and philosophy, and genre. Each provides opportunities for readers to examine a wide variety of characters, tropes, and literary nuances and influences throughout all five televised seasons of the series and in the current continuation of the series in comic book form.

Susan Clair Imbarrato, Carol Berkin, Brett Barney, Lisa Paddock, Matthew J. Bruccoli, George Parker Anderson, Judith S.

An astonishing variety of captivity narratives emerged in the fifty years following the American Revolution; however, discussions about them have usually focused on accounts of Native American captivities. To most readers, then, captivity narratives are synonymous with "godless savages," the vast frontier, and the trials of kidnapped settlers. This anthology, the first to bring together various types of captivity narratives in a comparative way, broadens our view of the form as it shows how the captivity narrative, in the nation-building years from 1770 to 1820, helped to shape national debates about American liberty and self-determination. Included here are accounts by Indian captives, but also prisoners of war, slaves, victims of pirates and Barbary corsairs, impressed sailors, and shipwreck survivors. The volume's seventeen selections have been culled from hundreds of such texts, edited according to scholarly standards, and reproduced with the highest possible degree of fidelity to the originals. Some selections are fictional or borrow heavily from other, true narratives; all are sensational. Immensely popular with American readers, they were also a lucrative commodity that helped to catalyze the explosion of print culture in the early Republic. As Americans began to personalize the rhetoric of their recent revolution, captivity narratives textually enacted graphic scenes of defiance toward deprivation, confinement, and coercion. At a critical point in American history they helped make the ideals of nationhood real to common citizens.