During the siege, Colonel William Travis issued an appeal for reinforcements and thirty-two gallant men of Gonzales rode to the Alamo in response to that plea.

Superbly annotated treasury contains 113 of the Cuban master's greatest games, including many previously unavailable in book form. Biography of Capablanca, tournament and match record, Index of Openings.

"The Immortal Self" traces historical ideas of the self as developed by philosophers, theologians, neurophysiologists, and scientists. It includes explanations of quantum mechanics and Einstein's theory of relativity that are readable and understandable by the layperson. It considers what science presently is capable of contributing to our many diverse concepts of what constitutes the self. To this end, "The Immortal Self" explores the brain, its morphology and operation, explores our concepts of time, and looks at the metaphysical concepts of quantum physics. The book also considers the paleontological and genetic evidence for the self. Ideas of the self extend into the mists of human history and have been handed down through the ancient Greek philosophers and through the religious prophets and philosophers. These ideas are collected and presented in an unbiased account for consideration by the reader. Finally, an empirical search for the self is suggested. About the Author Richard E. Wilde is Professor Emeritus of chemistry and biochemistry at Texas Tech University. He is a member of the American Chemical Society and the American Physical Society. He has published extensively in the areas of chemical physics and molecular spectroscopy. He is author of "The Many Faces of Jesus" and co-author with "Surjit Singh of Statistical Mechanics: Fundamentals and Modern Applications."

#1 NEW YORK TIMES BESTSELLER • “The story of modern medicine and bioethics—and, indeed, race relations—is refracted beautifully, and movingly.”—Entertainment Weekly NOW A MAJOR MOTION PICTURE FROM HBO® STARRING OPRAH WINFREY AND ROSE BYRNE • ONE OF THE “MOST INFLUENTIAL” (CNN), “DEFINING” (LITHUB), AND “BEST” (THE PHILADELPHIA INQUIRER) BOOKS OF THE DECADE • ONE OF ESSENCE’S 50 MOST IMPACTFUL BLACK BOOKS OF THE PAST 50 YEARS • WINNER OF THE CHICAGO TRIBUNE HEARTLAND PRIZE FOR NONFICTION NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • Entertainment Weekly • O: The Oprah Magazine • NPR • Financial Times • New York • Independent (U.K.) • Times (U.K.) • Publishers Weekly • Library Journal • Kirkus Reviews • Booklist • Globe and Mail Her name was Henrietta Lacks, but scientists know her as HeLa. She was a poor Southern tobacco farmer who worked the same land as her slave ancestors, yet her cells—taken without her knowledge—became one of the most important tools in medicine: The first “immortal” human cells grown in culture, which are still alive today, though she has been dead for more than sixty years. HeLa cells were vital for developing the polio vaccine; uncovered secrets of cancer, viruses, and the atom bomb’s effects; helped lead to important advances like in vitro fertilization, cloning, and gene mapping; and have been bought and sold by the billions. Yet Henrietta Lacks remains virtually unknown, buried in an unmarked grave. Henrietta’s family did not learn of her “immortality” until more than twenty years after her death, when scientists investigating HeLa began using her husband and children in research without informed consent. And though the cells had launched a multimillion-dollar industry that sells human biological materials, her family never saw any of the profits. As Rebecca Skloot so brilliantly shows, the story of the Lacks family—past and present—is inextricably connected to the dark history of experimentation on African Americans, the birth of bioethics, and the legal battles over whether we control the stuff we are made of. Over the decade it took to uncover this story, Rebecca became enmeshed in the lives of the Lacks family—especially Henrietta’s daughter Deborah. Deborah was consumed with questions: Had scientists cloned her mother? Had they killed her to harvest her cells? And if her mother was so important to medicine, why couldn’t her children afford health insurance? Intimate in feeling, astonishing in scope, and impossible to put down, The Immortal Life of Henrietta Lacks captures the beauty and drama of scientific discovery, as well as its human consequences.

A surprising, charming, and ever-fascinating history of the seemingly simple game that has had a profound effect on societies the world over. Why has one game, alone among the thousands of games invented and played throughout human history, not only survived but thrived within every culture it has touched? What is it about its thirty-two figurative pieces, moving about its sixty-four black and white squares according to very simple rules, that has captivated people for nearly 1,500 years? Why has it driven some of its greatest players into paranoia and madness, and yet is hailed as a remarkably powerful intellectual tool? Nearly everyone has played chess at some point in their lives. Its rules and pieces have served as a metaphor for society, influencing military strategy, mathematics, artificial intelligence, and literature and the arts. It has been condemned as the devil’s game by popes, rabbis, and imams, and lauded as a guide to proper living by other popes, rabbis, and imams. Marcel Duchamp was so absorbed in the game that he ignored his wife on their honeymoon. Caliph Muhammad al-Amin lost his throne (and his head) trying to checkmate a courtier. Ben Franklin used the game as a cover for secret diplomacy.In his wide-ranging and ever-fascinating examination of chess, David Shenk gleefully unearths the hidden history of a game that seems so simple yet contains infinity. From its invention somewhere in India around 500 A.D., to its enthusiastic adoption by the Persians and its spread by Islamic warriors, to its remarkable use as a moral guide in the Middle Ages and its political utility in the Enlightenment, to its crucial importance in the birth of cognitive science and its key role in the aesthetic of modernism in twentieth-century art, to its twenty-first-century importance in the development of artificial intelligence and use as a teaching tool in inner-city America, chess has been a remarkably omnipresent factor in the development of civilization. Indeed, as Shenk shows, some neuroscientists believe that playing chess may actually alter the structure of the brain, that it may be for individuals what it has been for civilization: a virus that makes us smarter.

In the newest Argeneau novel from New York Times bestselling author Lynsay Sands, an immortal barely escapes a raging fire only to kindle a sizzling passion with his potential life mate. Mac Argeneau knows all too well: immortals can be killed. Not with holy water or silver crosses, but by decapitation or being set on fire. So when Mac’s house bursts into flames—with him inside—he’s sure it was no accident. But who would want to kill a scientist specializing in hematology? There is a silver lining: a blonde investigator appears on the scene and sparks feelings in him that have been dormant for centuries. CJ Cummings is in town on a special investigation, but she’s been waylaid by the local police to deal with this arson case. The biggest mystery is how this sexy scientist with silvery blue eyes has emerged from a blazing inferno without a burn mark on him. He’s clearly hiding something. Sure, she’d love to see him without his lab coat, but she’s got a job to do—despite his insistence that he needs a bodyguard and...he wants her. But when a second attempt on their lives puts CJ in harm’s way, it’s Mac who will do anything to safeguard the woman who’s destined to be his life mate.

The Palace of Eternal Joy (Yongle gong) is a mammoth cult site dedicated to one of late imperial China’s most popular deities, Lu Dongbin. In one of the first book-length studies of a Chinese sacred site, Paul Katz focuses on the Palace’s role in the development of Lu's legend. This highly innovative approach takes into account the various "histories" of the Palace presented in different texts and surpasses previous scholarship by stressing the ways in which the site both reflected and produced cultural diversity. Katz breaks new ground by analyzing the texts in terms of the textuality--the processes by which they were produced, transmitted, and understood. The study begins with a detailed description of the Palace of Eternal Joy and a brief account of its history. The reader is then introduced to the cult of Lu Dongbin. Special consideration is given to various hagiographical traditions, particularly those that influenced the growth of his cult at Yongle. Throughout late imperial China, a growing number of worshipers (among them scholar-officials, Taoist priests, artisans, and dramatists) created an ever-burgeoning variety of images of Lu, ranging from a patron god of ink-makers and prostitutes to a member of that powerful yet rambunctious group of spirits known as the Eight Immortals. In this context, the author explores the Perfect Realization Taoist movement's adoption of Lu's cult during the Jin and Yuan dynasties and highlight the social and religious factors that led to Lu's immense popularity in north China during the late imperial era. Katz next looks at the four type of inscriptions found at the Palace (commemorative, official, hagiographical, and poetic) and identifies the Palace patrons who worshiped there and contributed to its growth. In the description and analysis of the Palace murals that follow, he divides these works into two types: those painted to provide a setting for, and even an object of, Taoist rituals performed at the Palace; and those used to instruct Perfect Realization Taoists and perhaps pilgrims. The final section traces the reception of the Palace texts among the people of Yongle and its environs. Here Katz examines the ways in which patrons tried to impose their representations of the Palace’s history and the cult of Lu Dongbin on other members of the community and assesses the extent to which these efforts succeeded. Images of the Immortal is richly informed by a wide reading in social, cultural, and literary theory as well as a thorough awareness of previous work in comparative and Chinese religion. Scholars of Taoism, Chinese popular religion, and art history will find it especially rewarding for its thought-provoking reinterpretation of an important religious figure and his cult.

This book presents the multi-faceted Hindu deity Dattatreya from his Puranic emergence up to modern times. Dattatreya's Brahmanical portrayal, as well as his even more archaic characterization as a Tantric antinomian figure, combines both Vaisnava Saiva motifs. Over the course of time, Dattatreya has come to embody the roles of the immortal guru, yogin and avatara in a paradigmatic manner. From the sixteenth century Dattatreya's glorious characterization emerged as the incarnation of the trimurti of Brahma, Visnu, and Siva. Although Maharastra is the heartland of Dattatreya devotion, his presence is attested to throughout India and extends beyond the boundaries of Hinduism, being met with in Sufi circles and even in Buddhism and Jainism via Nathism. The scarce attention which most Western scholars of Indian religions have paid to this deity contrasts with its ubiquitousness and social permeability. Devotion to Dattatreya cuts through all social and religious strata of Indian society: among his adepts we find yogis, Brahmans, faqirs, Devi worshippers, untouchables, thieves, and prostitutes. This book explores all primary religious dimensions: myth, doctrine, ritual, philosophy, mysticism, and iconography. The comprehensive result offers a rich fresco of Hindu religion as well as an understanding of Marathi integrative spirituality: precisely this complexity of themes constitutes Dattatreya's uniqueness.