In the Preface to this second edition of her first book, Sandra M. Gilbert addresses the inevitable question: "How can you be a feminist and a Lawrentian?" The answer is intellectually satisfying and historically revealing as she traces an array of early twentieth-century women of letters, some of them proto-feminists, who revered Lawrence despite his countless statements that would today be condemned as "sexist." H.D. regarded him as one of her "initiators" whose words "flamed alive, blue serpents on the page." Anais Nin insisted that he "had a complete realization of the feelings of women." By focusing on Lawrence’s own definition of a poem as an "act of attention," Gilbert demonstrates how he developed the mature style of Birds, Beasts and Flowers, his finest collection of poetry. She discusses this volume at length, examines many of his later poems in detail, including the hymns from The Plumed Serpent, Pansies, Nettles, and More Pansies, and ends with a close look at Last Poems. Her detailed examination provides a clearer image of Lawrence as an artist—an artist whose poetry complements his novels and whose fiction enriches but does not outshine his poetry.

Though much has been written about Lawrence's poetry (as revealed by the several hundred entries in the book's checklist of criticism), there have been relatively few full length studies. This book deals with the whole range of his poetry from his earliest poems, such as 'To Campions' and 'To Guelder Roses', through the poems inspired by his elopement with and subsequent marriage to Frieda Weekley (Look! We Have Come Through!), to the mature achievement, in free verse forms inspired by Walt Whitman, of Birds, Beasts and Flowers, Pansies and Last Poems. The genesis of the poems in Lawrence's life is explored; and there are new interpretations of his most memorable poems, such as 'The Wild Common', 'Piano', 'Song of a Man Who Has Come Through', Tortoises, 'Peach', 'Pomegranate', 'Snake', 'Bavarian Gentians' and 'The Ship of Death'.

D.H. Lawrence remains one of the most popular and studied authors of the 20th century. This book is a comprehensive but easy to use reference guide to Lawrence's life, works, and critical reception. The volume has been systematically structured to convey a coherent overall sense of Lawrence's achievement and critical reputation, but it is also designed to enable the reader who may be interested in only one aspect of Lawrence's career, perhaps even in only one of his novels or stories, to find relevant information quickly and easily without having to read other parts of the text. The book begins with an original biography by John Worthen, one of the world's foremost authorities on Lawrence's life and work. The chapters that follow provide separate entries for all of Lawrence's works, except for individual poems and paintings, with critical summaries, discussions of characters, and details of settings. There is also a complete overview of Lawrence and film, with the most complete listing available of film adaptations of his works and of criticism relating to them. Each section of the book provides comprehensive primary and secondary bibliographical data, including citations for the most recent scholarly studies. Maps and chronologies further trace Lawrence's travels and his development over time.

Annotation This guide moves beyond the controversy surrounding Lady Chatterley's Lover to examine the prolific output of poetry, novels and non-fiction that made Lawrence a central figure in the Modernist movement.

This pre-eminent bibliography for D. H. Lawrence was extensively revised, updated and expanded by Paul Poplawski for publication in 2001.

"D. H. Lawrence and Nine Women Writers sheds fresh light on how a number of women writers of his time and our own reacted, in their thinking and writing, to D. H. Lawrence's unbridled individualism, sensitive genius, creative energy, and his sometimes infuriating misogynistic resentments." "Critic and scholar Leo Hamalian explores the ways that the sensibilities of nine important women writers were both extensively and profoundly influenced by the English author's fiction, poetry, criticism, and self-styled "polyanalytics."" "Hamalian's series of comparative readings is illuminating. They demonstrate clearly that the hard questions of ideology, subject matter, and style, which engaged Lawrence throughout his turbulent, career, continued to challenge a number of women writers who were grappling with these issues from another vantage point. Through skeptical of some of Lawrence's theories, these writers valued the dynamic aspects of Lawrence's creativity, especially his emphasis on consciousness of wider meanings rather than character, on symbol rather than narrative - although he was a masterful storyteller. They realized that his intensely conceived and evocatively concentrated scenes could be turned into a highly rewarding technique for suggesting the emotional conflicts and moral dilemmas of their own characters. His primitivist philosophy struck them as healthy and his sensitivity as a kind of appealing vulnerability."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

This book brings together articles and essays published over a period of about 60 years. These discussions lead to an assessment of Lawrence's poetry, showing how he has been regarded as a poet over the years, as well as analyzing the intrinsic merit of his poetry.

D. H. Lawrence wrote over 500 poems, compiled in several poetry collections. His early works place him in the school of Georgian poets, and his later poetry belongs to the modernist tradition. Lawrence's poetry was mostly influenced by Walt Whitman. Table of Contents: Love Poems and others: Wedding Morn Kisses in the Train Cruelty and Love Cherry Robbers Lilies in the Fire Coldness in Love End of another Home-Holiday Reminder Bei Hennef Lightning Song-Day in Autumn Aware A Pang of Reminiscence A White Blossom Red Moon-Rise Return The Appeal Repulsed Dream-Confused Corot Morning Work Transformations Renascence Dog-Tired Michael-Angelo Violets Whether or Not A Collier's Wife The Drained Cup A Snowy Day in School The Best of School Afternoon in School Amores: Tease The Wild Common Study Discord in Childhood Virgin Youth Monologue of a Mother In a Boat Week-night Service Irony Dreams Old Dreams Nascent A Winter's Tale Epilogue A Baby Running Barefoot Discipline Scent of Irises The Prophet Last Words to Miriam Mystery Patience Ballad of Another Ophelia Restlessness A Baby Asleep After Pain Anxiety The Punisher The End The Bride The Virgin Mother At the Window Drunk Sorrow Dolor of Autumn The Inheritance Silence Listening Brooding Grief Lotus Hurt by the Cold Malade Liaison Troth with the Dead Dissolute Submergence The Enkindled Spring Reproach The Hands of the Betrothed Excursion Perfidy A Spiritual Woman Mating A Love Song Brother and Sister After Many Days Blue Snap-Dragon A Passing Bell In Trouble and Shame Elegy Grey Evening Firelight and Nightfall The Mystic Blue Look! We have come through! New Poems: Apprehension Coming Awake From a College Window Flapper Birdcage Walk Letter from Town: The Almond Tree Flat Suburbs, S.W., in the Morning Thief in the Night Letter from Town: On a Grey Evening in March Suburbs on a Hazy Day Hyde Park at Night: Clerks Gipsy Two-Fold Under the Oak Sigh no More Love Storm Parliament Hill in the Evening... Bay: A Book of Poems Tortoises Birds, Beasts and Flowers Pansies Nettles Last Poems The Savage Pilgrimage – A Biography, by Catherine Carswell