Longlisted for the National Book Award "Mind-blowing." —Kim Gordon DEADPAN, EPIC, AND SEARINGLY CHARISMATIC, A Sand Book chronicles climate change and climate grief, gun violence and bystanderism, state violence and complicity, mourning and ecstasy, sex and love, and the transcendent shock of prophecy, tracking new dimensions of consciousness for our strange and desperate times.

In 1965 Janis Sternbergs made a few playful lines in some sand on his studio table and was struck by the image he had created. A photograph of this confluence of shadows showed what seemed to be a great earth sculpture of vast depth and breadth. So began an art form which united the talents and skills of engraver, sculptor, painter, and photographer. And when Sternbergs added color effects to his images by use of photo-screen process printing, he employed the skills of still another medium—one in which he is a recognized master. In this book Sternbergs first explains and demonstrates many of the techniques he has developed in producing his dramatic sand "paintings." In a series of illustrations designed to instruct the neophyte sand artist, we see a variety of commonplace tools used to explore the many possibilities of sand as a material for spontaneous work. What one supremely creative mind has done with the medium can be seen in the catalog of Sternbergs's sand images which follows the instructional portion of the book. The 154 black and white photographs not only suggest the range and potential of sand imagery, but attest as well to the imagination and versatility of the artist.

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Susan Bach was born in 1902 in Berlin, where she studied crystallography before escaping to London in the wake of Nazism. These essays reflect on her life and work and show how the process of connecting and finding meaning continues and advances whetherthrough pictures, objects, dreams or other images and myths.

The most playful – and arguably most accessible – novel by the master of inventive science fiction. Humanity is not alone in the cosmos. The aliens have given a precious relic to the people of Earth: star-stone. But the harmony of the galaxy is endangered when they discover that the star-stone has disappeared. Likeable Fred Cassidy is an eternal undergraduate. All he thinks he knows about the star-stone is that it came to Earth in an interplanetary trade for the Mona Lisa and the British Crown jewels. When Fred is accused of stealing the cosmic artefact, he is pursued from Australia to Greenwich Village and beyond, by telepathic psychologists, extra-terrestrial hoodlums and galactic police in disguise. Follow him on his adventures as he enters multiple realities, flipping in and out of alien perspectives, through doorways in the sand. Praise for Doorways in the Sand: “A wonderful book from Zelazny’s best period – with a rollercoaster plot and some terrific jokes.” “If you've never read it, you really must. Come one – there’s a talking wombat. Need I say more?” “Doorways in the Sand is vintage Zelazny, which is to say it is like taking a course in philosophy while crawling about between the gargoyles on the cathedral of Life, dodging the slings and death-rays of outrageous villains, some of them bug-eyed monsters.” “If you don't like it I'm sorry to say there is something wrong with you, you may have to re-incarnate.” Editorial reviews: “Ingenious.” The New York Times “One of the highest tributes I have ever heard paid to a writer lies in the words of a young lady who said, ‘I knew, halfway through the second paragraph, that I was in good hands.’ Science fiction has produced many such hands, and I genuinely envy those who encounter Roger Zelazny.” Theodore Sturgeon, The New York Times Book Review “That rarest of creatures in science fiction, the original character, emerges in Roger Zelazny’s Doorways in the Sand.” Chicago Daily News