The Illustrated Police News is often dismissed as a crude publication which aimed to thrill the undiscerning reader with gruesome pictures. Cruel Deeds and Calamities sets out to correct that belief by demonstrating the diversity of its subject matter, examining its social and political agenda and revealing the power and compassion in its images. The Illustrated Police News was a promoter of social change and a campaigner against the evils of cruelty, poverty, drink and crime. It anticipated by many years the features of today's journalism, in the rapidity with which it provided pictures of current news events, its appeal to the emotions, and the involvement of its readers in the reporting process. This is the first book exclusively about the Illustrated Police News to reproduce the pictures as high quality images, provide a balanced account of its content and cover the full period of its publication. There is substantial new research into how the paper was produced, the men who made it a success, and the stories behind the pictures.

'The Illustrated Police News' was a bestseller in mid and late Victorian times, offering a weekly diet of shocking and shameless stories that feed the public's hunger for sensationalism. This book contains snippets of reports from the publication.

Firs published in 2011 as Cruel deeds and dreadfull calamaties. This edition contains revised and edited material.

This book features fifty-six Victorian murder cases from the files of the Illustrated Police News.

In the early nineteenth century, a series of murders took place in and around London which shocked the whole of England. The appalling nature of the crimes—a brutal slaying in the gambling netherworld, the slaughter of two entire households, and the first of the modern lust-murders—was magnified not only by the lurid atmosphere of an age in which candlelight gave way to gaslight, but also by the efforts of some of the keenest minds of the period to uncover the gruesomest details of the killings.These slayings took place against the backdrop of a London in which the splendor of the fashionable world was haunted by the squalor of the slums. Sir Walter Scott, Lord Byron, Thomas De Quincey, Thomas Carlyle, and Percy Bysshe Shelley and others were fascinated by the blood and deviltry of the macabre. In their contemplations of the most notorious murders of their time, they discerned in the act of killing itself a depth of hideousness that we have lost sight of, now living in an age in which murder has been reduced to a problem of social science and skillful detective work. Interweaving these cultural vignettes alongside criminal history, acclaimed author Michael Beran paints a vivid picture of a time when homicide was thought of as the intrusion of the diabolic into ordinary life.

The Lodger is the first known novelization of the Jack the Ripper story. It follows the lives of Mr. and Mrs. Bunting, a maid and butler. An eccentric lodger, Mr. Sleuth, arrives at their lodging-house just as a wave of horrific murders begins to sweep London. The Buntings become engrossed in the newspaper sensationalism as well the detailed accounts of their young friend, a Scotland Yard detective. Lowndes first wrote The Lodger as a short story published in McClure’s Magazine, then later published the novelization in the Daily Telegraph as a serial. It was very successful, with over a million copies sold within a few decades. Writers like Ernest Hemingway and Gertrude Stein praised it, with one contemporary reviewer calling it “the best novel about murder written by any living author.” It has since been adapted to other media, notably as one of Alfred Hitchcock’s first movies. Today the novel is still considered the best fictional adaptation of the Jack the Ripper legend. This book is part of the Standard Ebooks project, which produces free public domain ebooks.