Replete with detailed engravings, this four-volume catalogue was published to accompany the International Exhibition of 1862. Held in South Kensington from May to November, the exhibition showcased the progress made in a diverse range of crafts, trades and industries since the Great Exhibition of 1851. Over 6 million visitors came to view the wares of more than 28,000 exhibitors from Britain, her empire and beyond. Featuring explanatory notes and covering such fields as mining, engineering, textiles, printing and photography, this remains an instructive resource for social and economic historians. The exhibition's Illustrated Record, its Popular Guide and the industrial department's one-volume Official Catalogue have all been reissued in this series. Volume 4 continues to catalogue the Foreign Division. Notable is the appearance of early exhibits from Steinway et Sons in the brief section for the United States. In contrast, Austrian and German exhibits occupy more than 400 pages.

Replete with engravings, this four-volume work presents details of British and foreign participants at London's International Exhibition of 1862. A diverse range of industries is represented, including mining, engineering, textiles, printing and photography. Also featuring a concise history of the exhibition, this remains an instructive resource for social and economic historians.

Originally published in 1862, this illustrated catalogue provides a comprehensive guide to the many exhibits on display at the London International Exhibition. With descriptions and illustrations of everything from machines to handicrafts to furniture, this catalogue is a fascinating glimpse into the world of Victorian-era industry and design. This edition also includes a new introduction highlighting the historical significance of the exhibition. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.