In the autumn of 1895, citizens of Leadville, Colorado construct the Ice Palace: a last sign of hope for the fading silver mining town. There, on New Year's Eve beneath the magic lights and frozen ramparts of this fantastic ice marvel, Max Selig and the Grensky brothers, enemies and rivals, watch the youngest members of their families, June Selig and Nathan Grensky, dance and fall in love.Across the country in New York City, the waning years of the Gilded Age and a failed stock market gamble crushes the dreams of the Greenbaums. Only vivacious, copper-haired Tillie can save her family from ruin by entering into a marriage of convenience.Two decades later, Tillie, resigned to a passionless marriage, encourages her daughter Margie to live the romance she was denied and take a chance on the dashing, hard-drinking newsman Tommy Grensky, the Leadville Ice Palace lovers' son. But when the young couple travels to London in 1937, they encounter a changing Europe under the rise of Nazism.In The Ice Palace Waltz, two Jewish immigrant families-the rough and ready Western pioneers and the smooth, "our crowd" New Yorkers-come together in a riveting family saga amid the financial and social tumult of early twentieth century America. Baer's moving multigenerational novel traces the American Jewish experience and the enduring power of family and love.

“Alaska is the real heroine here—with her advocates and her court attendants the members of the cast. There’s Chris Storm, native daughter, glamorous, colorful, with a story so incredible that it has to be taken on faith. Brought up by two grandfathers, she might well have been caught in the meshes of their friendship, their rivalry, their enmity. One grandfather, Thor Storm, had sought in Alaska in his youth that freedom of the frontier it still afforded—and stayed, victim of their lure, seeking through the weekly he published, to maintain that freedom. The other grandfather, Czar Kennedy, was High Mogul, big time operator, who had made his millions in Alaska, but who milked her and played in with the Outside—men from Seattle and San Francisco and Washington who stripped her of her riches for their own ends. Chris was brought up by the two of them, with Bridie Ballantyne providing the balance wheel, and Chris managed to survive and be a person in her own right.”—Kirkus Review

Save Me the Waltz is the first and only novel by the wife of F. Scott Fitzgerald. During the years when Fitzgerald was working on Tender Is the Night, Zelda Fitzgerald was preparing her own story, which parallels the narrative of her husband, throwing a fascinating light on F. Scott Fitzgerald’s life and work. In its own right, it is a vivid and moving story: the confessions of a famous, slightly doomed glamour girl of the affluent 1920s, which captures the spirit of an era.

The Ballet Lover exposes the beauty and cruelty of ballet, the performances, the back stage moments, and the personal dramas of the famous ballet dancers Rudolf Nureyev and Natalia Makarova as seen through the eyes of an American female journalist. Paris, 1970s: the orchestra plays the first ominous note of Swan Lake. In the audience sits Geneva, an American journalist and ballet lover, waiting for the heart-stopping beauty and seduction of the romantic duet to start, but instead she witnesses Rudolf Nureyev failing to catch his Russian partner Natalia Makarova, allowing her to fall with a crash upon the stage. Geneva interprets the fall as an act of cruelty, a man with all the fame and power in the world brutally letting fall his delicate, wraith-like artistic partner. When other critics defend Nureyev and accuse Makarova of causing her own tumble, Geneva vows revenge on the page, creating havoc in her own career and discovering surprising parallels between herself and the fallen ballerina. The Ballet Lover is a refined, mesmerizing, fictional account of two of the most celebrated dancers in the dance world, how one compromised the other, and how the drama on the stage often mirrors those played out in real life.

A monthly journal for the musician, the music student, and all music lovers.

Evening Street Review is centered on the belief that all people are created equal, that they have a natural claim to certain inalienable rights, and that among these are the rights to life, liberty, and the pursuit of happiness. With this center, and an emphasis on writing that has both clarity and depth, it practices the widest eclecticism. Evening Street Review reads submissions of poetry (free verse, formal verse, and prose poetry) and prose (short stories and creative nonfiction) year-round. Submit 3-6 poems or 1-2 prose pieces at a time. Payment is one contributor’s copy. Copyright reverts to author upon publication. Response time is 3-6 months. Please address submissions to Editors, 2881 Wright St, Sacramento, CA 95821-4819. Email submissions are also acceptable; send to the following address as Microsoft Word or rich text files (.rtf): [email protected]. For submission guidelines, subscription information, published works, and author profiles, please visit our website: www.eveningstreetpress.com.

While entertaining guests, Anna and Elsa decide to show them Elsa's ice palace, but the visitors are in for a surprise when Elsa's snowgies take over the place.

Includes music.

The lyrics of a Cajun waltz may be dark as midnight with heartache and trouble, but still the music swings. The same goes for what happens after a shifty musician and a lonely shopgirl let destiny sweep them into an ill-suited marriage in swampy southwest Louisiana on the eve of the Depression. Love doesn’t much figure between Richie Bainard and Esther Block. They build a business together while dreaming opposite dreams of fulfillment. But like a gumbo simmering with peppers and spice, desires finally come to a boil. Three generations of the volatile clan grapple with the region’s economic struggles and racial tensions. The Bainard children, twins Bonnie and R.J. and their half-brother, Seth, pursue separate cravings for money, sex, and religion. The chase in each case runs off the rails thanks to an ex-marine with a soft heart and a brutish devotion, a dazzling young stepmother of mixed race and mixed motives, and a high school tart who proves tougher and truer than all of them. Ultimately it takes the mass devastation of Hurricane Audrey in 1957 to cleanse the reckless passions. The aftermath is painful but pure, like an old blues song that puts tears in your eyes while you dance.