Does accepting the doctrine of biblical inspiration necessitate belief in biblical inerrancy? The Bible has always functioned authoritatively in the life of the church, but what exactly should that mean? Must it mean the Bible is without error in all historical details and ethical teachings? What should thoughtful Christians do with texts that propose God is pleased by human sacrifice or that God commanded Israel to commit acts of genocide? What about texts that contain historical errors or predictions that have gone unfulfilled long beyond their expiration dates? In The Human Faces of God, Thom Stark moves beyond notions of inerrancy in order to confront such problematic texts and open up a conversation about new ways they can be used in service of the church and its moral witness today. Readers looking for an academically informed yet accessible discussion of the Bible's thorniest texts will find a thought-provoking and indispensible resource in The Human Faces of God. ""Christians can ignore the facts that Stark brings into the light of day only if they want to be wrong."" --Dale C. Allison, Jr. author of Constructing Jesus ""The Human Faces of God is one of the most challenging and well-argued cases against the doctrine of biblical inerrancy I have ever read."" --Greg A. Boyd author of The Myth of a Christian Nation ""I learned so much from this book that I can strongly encourage anyone who is seeking to move from simplistic proof-texting to a comprehensive understanding of the Bible to read this book carefully."" --Tony Campolo author of Red Letter Christians ""This is must reading for Christians who have agonized over their own private doubts about Scripture--and for others who have given up hope that evangelical Christians can practice intelligent, moral interpretation of the Bible."" --Neil Elliot author of Liberating Paul ""[W]ith the help of this book, we may discover that the Bible--when we read it in all its diversity and vulnerability--does bring healing words to those who keep listening."" --Ted Grimsrud author of Embodying the Way of Jesus ""Stark's book effectively demonstrates how the Bible, in practice, is the most dangerous enemy of fundamentalists."" --James F. McGrath author of The Only True God ""Stark provides a model for theology that is committed to hearing the voice of the victims of history, especially the victims of our own religious traditions."" --Michael J. Iafrate PhD Cadidate, University of Toronto ""This book is the most powerful antidote to fundamentalism that I've ever read."" --Frank Schaeffer author of Crazy for God Thom Stark was a Fig Tree and Ledbetter scholar at Emmanuel School of Religion. His academic interests include second temple apocalyptic Judaism and Christian origins, as well as modern Christian and Islamic theologies of liberation.

Combining historical and ethnographic research methods, along with a thorough review of existing literature on the study of Latin American Christianity, New Faces of God in Latin America addresses the important question of how global religion and local culture interact, situating the experience of Latin American Christianity in the broader conversations in the field of world Christianity, particularly with respect to the growing understanding of Christianity as a non-Western religion. Through case studies of different Pentecostal experiences in Latin America, Virginia Garrard explores cross-pollination and interaction with indigenous religions and cultures, finding widely varied responses to the material and spiritual needs of Latin Americans. The author locates Latin American religious experience within a field known as the "history of non-Western Christianity." This focuses on the experience, perceptions, and adaptations of those who adopt Christianity outside the context of Western missionary or other colonizing projects. The book engages with the intersection of culture and spirit-filled religion, with an eye to how those interactions help frame an alternative religious modernity. Throughout the book, the author uses culture as both a heuristic lens and as a variable within the equation. She argues that culture helps us understand how people engage with and reconfigure global religious flows within their own imaginations and for their own parochial uses.

"Wearing one crown, with a gem of every belief known, He is the God of Many Faces".Uplifting experiences, no matter our country of origin, depend on our ability, as human beings, to be open to other points of view. We were made to be different and are expected to think as individuals. Therefore, our thoughts and beliefs are worthy of respect. We all have a story.It is not the responsibility of religion, or non-religion, to create peace in the world, but rather humanity and the way we treat each other. My highest appeal to mankind is that we learn to best coexist through love which conquers all.This book takes the reader on a journey of thought-provoking views to dismantle the very idea that the Creator could only exist in one form, bearing one face.

A fresh interpretation of the work of Emile Durkheim, which argues that in addition to being a pioneer in sociological theory and research, Durkheim was also a major social philosopher concerned with religion, metaphysics, and knowledge.

Much of the rampant violence in the world today seems rooted in religion, and daily we see its vast potential for both creation and destruction. In the face of religious extremism, religious pluralism, and globalization, it has become profoundly important to reassess what the three often-conflicting Abrahamic traditions affirm about being human before God.

Wearing a mask—putting on another face—embodies a fundamental human fantasy of inhabiting other bodies and experiencing other lives. In this extensively illustrated book, Thomas Morawetz explores how the creation of transformational makeup for theatre, movies, and television fulfills this fantasy of self-transformation and satisfies the human desire to become "the other." Morawetz begins by discussing the cultural role of fantasies of transformation and what these fantasies reveal about questions of personal identity. He next turns to professional makeup artists and describes their background, training, careers, and especially the techniques they use to create their art. Then, with numerous before-during-and-after photos of transformational makeups from popular and little-known shows and movies, ads, and artist's demos and portfolios, he reveals the art and imagination that go into six kinds of mask-making—representing demons, depicting aliens, inventing disguises, transforming actors into different (older, heavier, disfigured) versions of themselves, and creating historical or mythological characters.

This modern classic by the author of Knowing God provides a comprehensive statement of the doctrine of Scripture from an evangelical perspective. J. I. Packer explores the meaning of the word "fundamentalism" and offers a clear and well-reasoned argument for the authority of the Bible and its proper role in the Christian life.

Originally published: New York: Random House, Ã1976.

In the Beginning: Science Faces God in the Book of Genesis. The beginning of time. The origin of life. In our Western civilization, there are two influential accounts of beginnings. One is the biblical account, compiled more than two thousand years ago by Judean writers who based much of their thinking on the Babylonian astronomical lore of the day. The other is the account of modern science, which, in the last century, has slowly built up a coherent picture of how it all began. Both represent the best thinking of their times, and in this line-by-line annotation of the first eleven chapters of Genesis, Isaac Asimov carefully and evenhandedly compares the two accounts, pointing out where they are similar and where they are different. "There is no version of primeval history, preceding the discoveries of modern science, that is as rational and as inspiriting as that of the Book of Genesis," Asimov says. However, human knowledge does increase, and if the biblical writers "had written those early chapters of Genesis knowing what we know today, we can be certain that they would have written it completely differently." Isaac Asimov brings to this fascinating subject his wide-ranging knowledge of science and history--and his award-winning ability to explain the complex with accuracy, clarity, and wit.