Throughout the centuries philosophers and poets alike have defended an essential difference—rather than a porous transition—between the human and animal. Attempts to assign essential properties to humans (e.g., language, reason, or morality) often reflected ulterior aims to defend a privileged position for humans.. This book shifts the traditional anthropocentric focus of philosophy and literature by combining the questions “What is human?” and “What is animal?” What makes this collection unique is that it fills a lacuna in critical animal studies and the growing field of ecocriticism. It is the first collection that establishes a productive encounter between philosophical perspectives on the human–animal boundary and those that draw on fictional literature. The objective is to establish a dialogue between those disciplines with the goal of expanding the imaginative scope of human-animal relationships. The contributions thus do not only trace and deconstruct the boundaries dividing humans and nonhuman animals, they also present the reader with alternative perspectives on the porous continuum and surprising reversal of what appears as human and what as nonhuman.

An examination of the difficulties in fundamentally differentiating humans from all other animals.

The Human-Animal Boundary shifts the traditional anthropocentric focus of philosophy and literature by combining the question "what is human?" with the question "what is animal?" The objective is to expand the imaginative scope of human-animal relationships by combining perspectives from different disciplines, traditions, and cultural backgrounds.

"An excellent interdisciplinary collage . . . of considerable interest to philosophers, psychologists, computer scientists (of a theoretical stripe), sociologists, and others. . . . Rethinking our relationship to animals is very relevant, I believe, to thinking clearly about our current relationships to current (and future) machines."--Keith Gunderson, University of Minnesota

Are animals capable of wonder? Can they be said to possess language and reason? What can animals teach us about how to live well? How can they help us to see the limitations of human civilization? Is it possible to draw firm distinctions between humans and animals? And how might asking and answering questions like these lead us to rethink human-animal relations in an age of catastrophic ecological destruction? In this accessible and engaging book, Matthew Calarco explores key issues in the philosophy of animals and their significance for our contemporary world. He leads readers on a spirited tour of historical and contemporary philosophy, ranging from Plato to Donna Haraway and from the Cynics to the Jains. Calarco unearths surprising insights about animals from a number of philosophers while also underscoring ways in which the philosophical tradition has failed to challenge the dogma of human-centeredness. Along the way, he indicates how mainstream Western philosophy is both complemented and challenged by non-Western traditions and noncanonical theories about animals. Throughout, Calarco uses examples from contemporary culture to illustrate how philosophical theories about animals are deeply relevant to our lives today. The Boundaries of Human Nature shows readers why philosophy can help transform not just the way we think about animals but also how we interact with them.

This book provides reflection on the increasingly blurry boundaries that characterize the human-animal relationship. In the Anthropocene humans and animals have come closer together and this asks for rethinking old divisions. Firstly, new scientific insights and technological advances lead to a blurring of the boundaries between animals and humans. Secondly, our increasing influence on nature leads to a rethinking of the old distinction between individual animal ethics and collectivist environmental ethics. Thirdly, ongoing urbanization and destruction of animal habitats leads to a blurring between the categories of wild and domesticated animals. Finally, globalization and global climate change have led to the fragmentation of natural habitats, blurring the old distinction between in situ and ex situ conservation. In this book, researchers at the cutting edge of their fields systematically examine the broad field of human-animal relations, dealing with wild, liminal, and domestic animals, with conservation, and zoos, and with technologies such as biomimicry. This book is timely in that it explores the new directions in which our thinking about the human-animal relationship are developing. While the target audience primarily consists of animal studies scholars, coming from a wide range of disciplines including philosophy, sociology, psychology, ethology, literature, and film studies, many of the topics that are discussed have relevance beyond a purely theoretical one; as such the book also aims to inspire for example biologists, conservationists, and zoo keepers to reflect on their relationship with animals.

Examines the overlap and blurring of boundaries among humans, animals, and machines.

In this book, Isaac Alderman uses insights from the cognitive study of death anxiety and disgust to examine the animal-human boundary in Genesis 2-3, providing biblical scholars with a case study for how this interdisciplinary approach can be used to analyze texts that deal with themes of mortality, the human body, or the animal-human boundary.

Nonhuman figures are ubiquitous in the work of Franz Kafka, from his early stories down to his very last one. Despite their prominence throughout his oeuvre, Kafka’s animal representations have been considered first and foremost as mere allegories of intrahuman matters. In recent years, the allegorization of Kafka’s animals has been poetically dismissed by Kafka’s commentators and politically rejected by posthumanist scholars. Such critique, however, has yet to inspire either an overarching or an interdiscursive account. This book aims to fill this lacuna. Positing animal stories as a distinct and significant corpus within Kafka’s entire poetics, and closely examining them in dialogue with both literary and posthumanist analysis, Kafka’s Zoopoetics critically revisits animality, interspecies relations, and the very human-animal contradistinction in the writings of Franz Kafka. Kafka’s animals typically stand at the threshold between humanity and animality, fusing together human and nonhuman features. Among his liminal creatures we find a human transformed into vermin (in “The Metamorphosis”), an ape turned into a human being (in “A Report to an Academy”), talking jackals (in “Jackals and Arabs”), a philosophical dog (in “Researches of a Dog”), a contemplative mole-like creature (in “The Burrow”), and indiscernible beings (in “Josefine, the Singer or the Mouse People”). Depicting species boundaries as mutable and obscure, Kafka creates a fluid human-animal space, which can be described as “humanimal.” The constitution of a humanimal space radically undermines the stark barrier between human and other animals, dictated by the anthropocentric paradigm. Through denying animalistic elements in humans, and disavowing the agency of nonhuman animals, excluding them from social life, and neutralizing compassion for them, this barrier has been designed to regularize both humanity and animality. The contextualization of Kafka's animals within posthumanist theory engenders a post-anthropocentric arena, which is simultaneously both imagined and very real.

This book traces the discovery and interpretation of the human-like great apes and shows how the taboo-ridden animal-human boundary was challenged.