They are man, and they are beast. Once again they stalk the night, eyes aflame, teeth flashing in vengeance. Malcolm, the young one, must choose between the familiar way of the human and the seductive howling of the wolf. Those who share his blood want to make him one of them. Those who fear him want him dead. Only one woman and one man want to help him. Even though they can't believe their ears, or their eyes.

The howling heralded the nightmare in Drago that had joined Karyn's husband to the she-wolf Marcia--a nightmare that should have ended with the fire. But it hadn't. Roy and Marcia are still alive, and deadly--thirsty for the most horrifying vengeance imaginable.

"If you haven't read Gary Brandner, you're missing a treat." STEPHEN KING The Howling Trilogy -- three books in one! The Howling Karyn and her husband Roy had come to the peaceful California village of Drago to escape the savagery of the city. On the surface Drago appeared to be like most small rural towns. But it was not. The village had a most unsavory history. Unexplained disappearances, sudden deaths. People just vanished, never to be found... The Howling II For Karyn it was the howling. The howling that had heralded the nightmare in Drago... the nightmare that had joined her husband Roy to the she-wolf Marcia and should have ended forever with the fire. But it hadn't. Roy and Marcia were still alive, and deadly... and thirsty for the most horrifying vengeance imaginable... The Howling III They are man. And they are beast. Once again they stalk the night, eyes aflame, teeth flashing in vengeance. Malcolm is the young one. He must choose between the familiar way of the human and the seductive howling of the wolf. Those who share his blood want to make him one of them. Those who fear him want him dead. Only one woman and one man want to help him. Even though they can't believe their ears. Or their eyes...

Collected for the first time, The Howling: Revenge of the Werewolf Queen Vol. 1 picks up where the cult-classic 1981 film left off. Three weeks have passed since Chris Halloran revealed on national TV that werewolves walk among us. No one believed him. Now Marsha Quist has returned for revenge--and now there is no colony to hold back her blood lust. This collection includes The Howling: Revenge of the Werewolf Queen Issues 1-4 by New York Times Best-Selling author Mickey Neilson. With art by Jason Johnson.

A man who hunts and kills werewolves is about to meet an adversary like no other he has ever faced. She is not just the packmaster. She is the Queen Immortal.

In the small California town of Santa Marta, oil and water become an explosive mixture when the human elements of lust and greed are thrown into the crucible. When news of a major oil well discovery in its channel leaks out, the quiet town is rocked by murder and terrorism...and naked desires are unleashed on every level. A giant oil company wants to control the town and its resources... The townspeople want to be left alone...except for a handful of citizens who see this as their golden opportunity for wealth, position, and power. In the face of all this violence a few dedicated people—people with ideals, people who dare to fall in love—find a way to avoid disaster. But no one in Santa Marta will ever be the same once this story reaches its shattering climax. You may well see some startling similarities here in your very own town, among people you know...

The deaths of several high profile bankers leave national security experts scrambling for answers. FBI Agent William Brody stumbles onto a lead in Detroit at the same time a team of historians make a startling discovery in a Ukrainian village. Brought together, they struggle to survive against a mythic evil murderously intent on changing history.

NOW THE ACCLAIMED HBO SERIES GAME OF THRONES—THE MASTERPIECE THAT BECAME A CULTURAL PHENOMENON Winter is coming. Such is the stern motto of House Stark, the northernmost of the fiefdoms that owe allegiance to King Robert Baratheon in far-off King’s Landing. There Eddard Stark of Winterfell rules in Robert’s name. There his family dwells in peace and comfort: his proud wife, Catelyn; his sons Robb, Brandon, and Rickon; his daughters Sansa and Arya; and his bastard son, Jon Snow. Far to the north, behind the towering Wall, lie savage Wildings and worse—unnatural things relegated to myth during the centuries-long summer, but proving all too real and all too deadly in the turning of the season. Yet a more immediate threat lurks to the south, where Jon Arryn, the Hand of the King, has died under mysterious circumstances. Now Robert is riding north to Winterfell, bringing his queen, the lovely but cold Cersei, his son, the cruel, vainglorious Prince Joffrey, and the queen’s brothers Jaime and Tyrion of the powerful and wealthy House Lannister—the first a swordsman without equal, the second a dwarf whose stunted stature belies a brilliant mind. All are heading for Winterfell and a fateful encounter that will change the course of kingdoms. Meanwhile, across the Narrow Sea, Prince Viserys, heir of the fallen House Targaryen, which once ruled all of Westeros, schemes to reclaim the throne with an army of barbarian Dothraki—whose loyalty he will purchase in the only coin left to him: his beautiful yet innocent sister, Daenerys.

Screening #MeToo offers an important and timely discussion of the pervasive nature of rape culture in Hollywood. Essays in the collection examine films released from the 1960s onward, a broad period that coincides with the end of the Motion Picture Production Code in Hollywood, which resulted in more frequent and increasingly graphic images of sex and violence being included in mainstream movies. Focusing on narratives in which surveillance and sexual violence feature prominently, contributors from North America and Europe examine a variety of film genres, including spy films, teen comedies, kitchen sink dramas, coming-of-age stories, rape/revenge films, and horror films. Reflecting the increasing social and academic awareness of sexual violence in Hollywood film and its transmission and cultivation of rape culture in the United States and abroad, they are concerned not only with the content of the films under scrutiny but also with the clear relationship between the stories, how they are being told, and the culture that produced them. Screening #MeToo challenges readers to look at mainstream Hollywood films differently, in light of attitudes about art and power, sexuality and consent, and the pleasures and frustrations of criticizing "entertainment" films from these perspectives.