FROM THE FATHER OF MODERN FANTASY THAT INSPIRED TOLKIEN AND LEWIS. Warriors, dwarves, gods, epic battles, magic armor, and a ring. If this all sounds a familiar, it's for good reason. In The House of the Wolfings, the first of the author's many great fantastic romances, William Morris weaves the traditional with the supernatural, and establishes a precursor to the modern epic fantasy genre. Based on a translation of an old Norse saga, Morris reconstructs a portrait of the lives of the Germanic Gothic Tribes galvanized into action againts the attacks of imperial Rome. Thiodolf, the leader of the Wolfings, is one of two men chosen as War-Dukes to lead the tribes against their enemies. Thiodolf may be supported by his lover the Wood-Sun and their daughter the Hall-Sun (both of whom are related to the gods), but he also possesses a dwarf-made mail-shirt that, unbeknownst to him, bears a curse.

In this comprehensive study, Williamson traces the literary history of the fantasy genre from the eighteenth century to its coalescence following the success of Tolkien's work in the 1960s. While some studies have engaged with related material, there has been no extended study specifically exploring the roots of this now beloved genre.

Fantasy novels are products of popular culture. They owe their popularity also to the visualization of medievalist artifacts on book covers and designs, illustrations, maps, and marketing: Castles on towering cliffs, cathedral-like architecture, armored heroes and enchanting fairies, fierce dragons and mages follow mythical archetypes and develop pictorial aesthetics of fantasy, completed by gothic fonts, maps and page layout that refer to medieval manuscripts and chronicles. The contributors to this volume explore the patterns and paradigms of a specific medievalist iconography and book design of fantasy which can be traced from the 19th century to the present.

J. R. R. Tolkien is arguably the most influential fantasy writer of all time--his world building and epic mythology have changed Western audiences' imaginations and the entire fantasy genre. This book is the first wide-ranging Christian Platonic reading on Tolkien's fiction. This analysis, written for scholars and general Tolkien enthusiasts alike, discusses how his fiction is constructed on levels of language, myth and textuality that have a background in the Greek philosopher Plato's texts and early Christian philosophy influenced by Plato. It discusses the concepts of ideal and real, creation and existence, and fall and struggle as central elements of Tolkien's fiction, focusing on The Hobbit, The Lord of the Rings, The Silmarillion and The History of Middle-earth. Reading Tolkien's fiction as a depiction of ideal and real, from the vision of creation to the process of realization, illuminates a part of Tolkien's aesthetics and mythology that previous studies have overlooked.

J. R. R. Tolkien's The Lord of the Rings was influenced by this tale of a romance that unites two long-ago peoples and of the battle to defend their freedom against invading Huns.

William Morris (1834–96) was an English poet, decorative artist, translator, romance writer, book designer, preservationist, socialist theorist, and political activist, whose admirers have been drawn to the sheer intensity of his artistic endeavors and efforts to live up to radical ideals of social justice. This Companion draws together historical and critical responses to the impressive range of Morris’s multi-faceted life and activities: his homes, travels, family, business practices, decorative artwork, poetry, fantasy romances, translations, political activism, eco-socialism, and book collecting and design. Each chapter provides valuable historical and literary background information, reviews relevant opinions on its subject from the late-nineteenth century to the present, and offers new approaches to important aspects of its topic. Morris’s eclectic methodology and the perennial relevance of his insights and practice make this an essential handbook for those interested in art history, poetry, translation, literature, book design, environmentalism, political activism, and Victorian and utopian studies.

C. S. Lewis explores the fascination with language by taking a series of words and teasing out their connotations.