'THE HOUSE OF MOUNTFATHOM is the kind of book that turned me into a reader in the first place. It has the same clever interweaving of history and fantasy that I so admired in Nigel McDowell's previous books but is also filled with an utterly infectious kind of delight. The characters are so vivid and the world brims with the most gorgeous detail. And if this wasn't enough, the language itself is a pure joy. Nigel McDowell has left an extraordinary legacy behind, something of the imagination and something of the soul.' Eimear McBride, multi-award-winning author of A GIRL IS A HALF-FORMED THING 'Lyrical, ominous and utterly original, with a passionate sense of place and history, THE HOUSE OF MOUNTFATHOM is one of those books that pushes strange roots down into your mind.' Frances Hardinge, Costa Award-winning author of THE LIE TREE Luke Mountfathom knows he is special and odd. He is told so by everyone he knows. His parents are special and odd too - they are the keepers of the House of Mountfathom, a magnificent stately home where the wrong door could take you to a far away land, and strange animals appear to stalk the grounds at midnight. The house is his home - but it is also the headquarters of the Driochta, a magic-weaving group of poets, artists, politicians and activists charged with keeping the peace in Ireland. They have many powers - have mastered Mirror-Predicting and Smoke-Summoning and Storm-Breaching - and a final ability: that of Mogrifying; taking on a unique animal form. But Luke's idyllic existence at Mountfathom cannot last. Word reaches the House of protests across Ireland. There is a wish for independence, a rising discontent and scenes of violence that even the Driochta cannot control. In Dublin, death and disease is running rife in the tenements; a darkness is clogging the air, and is intent on staying. And when things quickly spin out of control for the Driochta, it is up to Luke, his cat Morrigan and his best friend Killian to worm out the heart of the evil in their land.

Based on Irish legends and mythology, this is an enchanting new fantasy from the author of TALL TALES FROM PITCH END. The Divided Isle, once a place of peace and tranquillity, has been ravaged by war. Twins Oona and Morris live with their grandmother in a stone cottage in the quiet southern county of Drumbroken, but the threat of the Invaders of the Black North - the ravaged northern part of the island - is coming ever closer. When Morris, fighting against the Invaders, is kidnapped by one of the evil Briar Witches, Oona must journey to the unknown realms of the Black North in search of her brother. She is accompanied only by Merrigutt, a jackdaw with mysterious transformative powers, and a treasured secret possession: a small stone in the shape of a plum, but a stone that reveals truths and nightmares, and which the Invaders and their ruler, the King of the North, seek more than anything. Oona must keep the stone safe at all costs, and find her brother, before the King of the North extends his evil hold over the whole island and destroys it forever.

Bruno Atlas discovers the sinister secrets of the Elders who rule Pitch End and their plans for the children of the town when he discovers a book on the village which belonged to his murdered father.

"When Jackie and Paula's teenage foster daughter Star disappears with Comet, their disapproving neighbor's spirited horse, the neighbors are thrown together--far too close together. But as the search for the pair wears on, both families must learn to put aside their animosity and confront the choices they've made and the scars they carry"--

The first volume of the Gonzo papers shows the brilliant, ranting observations and cultural commentary of Thompson at his best.

The 50th-anniversary edition of the classic, savagely comic account of a trip to Las Vegas that came to represent what happened to America in the 1960s—and a founding document of “gonzo journalism”—featuring the original artwork by Ralph Steadman and a new introduction by Caity Weaver First published in Rolling Stone magazine in 1971, Fear and Loathing in Las Vegas is told through Hunter S. Thompson’s story of an assignment he undertook with his attorney to visit Las Vegas and “check it out.” The book stands as the final word on the highs and lows of that decade, one of the defining works of our time, and a stylistic and journalistic tour de force. As Christopher Lehmann-Haupt wrote in The New York Times, it has “a kind of mad, corrosive prose poetry that picks up where Norman Mailer’s An American Dream left off and explores what Tom Wolfe left out.” This 50th-anniversary Modern Library edition features Ralph Steadman’s original drawings, a new introduction by New York Times writer Caity Weaver, and three companion pieces selected by Thompson: “Jacket Copy for Fear and Loathing in Las Vegas,” “Strange Rumblings in Aztlan,” and “The Kentucky Derby Is Decadent and Depraved.”

A WOMAN ON THE RUN. A CAPTAIN ADRIFT IN SPACE. ONE OF THEM IS INFECTED WITH AN ALIEN PARASITE. In this dark science fiction thriller, a young woman must confront her past so the human race will have a future. Rosalyn Devar is on the run from her famous family, the bioengineering job she's come to hate, and her messed-up life. She's run all the way to outer space, where she's taken a position as a "space janitor," cleaning up ill-fated research expeditions. But no matter how far she goes, Rosalyn can't escape herself. After too many mistakes on the job, she's given one last chance: take care of salvaging the Brigantine, a research vessel that has gone dark, with all crew aboard thought dead. But the Brigantine's crew are very much alive--if not entirely human. Now Rosalyn is trapped on board, alone with a crew infected by a mysterious parasitic alien. The captain, Edison Aries, seems to still maintain some control over himself and the crew, but he won't be able to keep fighting much longer. Rosalyn and Edison must find a way to stop the parasite's onslaught...or it may take over the entire human race.

Considered by many to be the greatest writer of his generation, David Foster Wallace was at the height of his creative powers when he committed suicide in 2008. In a sweeping portrait of Wallace’s writing and thought and as a measure of his importance in literary history, The Legacy of David Foster Wallace gathers cutting-edge, field-defining scholarship by critics alongside remembrances by many of his writer friends, who include some of the world’s most influential authors. In this elegant volume, literary critics scrutinize the existing Wallace scholarship and at the same time pioneer new ways of understanding Wallace’s fiction and journalism. In critical essays exploring a variety of topics—including Wallace’s relationship to American literary history, his place in literary journalism, his complicated relationship to his postmodernist predecessors, the formal difficulties of his 1996 magnum opus Infinite Jest, his environmental imagination, and the “social life” of his fiction and nonfiction—contributors plumb sources as diverse as Amazon.com reader recommendations, professional book reviews, the 2009 Infinite Summer project, and the David Foster Wallace archive at the University of Texas’s Harry Ransom Center. The creative writers—including Don DeLillo, Jonathan Franzen, George Saunders, Rick Moody, Dave Eggers, and David Lipsky, and Wallace’s Little, Brown editor, Michael Pietsch—reflect on the person behind the volumes of fiction and nonfiction created during the author’s too-short life. All of the essays, critical and creative alike, are written in an accessible style that does not presume any background in Wallace criticism. Whether the reader is an expert in all things David Foster Wallace, a casual fan of his fiction and nonfiction, or completely new to Wallace, The Legacy of David Foster Wallace will reveal the power and innovation that defined his contribution to literary life and to self-understanding. This illuminating volume is destined to shape our understanding of Wallace, his writing, and his place in history.

Game of Thrones meets Graceling in this action-packed fantasy—the highly anticipated final book in the New York Times bestselling Snow Like Ashes series by Sara Raasch. Perfect for fans of An Ember in the Ashes and A Court of Thorns and Roses. Angra is alive, his Decay is spreading—and no one is safe. Meira will do anything to save her world. With Angra trying to break through her mental defenses, she desperately needs to learn to control her own magic—so when the leader of a mysterious Order from Paisly offers to teach her, Meira jumps at the chance. But the true solution to stopping the Decay lies in a labyrinth deep beneath the Season Kingdoms. To defeat Angra, Meira will have to enter the labyrinth, destroy the very magic she’s learning to control—and make the biggest sacrifice of all. Mather will do anything to save his queen. He needs to rally the Children of the Thaw, find Meira—and finally tell her how he really feels. But with a plan of attack that leaves no kingdom unscathed and a major betrayal within their ranks, winning the war—and protecting Meira—slips farther and farther out of reach. Ceridwen will do anything to save her people. Angra had her brother killed, stole her kingdom, and made her a prisoner. But when she’s freed by an unexpected ally who reveals a shocking truth behind Summer’s slave trade, Ceridwen must take action to save her true love and her kingdom, even if it costs her what little she has left. As Angra unleashes the Decay on the world, Meira, Mather, and Ceridwen must bring the kingdoms of Primoria together…or lose everything.